Khmer architecture in the context of "Angkor Wat"

⭐ In the context of Angkor Wat, Khmer architecture is considered particularly notable for its integration of which symbolic elements?

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⭐ Core Definition: Khmer architecture

Khmer architecture (Khmer: ស្ថាបត្យកម្មខ្មែរ), also known as Angkorian architecture (Khmer: ស្ថាបត្យកម្មសម័យអង្គរ), is the architecture produced by the Khmer during the Angkor period of the Khmer Empire from approximately the later half of the 8th century CE to the first half of the 15th century CE.

The architecture of the Indian rock-cut temples, particularly in sculpture, had an influence on Southeast Asia and was widely adopted into the Indianised architecture of Cambodian (Khmer), Annamese and Javanese temples (of the Greater India). Evolved from Indian influences, Khmer architecture became clearly distinct from that of the Indian sub-continent as it developed its own special characteristics, some of which were created independently and others of which were incorporated from neighboring cultural traditions, resulting in a new artistic style in Asian architecture unique to the Angkorian tradition. The development of Khmer architecture as a distinct style is particularly evident in artistic depictions of divine and royal figures with facial features representative of the local Khmer population, including rounder faces, broader brows, and other physical characteristics. In any study of Angkorian architecture, the emphasis is necessarily on religious architecture, since all the remaining Angkorian buildings are religious in nature. During the period of Angkor, only temples and other religious buildings were constructed of stone.

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👉 Khmer architecture in the context of Angkor Wat

Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist complex in Cambodia. Located on a site measuring 162.6 hectares (1.6 km; 401.8 acres) within the ancient Khmer capital city of Angkor, it was originally constructed in 1150 CE as a Hindu temple dedicated to the deity Vishnu. It was later gradually transformed into a Buddhist temple towards the end of the century. Hailed as the largest religious structure in the world, it is one of the best examples of Khmer architecture and a symbol of Cambodia, depicted as a part of the Cambodian national flag.

Angkor Wat was built at the behest of the Khmer king Suryavarman II in the early 12th century in Yaśodharapura (present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology and is surrounded by a moat more than 5 km (3.1 mi). Enclosed within an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. The expansive Temple complex covers an area of 400 acres. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west with scholars divided as to the significance of this.

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Khmer architecture in the context of New Khmer Architecture

New Khmer Architecture (Khmer: ស្ថាបត្យកម្មខ្មែរថ្មី) was an architectural movement in Cambodia during the 1950s and 1960s. The style blended elements of the Modern movement with two distinctly Cambodian traditions: the great Khmer tradition of Angkor and the vernacular architecture tradition of domestic buildings. The term was coined by authors Helen Grant Ross and Darryl Leon Collins.

The Kingdom of Cambodia gained independence from France in 1953. Winning the elections in 1955, Prince Norodom Sihanouk founded the Sangkum Reastr Niyum, a political experiment in economic development that specifically developed this art and architectural style. It reached its apotheosis in the 1960s and ended abruptly in 1970 with the overthrow of Norodom Sihanouk by General Lon Nol.

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Khmer architecture in the context of Phra Bang

The Phra Bang (Lao: ພະບາງ, pronounced [pʰāʔ bàːŋ]; Thai: พระบาง, pronounced [pʰráʔ bāːŋ], "Royal Buddha Image in the Dispelling Fear mudra") is a statue of Buddha in the city of Luang Prabang, Laos; it is the namesake of that city. The statue stands at 83 centimetres (33 in), with palms facing forward, cast using thong, an alloy of bronze, gold, and silver. According to local lore, it was cast in Ceylon (now Sri Lanka) sometime between the 1st and 9th century. However, the features of the image suggest a much later Khmer origin.

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Khmer architecture in the context of Gopura

A gopuram or gopura is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the Dravidian architecture of South India, and Sri Lanka. In temples in other parts of India, they might be present but are more modest, while they are often the highest parts of the temple in the south. They also appear in architecture outside India such as the Khmer architecture in South East Asia.

The gopurams often function as gateways to the temple complex. They might be multi-storeyed and the higher levels typically repeat the lower level features on a rhythmic diminishing scale. They may consist of various sculptures and ornamentation. They are topped by one or more kalasams, which are a type of bulbous metal or stone finials. The gopurams are designed and constructed as per rules given in the texts of Vaastu Shastra.

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