Anna Pavlovna Pavlova (born Anna Matveyevna Pavlova; 12 February [O.S. 31 January] 1881 – 23 January 1931) was a Russian prima ballerina. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev, but is most recognized for creating the role of The Dying Swan and, with her own company, being the first ballerina to tour the world, including South America, India, Mexico and Australia.
>>>PUT SHARE BUTTONS HERE<<<
👉 Anna Pavlova in the context of Malvina Hoffman
Malvina Cornell Hoffman (June 15, 1885 – July 10, 1966) was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculpture series of culturally diverse people, entitled Hall of the Races of Mankind, was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933.
She was commissioned to execute commemorative monuments and was awarded many prizes and honors, including a membership to the National Sculpture Society. In 1925, she was elected into the National Academy of Design as an Associate member and became a full Academician in 1931. Many of her portraits of individuals are among the collection of the New York Historical Society. She maintained a salon, a social gathering of artistic and personal acquaintances, at her Sniffen Court studio for many years.
In this Dossier
Anna Pavlova in the context of Italian ballet
Italian ballet is the training methods and aesthetic qualities seen in classical ballet in Italy. Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance. Two predominant training systems are used to teach Italian ballet today: the Cecchetti method, devised by Enrico Cecchetti, and that of the La Scala Theatre Ballet School.
Anna Pavlova in the context of La Bayadère
La Bayadère (lit. 'the temple dancer'; Russian: Баядерка, romanized: Bayaderka) is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by Sergei Khudekov. The ballet was staged for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. La Bayadère was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on 4 February [O.S. 23 January] 1877. From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II The Kingdom of the Shades, which is one of the most celebrated pieces in all of classical ballet.
Nearly all modern versions of La Bayadère are derived from Vladimir Ponomarev and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to the present day. Outside of the Soviet Union, Natalia Makarova staged the first full-length production of La Bayadère in 1980 for American Ballet Theatre, a version that is itself derived from Ponomarev and Chabukiani's production of 1947.
Anna Pavlova in the context of The Seasons (ballet)
The Seasons (Russian: Времена года, Vremena goda; also French: Les Saisons) is an allegorical ballet in one act, four scenes, by the choreographer Marius Petipa, with music by Alexander Glazunov, his Op. 67. The work was composed in 1899, and first performed by the Imperial Ballet on 26 February [O.S. 13 February] 1900 in St. Petersburg, Russia.