Literary realism in the context of "Leo Tolstoy"

The Wild Duck (original Norwegian title: Vildanden) is an 1884 play by the Norwegian playwright Henrik Ibsen. It explores the complexities of truth and illusion through the story of a family torn apart by secrets and the intrusion of an idealistic outsider. It focuses on the Ekdal family, whose fragile peace is shattered by Gregers Werle, an idealist who insists on exposing hidden truths, leading to tragic consequences. The play was written in a realistic style, but literary scholars have pointed out the play's kinship with symbolism. It blends themes such as deception, betrayal, and the disillusionment of modern life with moments of comedy and satire, and is considered the first modern masterpiece in the genre of tragicomedy. The Wild Duck and Rosmersholm are "often to be observed in the critics' estimates vying with each other as rivals for the top place among Ibsen's works".

Themes of visibility and recognition permeate the narrative, featuring characters struggling to be seen while metaphorically and literally blind to each other's true selves, symbolized through motifs such as blindness, photography, and the wounded wild duck. Like other Ibsen plays, it is rich with references to Ibsen's family; "Old Ekdal" is a literary portrait of the playwright's father Knud Ibsen. The character "Gregers Werle" represents the spirit of the Paus family and Upper Telemark, a broader theme that is found in many of Ibsen's plays.

Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. Magical realism is the most commonly used of the three terms, and refers to literature, in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, and is commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. The two are also distinguished in that magic realism is closer to literary fiction than to fantasy, which is instead a type of genre fiction. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.

Jane Austen (/ˈɒstɪn, ˈɔːstɪn/ OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment on the English landed gentry at the end of the 18th century.

Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are implicit critiques of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of social commentary, realism, wit, and irony have earned her acclaim amongst critics and scholars.

Walter Whitman Jr. (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist; he also wrote two novels. He is considered one of the most influential poets in American literature and world literature. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse. His work was controversial in his time, particularly his 1855 poetry collection Leaves of Grass, which was described by some as obscene for its overt sensuality.

Whitman was born in Huntington on Long Island and lived in Brooklyn as a child and through much of his career. At age 11, he left formal schooling to go to work. He worked as a journalist, a teacher, and a government clerk. Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until his death in 1892.

Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). Like Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place, and detailed depiction of the countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language.

Scandalously and unconventionally for the era, she lived with the married George Henry Lewes as his conjugal partner, from 1854 to 1878, and called him her husband. He remained married to his wife, Agnes Jervis, and supported their children, even after Jervis left him to live with another man and have children with him. In May 1880, 18 months after Lewes's death, Eliot married her longtime friend John Cross, a man much younger than her, and changed her name to Mary Ann Cross.

The Grapes of Wrath is an American realist novel written by John Steinbeck and published in 1939. The book won the National Book Awardand Pulitzer Prize for fiction, and it was cited prominently when Steinbeck was awarded the Nobel Prize in Literature in 1962.

Set during the Great Depression, the novel focuses on the Joads, a poor family of tenant farmers driven from their Oklahoma home by drought, economic hardship, agricultural industry changes, and bank foreclosures forcing tenant farmers out of work. Due to their nearly hopeless situation, and in part because they are trapped in the Dust Bowl, the Joads set out for California on the "mother road", along with thousands of other "Okies" seeking jobs, land, dignity, and a future.

Gustave Flaubert (UK: /ˈfloʊbɛər/ FLOH-bair, US: /floʊˈbɛər/ floh-BAIR; French: [ɡystav flobɛʁ]; 12 December 1821 – 8 May 1880) was a French novelist. He has been considered the leading exponent of literary realism in his country and abroad. According to the literary theorist Kornelije Kvas, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality". He is known especially for his debut novel Madame Bovary (1857), his Correspondence, and his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.

Philip Massinger (1583 – 17 March 1640) was an English dramatist. His plays, including A New Way to Pay Old Debts, The City Madam, and The Roman Actor, are noted for their satire and realism, and their political and social themes.