Raslila in the context of "Gopi"

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⭐ Core Definition: Raslila

The Raslila (Sanskrit: रासलीला, romanizedRāsalīlā), also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri Raas Leela, Kuchipudi, and Kathak.

The Indian classical dance of Kathak and Manipuri rasalila are evolved from the rasalila of Braj. Kathak, also known as Natwari Nritya, was revived in the 1960s by the Kathak dancer, Uma Sharma.

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👉 Raslila in the context of Gopi

Gopi (Sanskrit: गोपी, IAST: Gopī) or Gopika in Hinduism are commonly referred to the group of milkmaids of the Braj region in India. They are regarded by Hindus as the consorts and devotees of Krishna and are venerated for their unconditional love and devotion (Bhakti) to him as described in Bhagavata Purana and other Puranic literature. Gopis are often considered as the expansion of Radha, the chief consort of Krishna. The Raslila of gopis with Krishna has inspired various traditional performance art forms and literatures.

Gopi (Sanskrit: गोपी, IAST: Gopī) when used as a male name of Indian origin is a short form of the name Gopala Krishna, literally translates to "cow-protector Krishna" or "Krishna the cowherd". While traditionally used for both genders, it's more commonly used as a male name, especially within the Indian diaspora and communities.

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Raslila in the context of Hindi theatre

Hindi theatre is theatre performed in the Hindi language, including dialects such as Braj Bhasha, Khari Boli and Hindustani. Hindi theatre is produced mainly inNorth India, and some parts of West India and Central India, which include Mumbai and Bhopal. Hindi theatre has its roots in the traditional folk theatre of North India, like Ram lila and Raslila, and also influenced by distant Sanskrit drama. Starting with Bhartendu Harishchandra in the late 19th century and subsequent playwrights like Jaishankar Prasad, Mohan Rakesh, Hindi theatre came of age in the 1940s and 50s, when IPTA movement created a new brand of theatre practitioners in Hindi speaking areas, especially with IPTA Mumbai, Prithvi Theatres of thespian Prithviraj Kapoor, and theatre artiste Habib Tanvir, paving way for next generation of artists who came out once National School of Drama, Delhi started functioning in 1959.

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