Vishnu in the context of "Tat tvam asi"

Dewi Sri or Shridevi (Javanese: ꦢꦺꦮꦶꦱꦿꦶ, Balinese: ᬤᬾᬯᬶᬲ᭄ᬭᬶ, Dewi Sri, Sundanese: ᮑᮄ ᮕᮧᮠᮎᮤ ᮞᮀᮠᮡᮀ ᮃᮞᮢᮤ, Nyai Pohaci Sanghyang Asri) is the Javanese, Sundanese, and Balinese Hindu Goddess of rice and fertility, still widely worshiped on the islands of Java, Bali and Lombok, Indonesia. She is often associated or equated with the Hindu goddess Lakshmi, the shakti (consort) of Vishnu.

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanized: Rāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

Vali (Sanskrit: वाली) also known as Bali, was a vanara and the king of Kishkindha in the Hindu epic Ramayana. He was the son of Indra, the husband of Tara, the elder brother of Sugriva, and the father of Angada through his wife, Tara.

Vali obtained a pendant from his father, Indra, that which allowed him to restore his energy even when nearing death, making him a formidable fighter. He banished his brother Sugriva, who had assumed his throne, believing him to be dead. Sugriva sought the assistance of Rama, an avatar of Vishnu, to intervene in their conflict. During a duel between the brothers, Rama shot Vali in the chest with an arrow.

Surya (/ˈsuːriə/ SOO-ree-ə; Sanskrit: सूर्य, IAST: Sūrya) is the Sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Throughout Indian literature, Surya has been given multiple epitaphs such as Ravi, Vaivasvat, Bhāskara, etc. Furthermore, Surya has been described through aspects of itself which are identified as the Ādityas; including Savitr, Pushan, Mārtanda, Bhaga, etc.

The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. Surya is also regarded as the father of Sugriva and Karna, who play important roles in the two Hindu epics—the Ramayana and the Mahabharata, respectively. Surya was a primary deity in veneration by the characters of the Mahabharata and Ramayana.

Rama (/ˈrɑːmə/; Sanskrit: राम, IAST: Rāma, Sanskrit: [ˈraːmɐ] ) is a major deity in Hinduism. He is worshipped as the seventh and one of the most popular avatars of Vishnu. In Rama-centric Hindu traditions, he is considered the Supreme Being. Also considered as the ideal man (maryāda puruṣottama), Rama is the male protagonist of the Hindu epic Ramayana. His birth is celebrated every year on Rama Navami, which falls on the ninth day of the bright half (Shukla Paksha) of the lunar cycle of Chaitra (March–April), the first month in the Hindu calendar.

According to the Ramayana, Rama was born to Dasaratha and his first wife Kausalya in Ayodhya, the capital of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Born in a royal family, Rama's life is described in the Hindu texts as one challenged by unexpected changes, such as an exile into impoverished and difficult circumstances, and challenges of ethical questions and moral dilemmas. The most notable story involving Rama is the kidnapping of Sita by the demon-king Ravana, followed by Rama and Lakshmana's journey to rescue her.

Sita (Sanskrit: सीता; IAST: Sītā), also known as Siya, Jānaki and Maithili, is a Hindu goddess and the female protagonist of the Hindu epic Ramayana. Sita is the consort of Rama, the avatar of god Vishnu, and is regarded as an avatar of goddess Lakshmi. She is the chief goddess of the Ramanandi Sampradaya and is the goddess of beauty and devotion. Sita's birthday is celebrated every year on the occasion of Sita Navami.

Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya as her husband in a swayamvara. After the swayamvara, she accompanies her husband to his kingdom but later chooses to accompany him along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatika, in Lanka, until she is rescued by Rama, who slays her captor. After the war, in some versions of the epic, Rama asks Sita to undergo Agni Pariksha (an ordeal of fire), by which she proves her chastity, before she is accepted by Rama, which for the first time makes his brother Lakshmana angry at him.

Ravana (Sanskrit: रावण, romanized: Rāvaṇa, lit. 'roaring') is the principal antagonist of the ancient Hindu epic Ramayana and its several other versions. He is traditionally depicted as a ten-headed rakshasa (demon) king of Lanka. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita.

