New York Historical Society in the context of "Malvina Hoffman"

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⭐ Core Definition: New York Historical Society

The New York Historical (known as the New-York Historical Society from 1804 to 2024) is an American history museum and library on the Upper West Side of Manhattan in New York City. The society was founded in 1804 as New York's first museum. It presents exhibitions, public programs, and research that explore the history of New York and the nation. The New York Historical Museum & Library has been at its present location since 1908. The granite building was designed by York & Sawyer in a classic Roman Eclectic style. The building, along Central Park West between 76th and 77th Streets, is a New York City designated landmark. A renovation, completed in November 2011, made the building more accessible to the public, provided space for an interactive children's museum, and facilitated access to its collections.

Louise Mirrer has been the president of the New York Historical since 2004. Beginning in 2005, the museum presented a two-year exhibit on Slavery in New York, its largest theme exhibition in 200 years on a topic which it had never addressed before. It included an art exhibit by artists invited to use museum collections in their works. The Society generally focuses on the developing city center in Manhattan. Another historical society, the Long Island Historical Society (later Brooklyn Historical Society) was founded in Brooklyn in 1863.

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👉 New York Historical Society in the context of Malvina Hoffman

Malvina Cornell Hoffman (June 15, 1885 – July 10, 1966) was an American sculptor and author, well known for her life-size bronze sculptures of people. She also worked in plaster and marble. Hoffman created portrait busts of working-class people and significant individuals. She was particularly known for her sculptures of dancers, such as Anna Pavlova. Her sculpture series of culturally diverse people, entitled Hall of the Races of Mankind, was a popular permanent exhibition at the Field Museum of Natural History in Chicago. It was featured at the Century of Progress International Exposition at the Chicago World's Fair of 1933.

She was commissioned to execute commemorative monuments and was awarded many prizes and honors, including a membership to the National Sculpture Society. In 1925, she was elected into the National Academy of Design as an Associate member and became a full Academician in 1931. Many of her portraits of individuals are among the collection of the New York Historical Society. She maintained a salon, a social gathering of artistic and personal acquaintances, at her Sniffen Court studio for many years.

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