National Academy of Design in the context of "Malvina Hoffman"

Frederick Catherwood (27 February 1799 – 27 September 1854) was an English artist, architect and explorer, best remembered for his meticulously detailed drawings of the ruins of the Maya civilization. He explored Mesoamerica in the mid 19th century with writer John Lloyd Stephens. Their books, Incidents of Travel in Central America, Chiapas and Yucatán and Incidents of Travel in Yucatán, were best sellers and introduced to the Western world the civilization of the ancient Maya. In 1837, Catherwood was elected into the National Academy of Design as an Honorary member.

Robert Walter Weir (June 18, 1803 – May 1, 1889) was an American artist and educator and is considered a painter of the Hudson River School. Weir was elected to the National Academy of Design in 1829 and was an instructor at the United States Military Academy. His best-known work is Embarkation of the Pilgrims in the United States Capitol rotunda in Washington, D.C. More than 450 of his works are known, and he created many unsigned paintings that may never be attributed to him.

John La Farge (March 31, 1835 – November 14, 1910) was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany.

La Farge rented space in the Tenth Street Studio Building at its opening in 1858, and he became a longtime presence in Greenwich Village. In 1863 he was elected into the National Academy of Design; in 1877 he co-founded the Society of American Artists in frustration at the National Academy's conservatism. In 1892 La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City. He served as president of the National Society of Mural Painters from 1899 to 1904. In 1904, he was one of the first seven artists chosen for membership in the American Academy of Arts and Letters.

Lenore "Lee" Krasner (born Lena Krassner; October 27, 1908 – June 19, 1984) was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement.

She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.

Martin Euclid Thompson (1786–1877) was an American architect and artist prolific in nineteenth-century New York City, and a co-founder of the National Academy of Design.

Originally trained as a carpenter, he had been a partner of Ithiel Town and went on to become one of the founders of the National Academy of Design.

Charles Cushing Wright (1 May 1796, in Damariscotta, Maine – 7 June 1857, in New York City) was an American engraver and medalist. In 1825 he was a founding member of the National Academy of Design.