Sanskrit literature in the context of "Mahabharata"

The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the classical period with the composition of the Nātyaśāstra (lit. The Science of Drama). Indian classical drama is regarded as the highest achievement of Sanskrit literature.

The Buddhist playwright, poet and philosopher Asvaghosa, who composed the Buddhacarita, is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama.

Hindu philosophy or Vedic philosophy is the set of philosophical systems that developed in tandem with the first Hindu religious traditions during the iron and classical ages of India. In Indian philosophy, of which Hindu philosophy is a prominent subset, the word used for philosophy is Darshana (Sanskrit: दर्शन; meaning: "viewpoint or perspective"), from the Sanskrit root 'दृश' (drish) meaning 'to see, to experience'.

The schools of thought or Darshanas within Hindu philosophy largely equate to the six ancient orthodox schools: the āstika (Sanskrit: आस्तिक) schools, defined by their acceptance of the Vedas, the oldest collection of Sanskrit texts, as an authoritative source of knowledge. Of these six, Samkhya (सांख्य) is the earliest school of dualism; Yoga (योग) combines the metaphysics of Samkhya with meditation and breath techniques; Nyaya (न्याय) is a school of logic emphasising direct realism; Vaisheshika (वैषेशिक) is an offshoot of Nyaya concerned with atomism and naturalism; Mimamsa (मीमांसा) is a school justifying ritual, faith, and religious obligations; and Vedanta (वेदान्त) contains various traditions that mostly embrace nondualism.

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanized: Rāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

The Vedas (/ˈveɪdəz/ or /ˈviːdəz/; Sanskrit: वेदः, romanized: Vēdaḥ, lit. 'knowledge'), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.

There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox śramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for the Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively.

Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.

The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics Ramayana and Mahabharata were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. Ancient Meitei appeared in the 1st century CE with sacred musical compositions like the Ougri, and heroic narratives like the Numit Kappa. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries, respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as well. In 1913, Bengali poet Rabindranath Tagore became India's first Nobel laureate in literature.

Friedrich Max Müller (German: [ˈfʁiːdʁɪç ˈmaks ˈmʏlɐ]; 6 December 1823 – 28 October 1900) was a German-born British comparative philologist and Orientalist. He was one of the founders of the Western academic disciplines of Indology and religious studies. Müller wrote both scholarly and popular works on the subject of Indology. He directed the preparation of the Sacred Books of the East, a 50-volume set of English translations which continued after his death.

Müller became a professor at Oxford University, first of modern languages, then of comparative philology in a position founded for him, and which he held for the rest of his life. Early in his career he held strong views on India, believing that it needed to be transformed by Christianity. Later, his view became more nuanced, championing ancient Sanskrit literature and India more generally. He became involved in several controversies during his career: he was accused of being anti-Christian; he disagreed with Darwinian evolution, favouring theistic evolution; he raised interest in Aryan culture, deeply disliking the resulting racist Aryanism; and he promoted the idea of a "Turanian" family of languages.