Parvati in the context of "Kartikeya"

Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the Mahabharata and the Ramayana), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali Mangal Kavya and the Tamil Periya Puranam and Divya Prabandham. Additionally, Hindu myths are also found in widely translated fables like the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts influenced by Hindu traditions.

Shaktism (Sanskrit: शाक्तसम्प्रदायः, romanized: Śāktasampradāyaḥ) is a major Hindu denomination in which the ultimate reality is considered as Adi Parashakti.

In Shaktism, the divine feminine energy, Shakti, is revered as the supreme power and is personified as the Mahadevi (Great Goddess), who manifests in numerous forms, with each form having distinct functions and unique attributes. The most prominently worshiped goddesses include Durga, the fierce protector who vanquishes evil and restores cosmic order; Parvati, the gentle yet powerful mother goddess of fertility, devotion, and spiritual wisdom; and Kali, the primal force of time and transformation. Additionally, Shaktism reveres a broader pantheon, including goddesses like Saraswati, the goddess of knowledge and arts; Lakshmi, the goddess of wealth and prosperity; and Tripura Sundari, the goddess of beauty and grace. Also honoured are the various Gramadevata, local village guardian deities, who protect and bless their communities. Following the decline of Buddhism in India, elements of Hindu and Buddhist goddess worship gradually merged, culminating in the emergence of the Mahavidya, a revered group of ten fierce and esoteric goddesses central to the tantric traditions within Shaktism.

Lakshmi (/ˈlʌkʃmi/; Sanskrit: लक्ष्मी, IAST: Lakṣmī, sometimes spelled Laxmi), also known as Shri (Sanskrit: श्री, IAST: Śrī), is one of the principal goddesses in Hinduism, revered as the goddess of happiness, fortune, wealth, prosperity, beauty, fertility, sovereignty, and abundance. She along with Parvati and Sarasvati, form the trinity of goddesses called the Tridevi.

Lakshmi has been a central figure in Hindu tradition since pre-Buddhist times (1500 to 500 BCE) and remains one of the most widely worshipped goddesses in the Hindu pantheon. Although she does not appear in the earliest Vedic literature, the personification of the term shri—auspiciousness, glory, and high rank, often associated with kingship—eventually led to the development of Sri-Lakshmi as a goddess in later Vedic texts, particularly the Shri Suktam. Her importance grew significantly during the late epic period (around 400 CE), when she became particularly associated with the preserver god Vishnu as his consort. In this role, Lakshmi is seen as the ideal Hindu wife, exemplifying loyalty and devotion to her husband. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively.

In astronomy, axis mundi is the Latin term for the axis of Earth between the celestial poles. In a geocentric coordinate system, this is the axis of rotation of the celestial sphere. Consequently, in ancient Greco-Roman astronomy, the axis mundi is the axis of rotation of the planetary spheres within the classical geocentric model of the cosmos.

In 20th-century comparative mythology, the term axis mundi – also called the cosmic axis, world axis, world pillar, center of the world, or world tree – has been greatly extended to refer to any mythological concept representing "the connection between Heaven and Earth" or the "higher and lower realms". Mircea Eliade introduced the concept in the 1950s. Axis mundi closely relates to the mythological concept of the omphalos (navel) of the world or cosmos.Items presented as examples of the axis mundi by comparative mythologists include plants (notably a tree but also other types of plants such as a vine or stalk), a mountain, a column of smoke or fire, or a product of human manufacture (such as a staff, a tower, a ladder, a staircase, a maypole, a cross, a steeple, a rope, a totem pole, a pillar, a spire). Its proximity to heaven may carry implications that are chiefly religious (pagoda, Temple Mount, minaret, church) or secular (obelisk, lighthouse, rocket, skyscraper). The image appears in religious and secular contexts. The axis mundi symbol may be found in cultures utilizing shamanic practices or animist belief systems, in major world religions, and in technologically advanced "urban centers". In Mircea Eliade's opinion: "Every Microcosm, every inhabited region, has a Centre; that is to say, a place that is sacred above all."

Hampi or Hampe (Kannada: [hɐmpe]), also referred to as the Group of Monuments at Hampi, is a UNESCO World Heritage Site located in the town of Hampi in Vijayanagara district, east-central Karnataka, India. Hampi predates the Vijayanagara Empire; it is mentioned in the Ramayana and the Puranas of Hinduism as Pampa Devi Tirtha Kshetra. Hampi continues as a religious centre, with the Virupaksha Temple, an active Adi Shankara-linked monastery and various monuments belonging to the old city.

Hampi was the capital of the Vijayanagara Empire from 1336 to 1565 (as Vijayanagara), when it was abandoned. It was a fortified city. Chronicles left by Persian and European travellers, particularly the Portuguese, say that Hampi was a prosperous, wealthy and grand city near the Tungabhadra River, with numerous temples, farms and trading markets. Hampi-Vijayanagara is estimated to be the world's second-largest city by 1500, after Beijing, and probably India's richest at that time, attracting traders from Persia and Portugal. The Vijayanagara Empire was defeated by a coalition of Muslim sultanates; its capital was conquered, pillaged and destroyed by Muslim armies in 1565, after which Hampi remained in ruins.

