Tamil literature in the context of Ilango Adigal

The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Sāṉdṟōr Seyyuḷ), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from c. 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE.

The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (Ten Idylls). They encompass both Akam (interior) themes, focusing on personal emotions and love, and Puram (exterior) themes, emphasizing heroism, ethics, and societal values. Notable works include Akananuru (400 love poems), Purananuru (400 heroic poems), Kurunthogai (short love poems), and Natrinai (poems set in five landscapes). The Pattuppāṭṭu highlights specific regions and rulers, with works like Malaipadukadam and Perumpanarrupadai serving as guides to wealth and prosperity.

The Tamils (/ˈtæmɪlz, ˈtɑː-/ TAM-ilz, TAHM-), also known by their demonym Tamilar, are a Dravidian ethnic group who natively speak the Tamil language and trace their ancestry mainly to the southern part of the Indian subcontinent. Tamil is one of the longest-surviving languages, with over two thousand years of written history, dating back to the Sangam period (between 300 BCE and 300 CE).

Tamils constitute about 5.7% of the Indian population and form the majority in the South Indian state of Tamil Nadu and the union territory of Puducherry. They also form significant proportions of the populations in Sri Lanka (15.3%), Malaysia (7%) and Singapore (5%). Tamils have migrated world-wide since the 19th century CE and a significant population exists in South Africa, Mauritius, Fiji, as well as other regions such as the Southeast Asia, Middle East, Caribbean and parts of the Western World.

Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called Kavya (IAST: Kāvyá). The Ramayana and the Mahabharata, which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written.

Various dance forms are practiced in Tamil Nadu, the southernmost state of India. Tamil Nadu is the home of the Tamil people, who speak Tamil language, one of the oldest surviving languages in India. With archaeological evidence pointing to the Tamilakam region being inhabited for more than 3,800 years, Tamil culture has seen multiple influences over the years and has developed diversely. With its diverse culture, many forms of individual and group dances have their origins in the region.

As per Tamil literature, dance forms formed a part of nun kalaigal (fine art forms) which also included music, and drama. Bharatanatyam is a major genre of classical dance that originated in the state. There are a lot of folk dance forms that are practised in the region, some of which trace their origins to the Sangam period (3rd century BCE). Koothu was a popular theater art from which combined dance with drama.

The Eighteen Greater Texts, known as Patiṉeṇmēlkaṇakku (Tamil: பதினெண்மேல்கணக்கு) in the literature, is the collection of the oldest surviving Tamil poetry. This collection is considered part of the Sangam Literature and dated approximately between 100 BCE and 200 CE. A series of eighteen major anthologies, it contains the Eight Anthologies (Ettuthokai) and the Ten Idylls (Pattupattu). The songs in the Eighteen Greater Texts anthology are set in the Akaval style.

The Eighteen Greater Texts anthology contains 2,381 poems including the ten larger works belonging to the Ten Idylls collection. These poems are attributed to 473 poets. Sixteen of the 473 poets are responsible for 1,177 of the 2,279 poems for which the name of the author is known. In all, 102 of the poems are anonymous. Notably, the pathirruppathu collection exclusively collects poetry from the Cheral kings (from Kerala), whereas the other collections contain a mix of poetry patronized by diverse Tamil kings.

Tolkāppiyam, also romanised as Tholkaappiyam (Tamil: தொல்காப்பியம் listen , lit. "ancient poem"), is the oldest extant Tamil grammar text and the oldest extant long work of Tamil literature. It is the earliest Tamil text mentioning Gods, perhaps linked to Tamil deities.There is no firm evidence to assign the authorship of this treatise to any one author. There is a tradition of belief that it was written by a single author who is called Tolkappiyar based on the name of his work.

The surviving manuscripts of the Tolkappiyam consists of three books (Tamil: அதிகாரம், romanized: Atikāram, lit. 'Chapter or Authority'), each with nine chapters (Tamil: இயல், romanized: Iyal), with a cumulative total of 1,610 (483+463+664) sutras in the Tamil: நூற்பா, romanized: nūṛpā, lit. 'verse' meter. It is a comprehensive text on grammar, and includes sutras on orthography, phonology, etymology, morphology, semantics, prosody, sentence structure and the significance of context in language. Mayyon as (Vishnu), Seyyon as (Kanda), Vendhan as (Indra), Varuna as (Varuna) and Kotṟavai as (Devi or Bagavathi) are the gods mentioned.

The Eight Anthologies, known as Eṭṭuttokai (Tamil: எட்டுத்தொகை) or "Eight Collections" in the literature, is a classical Tamil poetic work that forms part of the Eighteen Greater Texts (Patiṉeṇmēlkaṇakku) anthology series of the Sangam Literature. The Eight Anthologies and its companion anthology, the Ten Idylls (Pattuppāṭṭu), is the oldest available Tamil literature. According to Kamil Zvelebil, a scholar of Tamil literature and history, dating these Eight Anthologies or their relative chronology is difficult, but the scholarship so far suggested that the earliest layers were composed sometime between the 1st century BCE and 2nd century CE, while the last layers were completed between 3rd and 5th century CE.

