Itihasa-Purana in the context of "Parvati"

Lakshmi (/ˈlʌkʃmi/; Sanskrit: लक्ष्मी, IAST: Lakṣmī, sometimes spelled Laxmi), also known as Shri (Sanskrit: श्री, IAST: Śrī), is one of the principal goddesses in Hinduism, revered as the goddess of happiness, fortune, wealth, prosperity, beauty, fertility, sovereignty, and abundance. She along with Parvati and Sarasvati, form the trinity of goddesses called the Tridevi.

Lakshmi has been a central figure in Hindu tradition since pre-Buddhist times (1500 to 500 BCE) and remains one of the most widely worshipped goddesses in the Hindu pantheon. Although she does not appear in the earliest Vedic literature, the personification of the term shri—auspiciousness, glory, and high rank, often associated with kingship—eventually led to the development of Sri-Lakshmi as a goddess in later Vedic texts, particularly the Shri Suktam. Her importance grew significantly during the late epic period (around 400 CE), when she became particularly associated with the preserver god Vishnu as his consort. In this role, Lakshmi is seen as the ideal Hindu wife, exemplifying loyalty and devotion to her husband. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively.

Varuna (/ˈvɜːrʊnə, ˈvɑːrə-/; Sanskrit: वरुण, IAST: Váruṇa) is a Hindu god. He is one of the earliest deities in the pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ṛta, the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans.

The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the Itihasa-Purana, Varuna had transformed into the lord of all waters, ruling over oceans, rivers, streams, and lakes. Depicted as residing in a magnificent underwater palace, akin to Poseidon in Greek mythology, he is attended by river goddesses like Ganga and Yamuna. Varuna’s earlier supremacy diminished, and he was relegated to a lesser role as a dikpala, or guardian of the western direction. He is depicted as a youthful man, mounted on Makara (crocodile-like creature) and holding a Pasha (noose, rope loop) and a pitcher in his hands. He is depicted as having multiple wives and children, the most notable of the latter being the sages Vasishtha and Agastya.

The Itihasa-Purana, the Epic-Puranic narratives of the Sanskrit Epics (Mahabharata and the Ramayana) and the Puranas, contain royal genealogies of the lunar dynasty and solar dynasty which are regarded by Indian traditions as historic events, and used in the Epic-Puranic chronology to establish a traditional timeline of Indian history.

Madri (Sanskrit: माद्री, IAST: Mādrī), also known as Madravati (Sanskrit: माद्रवती, IAST: Mādravatī), is a legendary character in the Mahabharata, an ancient Sanskrit epic poem. She is the princess from the Madra Kingdom and becomes the second wife of Pandu, the king of the Kuru Kingdom. She is the mother of the twins Nakula and Sahadeva, the youngest of the five Pandava brothers.

Madri is the daughter of Madraraja—the king of Madra—and sister of Shalya. Her marriage to Pandu is arranged by Bhishma, the grandsire of the Kuru dynasty, in exchange for a heavy bride price. After Pandu is cursed that he would die if he engaged in sexual relations, Madri accompanies Pandu in his self-imposed exile, along with Pandu's first wife, Kunti. Using Kunti's divine boon, Madri invokes the twin gods Ashvins to conceive her twin sons. Later, the cursed Pandu dies when he is overcome by desire and initiates intimacy with Madri. Overcome with remorse and grief, Madri entrusts her sons to Kunti's care and joins him in death.

Kunti (Sanskrit: कुन्ती, IAST: Kuntī), also known as Pritha (Sanskrit: पृथा, IAST: Pṛthā), is a prominent character in the Mahabharata, an ancient Sanskrit epic poem. A princess of the Vrishni dynasty, she becomes the wife of Pandu, king of the Kuru Kingdom, and is chiefly known as the mother of the five Pandavas—having given birth to the three eldest, Yudhishthira, Bhima, and Arjuna—and raising their younger stepbrothers, Nakula and Sahadeva, as her own.

Kunti is one of the few female figures in the epic whose early life is described in detail. Born to Shurasena, she is adopted by her childless uncle, Kuntibhoja, and during her adolescence, she receives a divine mantra from the sage Durvasa, which allows her to invoke any deity and bear a child by them. Out of curiosity, she uses the mantra to invoke the sun god Surya, resulting in the concealed birth of her first son, Karna. Due to the societal stigma surrounding childbirth outside of marriage, she abandons Karna shortly after his birth.

Daksha (Sanskrit: दक्ष, lit. 'able, dexterous, or honest one' IAST: Dakṣa,) is a Hindu god whose role underwent a significant transformation from Vedic to Itihasa-Puranic mythology. In the Rigveda, Daksha is an aditya and is associated with priestly skills.

In the epics and Puranic scriptures, he is a son of the creator-god Brahma and one of the Prajapati, the agents of creation, as well as a divine king-rishi. He is the father of many children, who became the progenitors of various creatures. According to one legend, a resentful Daksha conducted a yajna (fire-sacrifice), and deliberately did not invite his youngest daughter Sati and her husband Shiva. In the Linga Purana, for insulting Shiva during this event, which caused Sati to self-immolate in fury, he was beheaded by Virabhadra, a fearsome form of Shiva. He was later resurrected with the head of a goat. Many Puranas state that Daksha was reborn to Prachetas in another Manvantara (age of Manu).