Krishna in the context of Vaishnavite

Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects.

Textiles have been a fundamental part of human life since the beginning of civilization. The methods and materials used to make them have expanded enormously, while the functions of textiles have remained the same, there are many functions for textiles. Whether it be clothing or something decorative for the house/shelter. The history of textile arts is also the history of international trade. Tyrian purple dye was an important trade good in the ancient Mediterranean. The Silk Road brought Chinese silk to India, Africa, and Europe, and, conversely, Sogdian silk to China. Tastes for imported luxury fabrics led to sumptuary laws during the Middle Ages and Renaissance. The Industrial Revolution was shaped largely by innovation in textiles technology: the cotton gin, the spinning jenny, and the power loom mechanized production and led to the Luddite rebellion.

In Hinduism, the conception of God varies in its diverse religio-philosophical traditions. Hinduism comprises a wide range of beliefs about God and divinity, such as henotheism, monotheism, polytheism, panentheism, pantheism, pandeism, monism, agnosticism, atheism, and nontheism.

Forms of theism find mention in the Bhagavad Gita. Emotional or loving devotion (bhakti) to a primary god such as avatars of Vishnu (Krishna for example), Shiva, and Devi (as emerged in the early medieval period) is now known as the Bhakti movement. Contemporary Hinduism can be categorized into four major theistic Hindu traditions: Vaishnavism, Shaivism, Shaktism, and Smartism. Vaishnavism, Shaivism, and Shaktism worship the Hindu deities Vishnu, Shiva, and Devi as the Supreme God respectively, or consider all Hindu deities as aspects of the same, Supreme Reality or the eternal and formless metaphysical Absolute, called Brahman in Hinduism, or, translated from Sanskrit terminology, Svayaṁ-Bhāgavan ("God Itself"). Other minor sects such as Ganapatya and Saura focus on the deities Ganesha or Surya as the Supreme.

Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the Mahabharata and the Ramayana), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali Mangal Kavya and the Tamil Periya Puranam and Divya Prabandham. Additionally, Hindu myths are also found in widely translated fables like the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts influenced by Hindu traditions.

The Mahābhārata (/məˌhɑːˈbɑːrətə, ˌmɑːhə-/ mə-HAH-BAR-ə-tə, MAH-hə-; Sanskrit: महाभारतम्, IAST: Mahābhāratam, pronounced [mɐɦaːˈbʱaːrɐt̪ɐm]) is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Ramayana. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas. It contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among the principal works and stories in the Mahābhārata are the Bhagavad Gita, the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa, often considered as works in their own right.

Traditionally, the authorship of the Mahābhārata is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period (c. 4th century CE).

The Bhagavad Gita (/ˈbʌɡəvəd ˈɡiːtɑː/; Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), often referred to as the Gita (IAST: gītā), is a Hindu scripture, likely composed in the second or first century BCE, which forms part of the epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of dharma (duty, rightful action); Sankhya-based yoga and jnana (knowledge); and bhakti (devotion). Among the Hindu traditions, the Gita holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in the Vedanta and Vaishnava traditions.

While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya yoga philosophy, the Gita is set in a narrative framework of dialogue between the Pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, at the onset of the Kurukshetra War.

Bhakti (Sanskrit: भक्ति; Pali: bhatti) is a concept common in Indian religions which means attachment, fondness for, devotion to, trust, homage, worship, piety, faith, or love. In Indian religions, it may refer to loving devotion for a personal God (like Krishna or Devi), a formless ultimate reality (like Nirguna Brahman or the Sikh God) or an enlightened being (like a Buddha, a bodhisattva, or a guru). Bhakti is often a deeply emotional devotion based on a relationship between a devotee and the object of devotion. A devotee is a bhakta or bhakt.

One of the earliest appearances of the concept is found in the early Buddhist Theragatha (Verses of the Elders) through the term bhatti. Early texts such as the Shvetashvatara Upanishad and the Bhagavad Gita, describe bhakti as contemplating God as a form of yoga.