Ravana was well-versed in the six shastras and the four Vedas, including the Shiva Tandava Stotra. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are often seen associated with Shiva at temples. He also appears in the Buddhist Mahayana text Laṅkāvatāra Sūtra, in Buddhist Jatakas, as well as in Jain Ramayanas. In Vaishnava scriptures, he is depicted as one of Vishnu's cursed doorkeepers.

In Hinduism, the conception of God varies in its diverse religio-philosophical traditions. Hinduism comprises a wide range of beliefs about God and divinity, such as henotheism, monotheism, polytheism, panentheism, pantheism, pandeism, monism, agnosticism, atheism, and nontheism.

Forms of theism find mention in the Bhagavad Gita. Emotional or loving devotion (bhakti) to a primary god such as avatars of Vishnu (Krishna for example), Shiva, and Devi (as emerged in the early medieval period) is now known as the Bhakti movement. Contemporary Hinduism can be categorized into four major theistic Hindu traditions: Vaishnavism, Shaivism, Shaktism, and Smartism. Vaishnavism, Shaivism, and Shaktism worship the Hindu deities Vishnu, Shiva, and Devi as the Supreme God respectively, or consider all Hindu deities as aspects of the same, Supreme Reality or the eternal and formless metaphysical Absolute, called Brahman in Hinduism, or, translated from Sanskrit terminology, Svayaṁ-Bhāgavan ("God Itself"). Other minor sects such as Ganapatya and Saura focus on the deities Ganesha or Surya as the Supreme.

Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the Mahabharata and the Ramayana), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali Mangal Kavya and the Tamil Periya Puranam and Divya Prabandham. Additionally, Hindu myths are also found in widely translated fables like the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts influenced by Hindu traditions.

Puranas (Sanskrit: पुराण, romanized: Purāṇa, lit. 'Ancients') are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in other Indian languages, several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Devi. The Puranic genre of literature is found in both Hinduism and Jainism.

The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, queens, heroes, heroines, sages, other gods, other goddesses, folk tales, pilgrimages, temples, medicine, astronomy, grammar, mineralogy, humor, love stories, theology, philosophy, etc. The content is highly inconsistent across the Puranas, and each Purana has survived in numerous manuscripts which are themselves inconsistent. The Hindu Maha Puranas are traditionally attributed to Vyasa, but many scholars consider them likely the work of many authors over the centuries; in contrast, most Jaina Puranas can be dated and their authors assigned.

The Bhagavad Gita (/ˈbʌɡəvəd ˈɡiːtɑː/; Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), often referred to as the Gita (IAST: gītā), is a Hindu scripture, likely composed in the second or first century BCE, which forms part of the epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of dharma (duty, rightful action); Sankhya-based yoga and jnana (knowledge); and bhakti (devotion). Among the Hindu traditions, the Gita holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in the Vedanta and Vaishnava traditions.

While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya yoga philosophy, the Gita is set in a narrative framework of dialogue between the Pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, at the onset of the Kurukshetra War.

Vaishnavism (Sanskrit: वैष्णवसम्प्रदायः, romanized: Vaiṣṇavasampradāyaḥ), also called Vishnuism, is one of the major Hindu religious traditions, that considers Vishnu as the supreme being leading all other Hindu deities, that is, Mahavishnu. It is one of the major Hindu denominations along with Shaivism, Shaktism, and Smartism. Its followers are called Vaishnavites or Vaishnavas (IAST: Vaiṣṇava), and it includes sub-sects like Krishnaism and Ramaism, which consider Krishna and Rama as the supreme beings respectively. According to a 2020 estimate by The World Religion Database (WRD), hosted at Boston University's Institute on Culture, Religion and World Affairs (CURA), Vaishnavism is the largest Hindu sect, constituting about 399 million Hindus.

