Jugendstil in the context of "Henry van de Velde"

Art Nouveau (/ˌɑːr(t) nuːˈvoʊ/ AR(T) noo-VOH; French: [aʁ nuvo] ; lit. 'New Art'), Jugendstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.

One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewellery and metal work. The style responded to leading 19th century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900). In Britain, it was influenced by William Morris and the Arts and Crafts movement. German architects and designers sought a spiritually uplifting Gesamtkunstwerk ('total work of art') that would unify the architecture, furnishings, and art in the interior in a common style, to uplift and inspire the residents.

The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. The Modern Style provided the base and intellectual background for the Art Nouveau movement and was adapted by other countries, giving birth to local variants such as Jugendstil and the Vienna Secession. It was cultivated and disseminated through the Liberty department store and The Studio magazine.

The most important person in the field of design in general, and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the "Mackintosh rose" or "Glasgow rose". The Glasgow School circle was also of tremendous importance, particularly the group closely associated with Mackintosh known as "The Four". The Liberty store's nurturing of style gave birth to two metalware lines, Cymric and Tudric, designed by Archibald Knox. In the field of ceramic and glass Christopher Dresser is a standout figure: not only did he work with the most prominent ceramic manufacturers but became a crucial person behind James Couper & Sons' trademarking of Clutha glass, inspired by ancient Rome, in 1888.

Riga (/ˈriːɡə/ REE-gə) is the capital, primate, and largest city of Latvia and the second largest in the Baltics. Home to 591,882 inhabitants (as of 2025), the city accounts for a third of Latvia's total population. The population of Riga metropolitan area, which stretches beyond the city limits, is estimated at 847,162 (as of 2025). The city lies on the Gulf of Riga at the mouth of the Daugava river where it meets the Baltic Sea. Riga's territory covers 307.17 km (118.60 sq mi) and lies 1–10 m (3–33 ft) above sea level on a flat and sandy plain.

Riga was founded in 1201, and is a former Hanseatic League member. Riga's historical centre is a UNESCO World Heritage Site, noted for its Art Nouveau/Jugendstil architecture and 19th century wooden architecture. Riga was the European Capital of Culture in 2014, along with Umeå in Sweden. Riga hosted the 2006 NATO Summit, the Eurovision Song Contest 2003, the 2013 World Women's Curling Championship, and the IIHF Men's World Ice Hockey Championships in 2006, 2021, and 2023. It is home to the European Union's office of European Regulators for Electronic Communications (BEREC). In 2017, it was named as the European Region of Gastronomy.

Nordic Classicism was a style of architecture that briefly blossomed in the Nordic countries (Sweden, Denmark, Norway and Finland) between 1910 and 1930. The style was also known as Swedish Grace architecture in Sweden.

Until a resurgence of interest for the period during the 1980s (marked by several scholarly studies and public exhibitions), Nordic Classicism was regarded as a mere interlude between two much better-known architectural movements, National Romanticism, or Jugendstil (often seen as equivalent or parallel to Art Nouveau), and Functionalism (aka Modernism).

Franz Josef Karl Edler von Matsch (16 September 1861, in Vienna – 5 October 1942, in Vienna), also known as Franz Matsch, was an Austrian painter and sculptor in the Jugendstil style. Along with Gustav and Ernst Klimt, he was a member of the Maler-Companie. He painted Achilles in Achillion Museum in Corfu.

Jugend (German for 'Youth') (1896–1940) was an influential German arts magazine. Founded in Munich by Georg Hirth who edited it until his death in 1916, the weekly was originally intended to showcase German Arts and Crafts, but became famous for showcasing the German version of Art Nouveau instead. It was also famed for its "shockingly brilliant covers and radical editorial tone" and for its avant-garde influence on German arts and culture for decades, ultimately launching the eponymous Jugendstil ('Youth Style') movement in Munich, Weimar, and Germany's Darmstadt Artists' Colony.

The magazine, along with several others that launched more or less concurrently, including Pan, Simplicissimus, Dekorative Kunst ('Decorative Art') and Deutsche Kunst und Dekoration ('German Art and Decoration') collectively roused interest among wealthy industrialists and the aristocracy, which further spread interest in Jugendstil from 2D art (graphic design) to 3D art (architecture), as well as more applied art. