Thomas Cole in the context of "National Academy of Design"

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⭐ Core Definition: Thomas Cole

Thomas Cole (February 1, 1801 – February 11, 1848) was an American artist who founded the Hudson River School art movement. He painted romantic landscapes and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.

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👉 Thomas Cole in the context of National Academy of Design

The National Academy of Design is an honorary association of American artists, founded in New York City in 1825 by Samuel Morse, Asher Durand, Thomas Cole, Frederick Styles Agate, Martin E. Thompson, Charles Cushing Wright, Ithiel Town, and others "to promote the fine arts in America through instruction and exhibition." Membership is limited to 450 American artists and architects, who are elected by their peers on the basis of recognized excellence.

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Thomas Cole in the context of Architectural movement

The history of architecture traces the changes in architecture through various traditions, regions, overarching stylistic trends, and dates. The beginnings of all these traditions is thought to be humans satisfying the very basic need of shelter and protection. The term "architecture" generally refers to buildings, but in its essence is much broader, including fields we now consider specialized forms of practice, such as urbanism, civil engineering, naval, military, and landscape architecture.

Trends in architecture were influenced, among other factors, by technological innovations, particularly in the 19th, 20th and 21st centuries. The improvement and/or use of steel, cast iron, tile, reinforced concrete, and glass helped for example Art Nouveau appear and made Beaux Arts more grandiose.

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Thomas Cole in the context of Arcadia (utopia)

Arcadia (/ɑːrˈkdiə/; Greek: Ἀρκαδία, romanizedArkadía) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires.

The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It is also sometimes referred to in English poetry as Arcady (/ˈɑːrkədi/). The inhabitants of this region bear an obvious connection to the figure of the noble savage, both being regarded as living close to nature, uncorrupted by civilization, and virtuous.

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Thomas Cole in the context of Historicism (art)

Historicism or historism comprises artistic styles that draw their inspiration from recreating historic styles or imitating the work of historic artists and artisans. This is especially common in architecture, where there are many different styles of Revival architecture, which dominated large buildings in the 19th century. Through a combination of different styles or the implementation of new elements, historicism can create completely different aesthetics than former styles. Thus, it offers a great variety of possible designs.

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Thomas Cole in the context of The Architect's Dream

The Architect's Dream is an 1840 oil painting created by Thomas Cole for New York architect Ithiel Town. Cole incorporated pieces of architecture from Egyptian, Greek, Roman, and Gothic styles in various different parts of the painting, having dabbled in architecture previously. Cole finished the painting in only five weeks and showed it in the National Academy of Design annual exhibition that year. However, Town was not pleased by the "almost exclusively architectural subject" of the painting and refused to accept it. After a lengthy exchange of letters, Cole agreed to paint a more conventional landscape for Town and to take back The Architect's Dream, which remained in his possession until his death.

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Thomas Cole in the context of Manfred (drama)

Manfred: A dramatic poem is a closet drama written in 1816–1817 by Lord Byron. It contains supernatural elements, in keeping with the popularity of the ghost story in England at the time. It is a typical example of Gothic fiction.

Byron commenced this work in late 1816, a few months after the famous ghost-story sessions with Percy Bysshe Shelley and Mary Shelley that provided the initial impetus for Frankenstein; or, The Modern Prometheus. The supernatural references are made clear throughout the poem.

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Thomas Cole in the context of Picnic

A picnic is a meal taken outdoors (al fresco) as part of an excursion, especially in scenic surroundings, such as a park, lakeside, or other place affording an interesting view, or else in conjunction with a public event such as preceding an open-air theater performance, and usually in summer or spring. It is different from other meals because it requires free time to leave home.

Historically, in Europe, the idea of a meal that was jointly contributed to and enjoyed out-of-doors was essential to picnic from the early 19th century.

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