The ancient emergence of Vaishnavism is unclear, and broadly hypothesized as a fusion of various regional non-Vedic religions with worship of Vishnu. It is considered a merger of several popular non-Vedic theistic traditions, particularly the Bhagavata cults of Vāsudeva-Krishna and Gopala-Krishna, as well as Narayana, developed in the 7th to 4th century BCE. It was integrated with the Vedic God Vishnu in the early centuries CE, and finalized as Vaishnavism, when it developed the avatar doctrine, wherein the various non-Vedic deities are revered as distinct incarnations of the supreme God Vishnu. Narayana, Hari, Rama, Krishna, Kalki, Perumal, Shrinathji, Vithoba, Venkateswara, Guruvayurappan, Ranganatha, Jagannath, Badrinath and Muktinath are revered as forms or avatars of Vishnu, all seen as different aspects of the same supreme being.

The Smarta tradition (Sanskrit: स्मार्त, IAST: Smārta) is a movement in Hinduism that developed and expanded with the Puranas genre of literature. It reflects a synthesis of four philosophical strands, namely Uttara Mīmāṃsā, Advaita, Yoga, and theism. The Smarta tradition rejects theistic sectarianism, and is notable for the domestic worship of five shrines with five deities, all treated as equal – Ganesha, Shiva, Shakti, Vishnu and Surya. The Smarta tradition contrasted with the older Shrauta tradition, which was based on elaborate rituals and rites. There has been a considerable overlap in the ideas and practices of the Smarta tradition with other significant historic movements within Hinduism, namely Shaivism, Brahmanism, Vaishnavism, and Shaktism.

The Smarta tradition developed during (early) Classical Period of Hinduism around the beginning of the Common Era, when Hinduism emerged from the interaction between Brahmanism and local traditions. The Smarta tradition is aligned with Advaita Vedanta, and regards Adi Shankara as its founder or reformer. Shankara championed the thesis that ultimate reality is impersonal and Nirguna (attributeless) and any symbolic god serves the same equivalent purpose. Inspired by this belief, the Smarta tradition followers, along with the five Hindu gods, include a sixth impersonal god in their practice. The tradition has been called by William Jackson as "advaitin, monistic in its outlook".

Āstika (Sanskrit: आस्तिक, IAST: āstika) and nāstika (Sanskrit: नास्तिक, IAST: nāstika) are mutually exclusive terms that modern scholars use to classify the schools of Indian philosophy as well as some Hindu, Buddhist and Jain texts. The various definitions for āstika and nāstika philosophies have been disputed since ancient times, and there is no consensus. One standard distinction, as within ancient- and medieval-era Sanskrit philosophical literature, is that āstika schools accept the Vedas, the ancient texts of India, as fundamentally authoritative, while the nāstika schools do not. However, a separate way of distinguishing the two terms has evolved in current Indian languages like Telugu, Hindi and Bengali, wherein āstika and its derivatives usually mean 'theist', and nāstika and its derivatives denote 'atheism'.

Still, philosophical tradition maintains the earlier distinction, for example, in identifying the school of Sāṃkhya, which is non-theistic (as it does not explicitly affirm the existence of God in its classical formulation), as āstika (Veda-affirming) philosophy, though "God" is often used as an epithet for consciousness (purusha) within its doctrine. Similarly, though Buddhism is considered to be nāstika, Gautama Buddha is considered an avatar of the god Vishnu in some Hindu denominations. Due to its acceptance of the Vedas, āstika philosophy, in the original sense, is often equivalent to Hindu philosophy: philosophy that developed alongside the Hindu religion.

Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati.

The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism's diverse traditions. The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy, to thirty-three major deities in the Vedas, to hundreds of deities mentioned in the Puranas of Hinduism. Examples of contemporary major deities include Vishnu, Shiva and Devi. These deities have distinct and complex personalities, yet are often viewed as aspects of the same Ultimate Reality called Brahman. From ancient times, the idea of equivalence has been cherished for all Hindus, in its texts and in early 1st-millennium sculpture with concepts such as Harihara (Half Vishnu, Half Shiva) and Ardhanārīshvara (half Shiva, half Parvati), with myths and temples that feature them together, declaring they are the same. Major deities have inspired their own Hindu traditions, such as Vaishnavism, Shaivism and Shaktism, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism. Some Hindu traditions, such as Smartism from the mid 1st millennium CE, have included multiple major deities as henotheistic manifestations of Saguna Brahman, and as a means to realizing Nirguna Brahman. In Samkhya philosophy, Devata or deities are considered as "natural sources of energy" who have Sattva as the dominant Guna.

