Leo Tolstoy in the context of "Gaspra"

⭐ In the context of Gaspra, Leo Tolstoy is considered…

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⭐ Core Definition: Leo Tolstoy

Count Lev Nikolayevich Tolstoy (/ˈtlstɔɪ, ˈtɒl-/; Russian: Лев Николаевич Толстой, IPA: [ˈlʲef nʲɪkɐˈla(j)ɪvʲɪtɕ tɐlˈstoj] ; 9 September [O.S. 28 August] 1828 – 20 November [O.S. 7 November] 1910), usually referred to in English as Leo Tolstoy, was a Russian writer. He is regarded as one of the greatest and most influential authors of all time.

Born to an aristocratic family, Tolstoy achieved acclaim in his twenties with his semi-autobiographical trilogy, Childhood, Boyhood and Youth (1852–1856), and with Sevastopol Sketches (1855), based on his experiences in the Crimean War. His War and Peace (1869), Anna Karenina (1878), and Resurrection (1899), which is based on his "youthful sins," are often cited as pinnacles of realist fiction and three of the greatest novels ever written. His oeuvre includes short stories such as "Alyosha the Pot" (1911) and "After the Ball" (1911) and novellas such as Family Happiness (1859), The Death of Ivan Ilyich (1886), The Kreutzer Sonata (1889), The Devil (1911), and Hadji Murat (1912). He also wrote plays and essays concerning philosophical, moral and religious themes.

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👉 Leo Tolstoy in the context of Gaspra

Gaspra (Ukrainian: Гаспра; Russian: Гаспра; Crimean Tatar: Gaspra; from Greek ἄσπρα áspra, 'white'), officially transliterated Haspra, is a spa town, an urban-type settlement in Yalta Municipality in the Autonomous Republic of Crimea. It is located on the Black Sea coast, west of Yalta, and is a popular holiday resort. Population: 10,310 (2014 Census).

Leo Tolstoy lived in Gaspra in 1901 and 1902. Nearby are the Swallow's Nest, a modern castle and Charax, Crimea a Roman fort.

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Leo Tolstoy in the context of Epic (genre)

Epic is a narrative genre characterised by its length, scope, and subject matter. The defining characteristics of the genre are mostly derived from its roots in ancient poetry (epic poems such as Homer's Iliad and Odyssey). An epic is not limited to the traditional medium of oral poetry, but has expanded to include modern mediums including film, theater, television shows, novels, and video games.

Epic poetry dates back millennia to works of literature predating Ancient Greece or the Hebrew Bible, such as the Epic of Gilgamesh. But critique and discourse has continuously arisen over this long period of time, with attempts to clarify what the core characteristics of the “epic” genre really are beginning only in the past two centuries as new mediums of storytelling emerged with developing technologies. Most significantly, the advent of the novel, such as classics like Tolstoy's War and Peace which began to be referred to as “epic novels”, caused critics to reconsider what can be called an “epic”. With this discussion, epic became a larger overarching genre under which many subgenres, such as epic poetry, epic novels, and epic films could fall under. However, the nebulous definitions assigned to even the long-standing ancient epics due to their ubiquitous presence across vastly differing cultures and traditions, are still a topic of discourse for today's literary academics, and have caused lingering difficulties in creating a definitive definition for the umbrella term of “epic” as a genre.

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Leo Tolstoy in the context of Polemic

Polemic (/pəˈlɛmɪk/ pə-LEHM-ick, US also /-ˈlimɪk/ -⁠LEEM-ick) is contentious rhetoric intended to support a specific position by forthright claims and to undermine the opposing position. The practice of such argumentation is called polemics, which are seen in arguments on controversial topics. A person who writes polemics, or speaks polemically, is called a polemicist. The word derives from Ancient Greek πολεμικός (polemikos) 'warlike, hostile', from πόλεμος (polemos) 'war'.

Polemics often concern questions in religion or politics. A polemical style of writing was common in Ancient Greece, as in the writings of the historian Polybius. Polemic again became common in medieval and early modern times. Since then, famous polemicists have included satirist Jonathan Swift, Italian physicist and mathematician Galileo, French theologian Jean Calvin, French Enlightenment writer, historian, and philosopher Voltaire, Russian author Leo Tolstoy, socialist philosophers Karl Marx and Friedrich Engels, novelist George Orwell, playwright George Bernard Shaw, communist revolutionary Vladimir Lenin, linguist Noam Chomsky, social critics H. L. Mencken, Christopher Hitchens and Peter Hitchens, and existential philosophers Søren Kierkegaard and Friedrich Nietzsche.

