Agastya in the context of "Tamil literature"

The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Sāṉdṟōr Seyyuḷ), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from c. 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE.

The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (Ten Idylls). They encompass both Akam (interior) themes, focusing on personal emotions and love, and Puram (exterior) themes, emphasizing heroism, ethics, and societal values. Notable works include Akananuru (400 love poems), Purananuru (400 heroic poems), Kurunthogai (short love poems), and Natrinai (poems set in five landscapes). The Pattuppāṭṭu highlights specific regions and rulers, with works like Malaipadukadam and Perumpanarrupadai serving as guides to wealth and prosperity.

The Tamil Sangams (Tamil: சங்கம் caṅkam, Old Tamil 𑀘𑀗𑁆𑀓𑀫𑁆, from Sanskrit saṅgha) were three legendary gatherings of Tamil scholars and poets that, according to traditional Tamil accounts, occurred in the remote past. Scholars believe that these assemblies were originally known as kooṭam or "gathering," which was also a name for Madurai. Three assemblies are described. The legend has it that the first two were held in cities since "taken by the sea", the first being called Kapatapuram, and the third was held in the present-day city of Madurai.

Urvashi (Sanskrit: उर्वशी, IAST: Urvaśī) is the most prominent apsara mentioned in the Hindu scriptures like the Vedas, the epics Ramayana and Mahabharata, as well as the Puranas. She is regarded as the most beautiful of all the apsaras, and an expert dancer.

Urvashi has been featured in many mythological events. She emerged out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga. She is famous for her marriage with Pururavas, the first king of the legendary Chandravansha, whom she later abandoned. She also plays a significant part in the birth of Vashishtha and Agastya, two of the most revered sages in Hinduism. Urvashi's story has been an inspiration for various arts, performances and literature. The poet Kalidasa (fl. 4th -5th century CE) has adapted Urvashi and Pururavas as the main characters in his play Vikramorvashiyam.

Varuna (/ˈvɜːrʊnə, ˈvɑːrə-/; Sanskrit: वरुण, IAST: Váruṇa) is a Hindu god. He is one of the earliest deities in the pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ṛta, the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans.

The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the Itihasa-Purana, Varuna had transformed into the lord of all waters, ruling over oceans, rivers, streams, and lakes. Depicted as residing in a magnificent underwater palace, akin to Poseidon in Greek mythology, he is attended by river goddesses like Ganga and Yamuna. Varuna’s earlier supremacy diminished, and he was relegated to a lesser role as a dikpala, or guardian of the western direction. He is depicted as a youthful man, mounted on Makara (crocodile-like creature) and holding a Pasha (noose, rope loop) and a pitcher in his hands. He is depicted as having multiple wives and children, the most notable of the latter being the sages Vasishtha and Agastya.

Meghanada (Sanskrit: मेघनाद, lit. 'roar of the clouds', IAST: Meghanāda), also referred to by his epithet Indrajit or Indrajeet (Sanskrit: इन्द्रजित्, lit. 'conqueror of Indra'), according to Hindu texts, was the eldest son of Ravana and the crown prince of Lanka, who conquered Indraloka (Heaven). He is regarded as one of the greatest warriors in Hindu texts. He is a major character mentioned in the Indian epic Ramayana. Meghanada is the central character in Bengali epic poem Meghnad Badh Kavya. He played an active role in the great war between Rama and Ravana. He acquired many kinds of celestial weapons from his Guru Shukra. His most prominent feat is having defeated the devas in heaven. Using the Brahmastra, Indrajit killed 670 million vanaras in a single day; nearly exterminating the entirety of the vanara race. No warrior had ever achieved this statistical feat before in the Ramayana. He is the only warrior in the entire Ramayana to defeat both Rama and Lakshmana twice while they were both armed by making them unconscious in a battle with the help of astras and sorcery (once by using "Nagapashastra" and another time by using Brahmastra) and finally got killed by Lakshmana. He was said to be a more powerful and superior warrior than his father Ravana by Brahma and Agastya.