Vaishnavism (Sanskrit: वैष्णवसम्प्रदायः, romanized: Vaiṣṇavasampradāyaḥ), also called Vishnuism, is one of the major Hindu religious traditions, that considers Vishnu as the supreme being leading all other Hindu deities, that is, Mahavishnu. It is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. Its followers are called Vaishnavites or Vaishnavas (IAST: Vaiṣṇava), and it includes sub-sects like Krishnaism and Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2020 estimate by The World Religion Database (WRD), hosted at Boston University's Institute on Culture, Religion and World Affairs (CURA), Vaishnavism is the largest Hindu sect, constituting about 399 million Hindus.

The ancient emergence of Vaishnavism is unclear, and broadly hypothesized as a fusion of various regional non-Vedic religions with worship of Vishnu. It is considered a merger of several popular non-Vedic theistic traditions, particularly the Bhagavata cults of Vāsudeva-Krishna and Gopala-Krishna, as well as Narayana, developed in the 7th to 4th century BCE. It was integrated with the Vedic God Vishnu in the early centuries CE, and finalized as Vaishnavism, when it developed the avatar doctrine, wherein the various non-Vedic deities are revered as distinct incarnations of the supreme God Vishnu. Narayana, Hari, Rama, Krishna, Kalki, Perumal, Shrinathji, Vithoba, Venkateswara, Guruvayurappan, Ranganatha, Jagannath, Badrinath and Muktinath are revered as forms or avatars of Vishnu, all seen as different aspects of the same supreme being.

The cult of Dionysus consisted of devotees who involved themselves in forms of ecstatic worship in reverence of Dionysus. An ecstatic ritual performed by the cult included the orgeia, a forest rite involving ecstatic dance during the night. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus, as well as the phallic processions. These processions often featured villagers parading through the streets with large phallic representations. The cult of Dionysus traces back to at least Mycenaean Greece, since his name is found on Mycenean Linear B tablets as 𐀇𐀺𐀝𐀰 (di-wo-nu-so). However, many view Thrace and Phrygia as the birthplace of Dionysus, and therefore the concepts and rites attributed to his worship. Dionysian worship was especially fervent in Thrace and parts of Greece that were previously inhabited by Thracians, such as Phocis and Boeotia. Initiates worshipped him in the Dionysian Mysteries, which were comparable to and linked with the Orphic Mysteries, and may have influenced Gnosticism. It is possible that water divination was an important aspect of worship within the cult.

The cult was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. One reason for Dionysus's association with the silent is that Silenus, a chief figure among them, was said to have taught Dionysus the art of wine-making. Dionysus himself is often shown riding a leopard, wearing a leopard skin, or in a chariot drawn by panthers, and is also recognized by his iconic thyrsus. Besides the grapevine and its clashing alter-ego, the poisonous ivy plant, both sacred to him, the fig was another one of his accredited symbols. Additionally, the pinecone that topped his thyrsus linked him to Cybele, an Anatolian goddess. The Dionysian effect the god had on women also bores a resemblance to Krishna, an Indian god who enchanted female gopis with music to venture into the forest in the night.

Mahavishnu (Sanskrit: महाविष्णु, romanized: Mahāviṣṇu, lit. 'Great Vishnu') is an aspect of Vishnu, the principal deity in Vaishnavism. In his capacity as Mahavishnu, the deity is known as the Supreme Purusha, the absolute protector and sustainer of the universe, the one who is beyond human comprehension, and all attributes.

The term Mahavishnu refers to the absolute truth, Brahman (impersonal invisible aspect) then as Paramatma (Aspect beyond the understanding of human soul), and finally as Sarvatma (incarnating for bringing perfection). Bhakti (loving devotion) is offered to Sarvatman (Krishna or Rama avatars or incarnations of Vishnu, Narayana bringing both peace and perfection of the living beings). In this way, bhakti surpasses even yoga, which is aimed at the Supersoul, Paramatman. Mahavishnu is the Supersoul of all living beings (jivatmas) in all material universes. Karanodaksayi Vishnu is understood to be Sankarsana (form) of the Chatur-vyuha of Narayaņa. It is also often used interchangeably with Vishnu to indicate reverence, as the prefix "Maha" in Vishnu indicates the greatness and the vastness of Narayana. All the deities that bear material form like Shiva and Brahma are considered as a grain of sand in the ocean of Mahavishnu's Vishvarupam.