The Akananuru (Tamil: அகநானூறு, Akanāṉūṟu, literally "four hundred [poems] in the akam genre"), sometimes called Nedunthokai (lit. "anthology of long poems"), is a classical Tamil poetic work and one of the Eight Anthologies (Ettuthokai) in the Sangam literature. It is a collection of 400 love poems composed by 144 poets, except three poems which are by anonymous author(s). The poems range between 13 and 31 lines, and are long enough to include more details of the subject, episode and its context. According to Kamil Zvelebil – a Tamil literature and history scholar, they are "one of the most valuable collections" from ancient Tamil history perspective.

The Akananuru anthology is notable for its mathematical arrangement: the odd number poems are dedicated to palai (arid landscape); poem number ten and its multiples (10, 20, 30, etc., up to 400) are neytal (coastal landscape); poems bearing number 2 and then in increments of 6 followed by 4 (that is number 8, 12, 18, 22, 28, etc.) belong to the kuṟiñci (mountainous landscape); poems bearing number 4 and then in increments of 10 (14, 24, 34, 44, etc.) are mullai (pastoral forests); poems with number 6 and then in increments of 10 (16, 26, 36, etc.) are marutam (riverine farmlands). The anthology was compiled by Uruttiracanman, the son of Maturai Uppurikuti Kilan under the patronage of the Pandyan king Ukkiraperuvaluti. The Akananuru poems offer many valuable cultural insights as well as historically significant evidence and allusions. For example, poem 69, 281 and 375 mention the Maurya Empire, poems 251 and 265 allude to the Nandas, the poem 149 mentions Greek-Romans (Yavanas) as trading gold for pepper through Muziris – an ancient Kerala port near Kochi, and a number of poems echo the Hindu puranic legends about Parasurama, Rama, Krishna and others.

The Purananuru (Tamil: புறநானூறு, Puṟanāṉūṟu, literally "four hundred [poems] in the genre puram"), sometimes called Puram or Purappattu, is a classical Tamil poetic work and traditionally the last of the Eight Anthologies (Ettuthokai) in the Sangam literature. It is a collection of 400 heroic poems about kings, wars and public life, of which two are lost and a few have survived into the modern age in fragments. The collected poems were composed by 157 poets, of which 14 were anonymous and at least 10 were women. This anthology has been variously dated between 1st century BCE and 5th century CE, with Kamil Zvelebil, a Tamil literature scholar, dating predominantly all of the poems of Purananuru sometime between 2nd and 5th century CE. Nevertheless, few poems are dated to the period of 1st century BCE.

The Purananuru anthology is diverse. Of its 400 poems, 138 praise 43 kings – 18 from the Chera dynasty, 13 Chola dynasty kings, and 12 Early Pandya dynasty kings. Another 141 poems praise 48 chieftains. These panegyric poems recite their heroic deeds, as well as another 109 poems that recount deeds of anonymous heroes, likely of older Tamil oral tradition. Some of the poems are gnomic in nature, which have attracted unrealistic attempts to read an ethical message, states Zvelebil. The poetry largely focuses on war, means of war such as horses, heroic deeds, widowhood, hardships, impermanence, and other effects of wars between kingdoms based along the rivers Kaveri, Periyar and Vaigai.

Kuṟuntokai (Tamil: குறுந்தொகை, meaning the short-collection) is a classical Tamil poetic work and traditionally the second of the Eight Anthologies (Ettuthokai) in the Sangam literature. The collection belongs to the akam (love) category, and each poem consists of 4 to 8 lines each (except poem 307 and 391 which have 9 lines). The Sangam literature structure suggests that the original compilation had 400 poems, but the surviving Kuruntokai manuscripts have 402 poems. According to Takanobu Takahashi – a Tamil literature scholar, these poems were likely composed between 100 CE and 300 CE based on the linguistics, style and dating of the authors. Kamil Zvelebil, a Tamil literature and history scholar, states that the majority of the poems in the Kuruntokai were likely composed between the 1st century BCE and the 2nd century CE. The Kuruntokai manuscript colophon states that it was compiled by Purikko (உரை), however nothing is known about this compiler or the patron.

The Kuruntokai poems are credited to 205 ancient poets. Of these, according to Kamil Zvelebil, about 30 poets names are of North Indian roots (Indo-Aryan) and rest are of Dravidian roots. The poems include Sanskrit loan words, contain 27 allusions to historical events and there are 10 borrowings from this work into the two famed post-Sangam Tamil works: Tirukkural and Silappatikaram.

