Art criticism in the context of "Art critic"

Medium specificity is a consideration in aesthetics and art criticism. It is most closely associated with modernism, but it predates it.

Media studies is a discipline and field of study that deals with the content, history, and effects of various media; in particular, the mass media. Media studies may draw on traditions from both the social sciences and the humanities, but it mostly draws from its core disciplines of mass communication, communication, communication sciences, and communication studies.

Researchers may also develop and employ theories and methods from disciplines including cultural studies, rhetoric (including digital rhetoric), philosophy, literary theory, psychology, political science, political economy, economics, sociology, anthropology, social theory, art history and criticism, film theory, and information theory.

Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism), visual media (film criticism, television criticism), or literary texts (literary criticism).

Criticism of the arts can be broadly divided into two types. There is academic criticism such as that found in scholarly works and specialist journals, then there is criticism of a more journalistic nature (often called 'a review') which is seen by a wider public through newspapers, television and radio. The academic criticism will be of a more vigorous and analytical nature than the journalistic, the journalistic may even focus on entertaining the reader at the expense of detail about the art under discussion.

Art history is an academic discipline devoted to the study of artistic production and visual culture throughout human history. Art historians use a historical method or a philosophy, such as historical materialism or critical theory, to analyze artworks. Among other topics, they study art's impact on societies and cultures, the relationship between art and politics, and how artistic styles and formal characteristics of works of art have changed throughout history. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value for critiquing individual works, and aesthetics, which is a branch of philosophy.

The study of art’s history emerged as a way to document and interpret artistic production. Early traditions of art-historical writing developed in several cultures, including Ancient Greece, Imperial China, and Renaissance Italy, each producing influential figures and approaches that shaped later scholarship. As an academic discipline, art history emerged in the 19th century and was a largely Eurocentric field, concentrating on Western definitions of the fine and decorative arts, particularly painting, drawing, sculpture, and architecture.

There are many varieties of criticism. This article describes common types that occur regularly in everyday life. For other criteria that classify criticisms, see Criticism § Classifications. For more subject-specific information, see the pages on topics such as art, film, literature, theatre, or architecture.

The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large. Human figures that are perhaps half life-size or above would usually be considered monumental in this sense by art historians, although in contemporary art a rather larger overall scale is implied. Monumental sculpture is therefore distinguished from small portable figurines, small metal or ivory reliefs, diptychs and the like.

The term is also used to describe sculpture that is architectural in function, especially if used to create or form part of a monument of some sort, and therefore capitals and reliefs attached to buildings will be included, even if small in size. Typical functions of monuments are as grave markers, tomb monuments or memorials, and expressions of the power of a ruler or community, to which churches and so religious statues are added by convention, although in some contexts monumental sculpture may specifically mean just funerary sculpture for church monuments.

The art world comprises everyone involved in producing, commissioning, presenting, preserving, promoting, chronicling, criticizing, buying, and selling fine art. It is recognized that there are many art worlds, defined either by location or alternative definitions of fine art. Some may use the singular art world to refer only to the elite level of globalized fine art. The art world(s) are continually changing in response both to the creativity of those that create art and in response to social change.