Lakshmi (/ˈlʌkʃmi/; Sanskrit: लक्ष्मी, IAST: Lakṣmī, sometimes spelled Laxmi), also known as Shri (Sanskrit: श्री, IAST: Śrī), is one of the principal goddesses in Hinduism, revered as the goddess of happiness, fortune, wealth, prosperity, beauty, fertility, sovereignty, and abundance. She along with Parvati and Sarasvati, form the trinity of goddesses called the Tridevi.

Lakshmi has been a central figure in Hindu tradition since pre-Buddhist times (1500 to 500 BCE) and remains one of the most widely worshipped goddesses in the Hindu pantheon. Although she does not appear in the earliest Vedic literature, the personification of the term shri—auspiciousness, glory, and high rank, often associated with kingship—eventually led to the development of Sri-Lakshmi as a goddess in later Vedic texts, particularly the Shri Suktam. Her importance grew significantly during the late epic period (around 400 CE), when she became particularly associated with the preserver god Vishnu as his consort. In this role, Lakshmi is seen as the ideal Hindu wife, exemplifying loyalty and devotion to her husband. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively.

Gopi (Sanskrit: गोपी, IAST: Gopī) or Gopika in Hinduism are commonly referred to the group of milkmaids of the Braj region in India. They are regarded by Hindus as the consorts and devotees of Krishna and are venerated for their unconditional love and devotion (Bhakti) to him as described in Bhagavata Purana and other Puranic literature. Gopis are often considered as the expansion of Radha, the chief consort of Krishna. The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures.

Gopi (Sanskrit: गोपी, IAST: Gopī) when used as a male name of Indian origin is a short form of the name Gopala Krishna, literally translates to "cow-protector Krishna" or "Krishna the cowherd". While traditionally used for both genders, it's more commonly used as a male name, especially within the Indian diaspora and communities.

Holi (IPA: ['hoːli:, hoːɭiː]) is a major Hindu festival celebrated as the Festival of Colours, Love and Spring.It celebrates the eternal and divine love of the deities Radha and Krishna.Additionally, the day signifies the triumph of good over evil, as it commemorates the victory of Vishnu as Narasimha over Hiranyakashipu. Holi originated and is predominantly celebrated in the Indian subcontinent, but has also spread to other regions of Asia and parts of the Western world through the Indian diaspora.

Holi also celebrates the arrival of spring in India, the end of winter, and the blossoming of love. It is also an invocation for a good spring harvest season. It lasts for a night and a day, starting on the evening of the Purnima (full moon day) falling on the Hindu calendar month of Phalguna, which falls around the middle of March in the Gregorian calendar.

Dvapara Yuga (IAST: Dvāpara-yuga) (Devanagari: द्वापर युग), in Hinduism, is the third and third-best of the four yugas (world ages) in a Yuga Cycle, preceded by Treta Yuga and followed by Kali Yuga. Dvapara Yuga lasts for 864,000 years (2,400 divine years).

According to the Puranas, this yuga ended when Krishna returned to his eternal abode of Vaikuntha. There are only two pillars of religion during the Dvapara Yuga: compassion and truthfulness. Vishnu assumes the colour yellow and the Vedas are categorized into four parts: Rig Veda, Sama Veda, Yajur Veda and Atharva Veda.

The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) is a patronymic referring to the five legendary brothers, Yudhishtira, Bhima, Arjuna, Nakula, and Sahadeva, who are central figures of the ancient Hindu epic Mahabharata. They are acknowledged as the sons of Pandu, the King of Kuru, but were fathered by different Devas (gods) due to Pandu's cursed inability to naturally sire children. In the epic, the Pandavas married Draupadi, the princess of Panchala, and founded the city of Indraprastha after the Kuru Kingdom was split to avoid succession disputes. After the split, the other part of the kingdom was ruled by their cousins, the Kauravas. However, the Pandavas lost their kingdom to Duryodhana (eldest and king of the Kauravas) when Yudhishthira gambled it away during a game of dice. The bet Yudhishtira agreed to was that the Pandavas would hand the kingdom over to the Kauravas and go into exile for 12 followed by an year in hiding. After this time the Kauravas refused to return the kingdom. As a result, the Pandavas waged a civil war against their extended family, and this conflict is known as the Kurukshetra War. With the help of the god Krishna, the Pandavas eventually won the war with the death of the Kauravas, albeit at great cost.