Natrinai (Tamil: நற்றிணை meaning excellent tinai), is a classical work of Tamil literature, and traditionally the first of the Eight Anthologies (Ettuthokai) in Sangam literature. The collection – sometimes spelled as Natrinai or Narrinai – contains both akam (love) and puram (war, public life) category poems. The anthology includes 400 poems, mainly consisting of 9 to 12 lines, with a few ranging from 8 to 13 lines. According to Takanobu Takahashi, a Tamil literature scholar, the Natrinai poems were likely composed between 100–300 CE, based on linguistic features, style, and the dating of their authors. Kamil Zvelebil, another scholar of Tamil literature and history, dates some poems to the 1st century BCE. According to its manuscript colophon, Natrinai was compiled under the patronage of a Pandyan king named Pannatu Tanta Pantiyan Maran Valuti, though the compiler remains anonymous.

The poems are attributed to 175 ancient poets. Two of the poems are credited to the patron king. According to Zvelebil, the collection includes a few Sanskrit loanwords and makes 59 references to historical events. Several lines were later borrowed into renowned post-Sangam Tamil works such as the Tirukkural, Silappatikaram, and Manimekalai. The Tamil legend of Kannagi (or Kannaki), who tore off her breast in protest of her husband's wrongful execution, appears in Natrinai 312.

The Tamils (/ˈtæmɪlz, ˈtɑː-/ TAM-ilz, TAHM-), also known by their demonym Tamilar, are a Dravidian ethnic group who natively speak the Tamil language and trace their ancestry mainly to the southern part of the Indian subcontinent. Tamil is one of the longest-surviving languages, with over two thousand years of written history, dating back to the Sangam period (between 300 BCE and 300 CE). Tamils constitute about 5.7% of the Indian population and form the majority in the South Indian state of Tamil Nadu and the union territory of Puducherry. They also form significant proportions of the populations in Sri Lanka (15.3%), Malaysia (7%) and Singapore (5%). Tamils have migrated world-wide since the 19th century CE and a significant population exists in South Africa, Mauritius, Fiji, as well as other regions such as the Southeast Asia, Middle East, Caribbean and parts of the Western World.

Archaeological evidence from Tamil Nadu indicates a continuous history of human occupation for more than 3,800 years. In the Sangam period, Tamilakam was ruled by the Three Crowned Kings of the Cheras, Cholas and Pandyas. Smaller Velir kings and chieftains ruled certain territories and maintained relationship with the larger kingdoms. Urbanisation and mercantile activity developed along the coasts during the later Sangam period with the Tamils influencing the regional trade in the Indian Ocean region. Artifacts obtained from excavations indicate the presence of early trade relations with the Romans. The major kingdoms to rule the region later were the Pallavas (3rd–9th century CE), and the Vijayanagara Empire (14th–17th century CE).

Thiruvalluvar, commonly known as Valluvar, was an Indian poet and philosopher. He is best known as the author of the Tirukkuṟaḷ, a collection of couplets on ethics, political and economic matters, and love. The text is considered an exceptional and widely cherished work of Tamil literature.

Almost no authentic information is available about Valluvar, states Kamil Zvelebil – a scholar of Tamil literature. His life and likely background are variously inferred from his literary works by different biographers. There are unauthentic hagiographic and legendary accounts of Valluvar's life, and all major Indian religions, as well as Christian missionaries of the 19th century, have tried to claim him as secretly inspired (crypto-) or originally belonging to their tradition. Little is known with certainty about his family background, religious affiliation, or birthplace. He is believed to have lived at least in the town of Mylapore (a neighbourhood of the present-day Chennai), and his floruit is dated variously from fourth century BCE to early fifth century CE, based on the traditional accounts and the linguistic analyses of his writings. Kamil Zvelebil infers the Tirukkuṟaḷ and Valluvar are best dated to around 500 CE.

Kartikeya (IAST: Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha or Muruga, is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha.

Kartikeya has been an important deity in the Indian subcontinent since ancient times. Mentions of Skanda in the Sanskrit literature data back to fifth century BCE and the mythology relating to Kartikeya became widespread in North India around the second century BCE. Archaeological evidence from the first century CE and earlier shows an association of his iconography with Agni, the Hindu god of fire, indicating that Kartikeya was a significant deity in early Hinduism. Kaumaram is the Hindu denomination that primarily venerates Kartikeya. Apart from significant Kaumaram worship and temples in South India, he is worshipped as Mahasena and Kumara in North and East India. Muruga is a tutelary deity mentioned in Tamil Sangam literature, of the Kurinji region. As per scholars of religion, the Tamil deity of Muruga coalesced with the Vedic deity of Skanda Kartikeya over time. He is considered as the patron deity of Tamil language and literary works such as Tirumurukāṟṟuppaṭai by Nakkīraṉãr and Tiruppukal by Arunagirinathar are devoted to Muruga.