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Leo Tolstoy in the context of War and Peace

War and Peace (Russian: Война и мир, romanizedVoyna i mir; pre-reform Russian: Война и миръ; IPA: [vɐjˈna i ˈmʲir]) is a literary work by the Russian author Leo Tolstoy. Set during the Napoleonic Wars, the work comprises both a fictional narrative and chapters in which Tolstoy discusses history and philosophy. An early version was published serially beginning in 1865, after which the entire book was rewritten and published in 1869. It is regarded, with Anna Karenina, as Tolstoy's finest literary achievement, and it remains an internationally praised classic of world literature.

The book chronicles the French invasion of Russia and its aftermath during the Napoleonic era. It uses five interlocking narratives following different Russian aristocratic families to illustrate Napoleon's impact on Tsarist society. Portions of an earlier version, titled The Year 1805, were serialized in The Russian Messenger from 1865 to 1867 before the novel was published in its entirety in 1869.

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Leo Tolstoy in the context of Novelist

A novelist is an author or writer of novels, though often novelists also write in other genres of both fiction and non-fiction. Some novelists are professional novelists, thus make a living writing novels and other fiction, while others aspire to support themselves in this way or write as an avocation. Most novelists struggle to have their debut novel published, but once published they often continue to be published, although very few become literary celebrities, thus gaining prestige or a considerable income from their work.

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Leo Tolstoy in the context of Art critic

An art critic is a person who is specialized in analyzing, interpreting, and evaluating art. Their written critiques or reviews contribute to art criticism and they are published in newspapers, magazines, books, exhibition brochures, and catalogues and on websites. Some of today's art critics use art blogs and other online platforms in order to connect with a wider audience and expand debate.

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Leo Tolstoy in the context of Nonviolent resistance

Nonviolent resistance, or nonviolent action, sometimes called civil resistance, is the practice of achieving goals such as social change through symbolic protests, civil disobedience, economic or political noncooperation, satyagraha, constructive program, or other methods, while refraining from violence and the threat of violence. This type of action highlights the desires of an individual or group that feels that something needs to change to improve the current condition of the resisting person or group.

Mahatma Gandhi is the most popular figure related to this type of protest; United Nations celebrates Gandhi's birthday, October 2, as the International Day of Non-Violence. Other prominent advocates include Abdul Ghaffar Khan, Henry David Thoreau, Etienne de la Boétie, Charles Stewart Parnell, Te Whiti o Rongomai, Tohu Kākahi, Leo Tolstoy, Alice Paul, Martin Luther King Jr., Daniel Berrigan, Philip Berrigan, James Bevel, Václav Havel, Andrei Sakharov, Lech Wałęsa, Gene Sharp, Nelson Mandela, Jose Rizal, and many others. From 1966 to 1999, nonviolent civic resistance played a critical role in fifty of sixty-seven transitions from authoritarianism.

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Leo Tolstoy in the context of Russian literature

Russian literature refers to the literature of Russia, its émigrés, and to Russian-language literature. Major contributors to Russian literature, as well as English for instance, are authors of different ethnic origins, including bilingual writers, such as Kyrgyz novelist Chinghiz Aitmatov. At the same time, Russian-language literature does not include works by authors from the Russian Federation who write exclusively or primarily in the native languages of the indigenous non-Russian ethnic groups in Russia, thus the famous Dagestani poet Rasul Gamzatov is omitted.

The roots of Russian literature can be traced to the Early Middle Ages when Old Church Slavonic was introduced as a liturgical language and became used as a literary language. The native Russian vernacular remained the use within oral literature as well as written for decrees, laws, messages, chronicles, military tales, and so on. By the Age of Enlightenment, literature had grown in importance, and from the early 1830s, Russian literature underwent an astounding "Golden Age" in poetry, prose and drama. The Romantic movement contributed to a flowering of literary talent: poet Vasily Zhukovsky and later his protégé Alexander Pushkin came to the fore. Mikhail Lermontov was one of the most important poets and novelists. Nikolai Gogol and Ivan Turgenev wrote masterful short stories and novels. Fyodor Dostoevsky and Leo Tolstoy became internationally renowned. Other important figures were Ivan Goncharov, Mikhail Saltykov-Shchedrin and Nikolai Leskov. In the second half of the century Anton Chekhov excelled in short stories and became a leading dramatist. The end of the 19th century and the beginning of the 20th century is sometimes called the Silver Age of Russian poetry. The poets most often associated with the "Silver Age" are Konstantin Balmont, Valery Bryusov, Alexander Blok, Anna Akhmatova, Nikolay Gumilyov, Sergei Yesenin, Vladimir Mayakovsky, and Marina Tsvetaeva. This era produced novelists and short-story writers, such as Aleksandr Kuprin, Nobel Prize winner Ivan Bunin, Leonid Andreyev, Fyodor Sologub, Yevgeny Zamyatin, Alexander Belyaev, Andrei Bely and Maxim Gorky.

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