Mahabharata in the context of "Hindusim"

Hinduism (/ˈhɪnduˌɪzəm/) is an umbrella term for a range of Indian religious and spiritual traditions (sampradayas) that are unified by adherence to the concept of dharma, a cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word Hindu is an exonym, and while Hinduism has been called the oldest surviving religion in the world, it is also described by the 19th century term Sanātana Dharma (lit. 'eternal dharma'). Vaidika Dharma (lit. 'Vedic dharma') and Arya Dharma are historical endonyms for Hinduism.

Hinduism entails diverse systems of thought, marked by a range of shared concepts that discuss theology, mythology, and other topics in textual sources. Hindu texts have been classified into Śruti (lit. 'heard') and Smṛti (lit. 'remembered'). The major Hindu scriptures are the Vedas, the Upanishads, the Puranas, the Mahabharata (including the Bhagavad Gita), the Ramayana, and the Agamas. Prominent themes in Hindu beliefs include karma (action, intent and consequences), saṃsāra (the cycle of death and rebirth) and the four Puruṣārthas, proper goals or aims of human life, namely: dharma (ethics/duties), artha (prosperity/work), kama (desires/passions) and moksha (liberation/emancipation from passions and ultimately saṃsāra). Hindu religious practices include devotion (bhakti), worship (puja), sacrificial rites (yajna), and meditation (dhyana) and Yoga. Hinduism has no central doctrinal authority and many Hindus do not claim to belong to any denomination. However, scholarly studies notify four major denominations: Shaivism, Vaishnavism, Shaktism and Smartism. The six Āstika schools of Hindu philosophy that recognise the authority of the Vedas are: Sankhya, Yoga, Nyaya, Vaisheshika, Mīmāṃsā, and Vedanta.

The Gupta Empire was an Indian empire during the classical period of the Indian subcontinent which existed from the mid 3rd century to mid 6th century CE. At its zenith, the dynasty ruled over an empire that spanned much of the northern Indian subcontinent. This period has been considered as the Golden Age of India by some historians, although this characterisation has been disputed by others. The ruling dynasty of the empire was founded by Gupta.

The high points of this period are the great cultural developments which took place primarily during the reigns of Samudragupta, Chandragupta II and Kumaragupta I. Many Hindu epics and literary sources, such as the Mahabharata and Ramayana, were canonised during this period. The Gupta period produced scholars such as Kalidasa, Aryabhata, Varahamihira and Vatsyayana, who made significant advancements in many academic fields. Science and political administration reached new heights during the Gupta era. The period, sometimes described as Pax Gupta, gave rise to achievements in architecture, sculpture, and painting that "set standards of form and taste [that] determined the whole subsequent course of art, not only in India but far beyond her borders". Strong trade ties also made the region an important cultural centre and established the region as a base that would influence nearby kingdoms and regions in India and Southeast Asia. The Puranas, earlier long poems on a variety of subjects, are also thought to have been committed to written texts around this period. Hinduism was followed by the rulers and the Brahmins flourished in the Gupta empire but the Guptas were tolerant towards people of other faiths as well.

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, romanized: Rāmāyaṇam), also known as the Valmiki Ramayana or Tulsidas Ramayana, as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit epic) from ancient India, one of the two important epics of Hinduism known as the Itihasas, the other being the Mahabharata. The epic narrates the life of Rama, the seventh avatar of the Hindu deity Vishnu, who was a prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration.

Scholarly estimates for the earliest stage of the text range from the 7th–5th to 5th–4th century BCE, and later stages extend up to the 3rd century CE, although the original date of composition is unknown. It is one of the largest ancient epics in world literature and consists of nearly 24,000 shlokas (verses), divided into seven kāṇḍa (chapters). Each shloka is a couplet (two individual lines). The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), interspersed with teachings on the goals of human life.

