The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”
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👉 Federal Art Project in the context of Lee Krasner
Lenore "Lee" Krasner (born Lena Krassner; October 27, 1908 – June 19, 1984) was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement.
She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
Federal Art Project in the context of Civilian Conservation Corps
The Civilian Conservation Corps (CCC) was a voluntary government work relief program that ran from 1933 to 1942 in the United States for unemployed, unmarried men ages 18–25 and eventually expanded to ages 17–28. The CCC was a major part of President Franklin D. Roosevelt's New Deal that supplied manual labor jobs related to the conservation and development of natural resources in rural lands owned by federal, state, and local governments. The CCC was designed to supply jobs for young men and to relieve families who had difficulty finding jobs during the Great Depression in the United States. There was a smaller counterpart program for unemployed women called the She-She-She Camps, which were championed by Eleanor Roosevelt.
Robert Fechner was the first director of this agency, succeeded by James McEntee following Fechner's death. The largest enrollment at any one time was 300,000. Through the course of its nine years in operation, three million young men took part in the CCC, which provided them with shelter, clothing, and food, together with a monthly wage of $30 (equivalent to $729 in 2024), $25 of which (equivalent to $607 in 2024) had to be sent home to their families.
Federal Art Project in the context of Walker Art Center
The Walker Art Center is a multidisciplinary contemporary art center in the Lowry Hill neighborhood of Minneapolis, Minnesota, United States. The Walker is one of the most-visited modern and contemporary art museums in the U.S.: together with the adjacent Minneapolis Sculpture Garden and Cowles Conservatory, it has an annual attendance of around 700,000 visitors. The museum's permanent collection includes over 13,000 modern and contemporary art pieces, including books, costumes, drawings, media works, paintings, photography, prints, and sculpture.
The Walker Art Center began in 1879 as an art gallery in the home of lumber baron Thomas Barlow Walker. Walker formally established his collection as the Walker Art Gallery in 1927. With the support of the Federal Art Project of the Works Progress Administration, the Walker Art Gallery became the Walker Art Center in January 1940. The Walker celebrated its 75th anniversary as a public art center in 2015.
Federal Art Project in the context of Model (art)
An art model is a person who poses, often nude, for visual artists as part of the creative process, providing a reference for the human body in a work of art. The importance of the human figure in Western art begins with the Ancient Greeks, which was rediscovered in the Renaissance, art modelling then becoming an occupation. With few exceptions, models remained anonymous until the 19th century.
Modern nude models have most often been employees of art schools, and paid by the hour to pose. As an occupation, modeling requires the often strenuous 'physical work' of holding poses for the required length of time, the 'aesthetic work' of performing a variety of interesting poses, and the 'emotional work' of maintaining a socially ambiguous role. While the role of nude models is well-established as a necessary part of artistic practice, public nudity remains transgressive, and models may be vulnerable to stigmatization or exploitation.