Devī (/ˈdeɪvi/; Sanskrit: देवी) is the Sanskrit word for 'goddess'; the masculine form is deva. Devi and deva mean 'heavenly, divine, anything of excellence', and are also gender-specific terms for a deity in Indian religions, such as Hinduism and its offshoots like Buddhism, Jainism, and Sikhism.

The concept of reverence for feminine manifestation of goddesses in Hinduism and its offshoots appears in the Vedas, which were composed around the 2nd millennium BCE. However, they did not play a vital role in that era. Goddesses such as Durga, Kali, Lakshmi, Parvati, Radha, Saraswati and Sita have continued to be revered in the modern era. The medieval era Puranas witness a major expansion in mythology and literature associated with Devi, with texts such as the Devi Mahatmya, wherein she manifests as the ultimate truth and supreme power. She has inspired the Shaktism tradition of Hinduism. Further, Devi is viewed as central in the Hindu traditions of Shaktism and Shaivism.

Mahadevi (Sanskrit: महादेवी, IAST: Mahādevī), also referred to as Devi, Mahamaya and Adi Parashakti, is the supreme goddess in Hinduism. According to the goddess-centric sect Shaktism, all Hindu gods and goddesses are considered to be manifestations of this great goddess, who is considered to be the Para Brahman or the ultimate reality.

Shaktas often worship her as Durga, also believing her to have many other forms. Mahadevi is mentioned as the Mulaprakriti (Primordial Goddess) in Shakta texts, having five primary forms—Parvati, Lakshmi, Sarasvati, Gayatri and Radha—collectively referred to as Panchaprakriti. Besides these, Goddess Tripura Sundari, a form of Devi, is often identified with the supreme goddess Mahadevi in Shaktism. Author Helen T. Boursier says: "In Hindu philosophy, both Lakshmi (primary goddess in Vaishnavism) and Parvati (primary goddess of Shaivism) are identified as manifestations of this great goddess—Mahadevi—and the Shakti or divine power".

Parameshvara (IAST: Parameśvara, Sanskrit: परमेश्वर) is an epithet used in Hindu literature. The term indicates the Supreme Being and Supreme Reality in Hinduism. Vaishnavas consider Vishnu and his avatars, such as Rama and Krishna as Parameshvara, while Shaivas consider Shiva as Parameshvara. In Shaktism, he plays a supporting role and is dependent on Parameshvari, that is the Adi Shakti/Mahadevi (known for her forms such as Durga, Tripura Sundari, Mahakali, Mahalakshmi, Mahasaraswati etc). Shakta traditions are focused on Parameshvari's superiority over Parameshvara, comparisons going as far as to calling Parameshwara a Shava (dead body) without Parameshwari (The supreme moving force of the universe). Whereas in Shaivism and Vaishnavism, she is considered the dependant consort of Parameshvara (as Uma/Sati/Parvati consort of Shiva in Shaivism and Lakshmi consort of Vishnu in Vaishnavism). Beyond sectarian interpretations, Hindus regard Parameshvara as the ultimate and highest reality, eternally pervading all matter. He is regarded by devotees to be totality itself, controlling the triple forces of creation, preservation, and destruction.

The Tridevi are a trinity of supreme divinity in Hinduism, joining a triad of eminent goddesses either as a feminine version of the Trimurti, or as consorts of a masculine Trimurti, depending on the denomination. This triad is typically personified by the Hindu goddesses Saraswati, Lakshmi, and Parvati. In Shaktism, these triune goddesses are the manifestations of Mula-Prakriti or Mahadevi.

Saraswati (Sanskrit: सरस्वती, IAST: Sarasvatī), also spelled as Sarasvati, is one of the principal goddesses in Hinduism, revered as the goddess of knowledge, education, learning, arts, speech, poetry, music, creativity, purification, language and culture. Together with the goddesses Lakshmi and Parvati, she forms the trinity of chief goddesses, known as the Tridevi. Saraswati is a pan-Indian deity, venerated not only in Hinduism but also in Jainism and Buddhism.

She is one of the prominent goddesses in the Vedic tradition (1500 to 500 BCE) who retains her significance in later Hinduism. In the Vedas, her characteristics and attributes are closely connected with the Saraswati River, making her one of the earliest examples of a river goddess in Indian tradition. As a deity associated with a river, Saraswati is revered for her dual abilities to purify and to nurture fertility. In later Vedic literature, particularly the Brahmanas, Saraswati is increasingly identified with the Vedic goddess of speech, Vac, and eventually, the two merge into the singular goddess known in later tradition. Over time, her connection to the river diminishes, while her association with speech, poetry, music, and culture becomes more prominent. In classical and medieval Hinduism, Saraswati is primarily recognized as the goddess of learning, arts and poetic inspiration, and as the inventor of the Sanskrit language. She is linked to the creator god Brahma, either as his creation or consort. In the latter role, she represents his creative power (Shakti), giving reality a unique and distinctly human quality. She becomes linked with the dimension of reality characterized by clarity and intellectual order. Within the goddess-oriented Shaktism tradition, Saraswati is a key figure and venerated as the creative aspect of the Supreme Goddess. She is also significant in certain Vaishnava traditions, where she serves as one of Vishnu's consorts and assists him in his divine functions. Despite her associations with these male deities, Saraswati also stands apart as an independent goddess in the pantheon, widely worshipped as a celibate goddess, without a consort.