Kishkindha (Sanskrit: किष्किन्धा, IAST: Kiṣkindhā) is a kingdom mentioned in Ramayana. It is ruled by King Sugriva, the younger brother of Vali, in the Sanskrit epic Ramayana. According to the Hindu epic this was the kingdom that Sugriva ruled with the assistance of his counsellor, Hanuman. Kishkindha is identified with the present location of Hampi, the erstwhile royal capital of Vijayanagara Empire.

During the Treta Yuga, the whole region was within the dense Dandaka Forest which was founded by King Danda, son of Ikshvaku, and descendant of Vaivasvata Manu in the Satya Yuga, which extended from the Vindhya range to the South Indian peninsula. Thus, this kingdom was considered that of the vanaras. During the Dvapara Yuga, the Pandava Sahadeva is stated to have visited this kingdom in the epic Mahabharata during his southern military campaign to collect tribute for Yudhishthira's Rajasuya sacrifice.

Surya (/ˈsuːriə/ SOO-ree-ə; Sanskrit: सूर्य, IAST: Sūrya) is the Sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Throughout Indian literature, Surya has been given multiple epitaphs such as Ravi, Vaivasvat, Bhāskara, etc. Furthermore, Surya has been described through aspects of itself which are identified as the Ādityas; including Savitr, Pushan, Mārtanda, Bhaga, etc.

The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. Surya is also regarded as the father of Sugriva and Karna, who play important roles in the two Hindu epics—the Ramayana and the Mahabharata, respectively. Surya was a primary deity in veneration by the characters of the Mahabharata and Ramayana.

Abhijnanashakuntalam (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: Abhijñānaśākuntalam), also known as Shakuntala, The Recognition of Shakuntala, The Sign of Shakuntala, and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic Mahābhārata and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE.

Shakuntala (Sanskrit: शकुन्तला, romanized: Śakuntalā) is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play Abhijnanashakuntalam (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the Mahabharata (c. 400 BC - 400 AD), where she appears in the Adi Parva ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata, a celebrated emperor of India.

In the Mahabharata, Shakuntala introduces herself to Dushyanta when he visits her hermitage during a hunting expedition in the absence of her foster father, Kanva. The two fall in love and secretly marry according to the Gandharva tradition (a love marriage), consummating their union in the forest. Afterward, Dushyanta returns to his palace life and gradually forgets about Shakuntala. Years later, she approaches him with their son, Bharata, but he hesitates to acknowledge them. Outspoken and fearless, Shakuntala rebukes him forcefully until a celestial voice intervenes to confirm the truth, compelling Dushyanta to accept her and their son.

Entering heaven alive (called by various religions "ascension", "assumption", or "translation") is a belief held in various religions. Since death is the normal end to an individual's life on Earth and the beginning of the afterlife, entering heaven without dying first is considered exceptional and usually a sign of a deity's special recognition of the individual's piety.

Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the Mahabharata and the Ramayana), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali Mangal Kavya and the Tamil Periya Puranam and Divya Prabandham. Additionally, Hindu myths are also found in widely translated fables like the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts influenced by Hindu traditions.

Smṛti (Sanskrit: स्मृति, IAST: smṛti, transl. 'what is remembered'), also spelled smriti or smruti, is a body of Hindu texts representing the remembered, written tradition in Hinduism, rooted in or inspired by the Vedas. Smṛti works are generally attributed to a named author and were transmitted through manuscripts, in contrast to Vedic or śruti literature, which is based on a fixed text with no specific author, and preserved through oral transmission. Smṛti are derivative, secondary works and considered less authoritative than śruti in Hinduism, except in the Mīmāmsa school of Hindu philosophy. The authority of smṛti accepted by orthodox schools is derived from that of śruti, on which it is based.

The smṛti literature is a corpus of varied texts that includes: the six Vedāṅgas (the auxiliary sciences in the Vedas), the epics (the Mahābhārata and Rāmāyaṇa), the Dharmasūtras and Dharmaśāstras (or Smritiśāstras), the Arthasaśāstras, the Purāṇas, the kāvya or poetical literature, extensive Bhashyas (reviews and commentaries on śruti and non-śruti texts), and numerous nibandhas (digests) covering politics, ethics (nītiśāstras), culture, arts and society.