Parameshvara (IAST: Parameśvara, Sanskrit: परमेश्वर) is an epithet used in Hindu literature. The term indicates the Supreme Being and Supreme Reality in Hinduism. Vaishnavas consider Vishnu and his avatars, such as Rama and Krishna as Parameshvara, while Shaivas consider Shiva as Parameshvara. In Shaktism, he plays a supporting role and is dependent on Parameshvari, that is the Adi Shakti/Mahadevi (known for her forms such as Durga, Tripura Sundari, Mahakali, Mahalakshmi, Mahasaraswati etc). Shakta traditions are focused on Parameshvari's superiority over Parameshvara, comparisons going as far as to calling Parameshwara a Shava (dead body) without Parameshwari (The supreme moving force of the universe). Whereas in Shaivism and Vaishnavism, she is considered the dependant consort of Parameshvara (as Uma/Sati/Parvati consort of Shiva in Shaivism and Lakshmi consort of Vishnu in Vaishnavism). Beyond sectarian interpretations, Hindus regard Parameshvara as the ultimate and highest reality, eternally pervading all matter. He is regarded by devotees to be totality itself, controlling the triple forces of creation, preservation, and destruction.

Svayam Bhagavan (Sanskrit: स्वयं भगवान्, romanized: Svayaṁ-Bhāgavan; roughly: "God Itself") is a Sanskrit concept in Hinduism, referring to the absolute representation of Bhagavan (the title "Lord" or "God") as the Supreme God in a monotheistic framework. The concept is most commonly (but not always) associated with a male deity, for instance in Hindu sub-movements like Krishnaism and Gaudiya Vaishnavism, in which Krishna is regarded as Svayam Bhagavan.

Rukmini (Sanskrit: रुक्मिणी, lit. 'radiant', IAST: Rukmiṇī) is a Hindu goddess and the first queen of Krishna. She is described as the chief of Krishna's wives in Dvaraka. Rukmini is revered as the avatar of Lakshmi and is venerated primarily in Warkari, and Haridasa tradition, and additionally in Sri Vaishnavism.

Arjuna (Sanskrit: अर्जुन, IAST: Arjuna) is one of the central characters of the ancient Hindu epic Mahabharata. He is the third oldest of the five Pandava brothers and is widely recognised as the most distinguished among them. He is the son of Indra, the king of the gods, and Kunti, wife of King Pandu of Kuru dynasty—making him a divine-born hero. Arjuna is famed for his extraordinary prowess in archery and mastery over celestial weapons. Throughout the epic, Arjuna sustains a close friendship with his maternal cousin, Krishna, who serves as his spiritual guide.

Arjuna is celebrated for numerous heroic exploits throughout the epic. From an early age, he distinguishes himself as an exceptional student under the tutelage of the revered warrior-sage Drona. In his youth, Arjuna secured the hand of Draupadi, the princess of Panchala, by excelling in an archery competition. Subsequently, during a period of temporary exile prompted by a breach of a fraternal agreement, Arjuna embarked on a journey during which he entered into matrimonial alliances with three princesses: Ulupi, Chitrangada, and Subhadra. From these unions, he fathered four sons: Shrutakarma, Iravan, Babhruvahana and Abhimanyu. Arjuna plays a major role in establishing his elder brother Yudhishthira’s sovereignty, subduing numerous kingdoms and setting fire to the forest of Khandavaprastha. When the Pandavas are deceitfully exiled after being tricked into forfeiting their kingdom by their jealous cousins, the Kauravas, Arjuna vows to kill Karna—a key Kaurava ally and Arjuna's main rival who is later revealed to be his elder half-brother. During exile, Arjuna undertakes a journey to acquire divine weapons and earns the favour of the god Shiva. Beyond his martial prowess, Arjuna was also skilled in music and dance, which enabled him to disguise himself as a eunuch teacher of princess Uttarā of Matsya during his final year of exile. During this period, he also defeats the entire Kuru army.