Matrikas (Sanskrit: मातृका (singular), IAST: mātṛkā, lit. "mothers"), also called Mataras or Matri, are a group of mother goddesses in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers). However, they are also depicted as a group of eight, the Ashtamatrika(s). They are associated with these gods as their energies (Shaktis). Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi. And additionals are Narasimhi from Narasimha and Vinayaki from Ganesha.

Originally the seven goddesses of the seven stars of the star cluster of the Pleiades, they became quite popular by the seventh century CE and a standard feature of the Hindu goddesses's temples from the ninth century CE onwards. In South India, Saptamatrikas worship is prevalent whereas the Ashtamatrikas are venerated in Nepal, among other places.

Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist complex in Cambodia. Located on a site measuring 162.6 hectares (1.6 km; 401.8 acres) within the ancient Khmer capital city of Angkor, it was originally constructed in 1150 CE as a Hindu temple dedicated to the deity Vishnu. It was later gradually transformed into a Buddhist temple towards the end of the century. Hailed as the largest religious structure in the world, it is one of the best examples of Khmer architecture and a symbol of Cambodia, depicted as a part of the Cambodian national flag.

Angkor Wat was built at the behest of the Khmer king Suryavarman II in the early 12th century in Yaśodharapura (present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology and is surrounded by a moat more than 5 km (3.1 mi). Enclosed within an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. The expansive Temple complex covers an area of 400 acres. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west with scholars divided as to the significance of this.

Mahavishnu (Sanskrit: महाविष्णु, romanized: Mahāviṣṇu, lit. 'Great Vishnu') is an aspect of Vishnu, the principal deity in Vaishnavism. In his capacity as Mahavishnu, the deity is known as the Supreme Purusha, the absolute protector and sustainer of the universe, the one who is beyond human comprehension, and all attributes.

The term Mahavishnu refers to the absolute truth, Brahman (impersonal invisible aspect) then as Paramatma (Aspect beyond the understanding of human soul), and finally as Sarvatma (incarnating for bringing perfection). Bhakti (loving devotion) is offered to Sarvatman (Krishna or Rama avatars or incarnations of Vishnu, Narayana bringing both peace and perfection of the living beings). In this way, bhakti surpasses even yoga, which is aimed at the Supersoul, Paramatman. Mahavishnu is the Supersoul of all living beings (jivatmas) in all material universes. Karanodaksayi Vishnu is understood to be Sankarsana (form) of the Chatur-vyuha of Narayaņa. It is also often used interchangeably with Vishnu to indicate reverence, as the prefix "Maha" in Vishnu indicates the greatness and the vastness of Narayana. All the deities that bear material form like Shiva and Brahma are considered as a grain of sand in the ocean of Mahavishnu's Vishvarupam.

Lakshmi (/ˈlʌkʃmi/; Sanskrit: लक्ष्मी, IAST: Lakṣmī, sometimes spelled Laxmi), also known as Shri (Sanskrit: श्री, IAST: Śrī), is one of the principal goddesses in Hinduism, revered as the goddess of happiness, fortune, wealth, prosperity, beauty, fertility, sovereignty, and abundance. She along with Parvati and Sarasvati, form the trinity of goddesses called the Tridevi.

Lakshmi has been a central figure in Hindu tradition since pre-Buddhist times (1500 to 500 BCE) and remains one of the most widely worshipped goddesses in the Hindu pantheon. Although she does not appear in the earliest Vedic literature, the personification of the term shri—auspiciousness, glory, and high rank, often associated with kingship—eventually led to the development of Sri-Lakshmi as a goddess in later Vedic texts, particularly the Shri Suktam. Her importance grew significantly during the late epic period (around 400 CE), when she became particularly associated with the preserver god Vishnu as his consort. In this role, Lakshmi is seen as the ideal Hindu wife, exemplifying loyalty and devotion to her husband. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively.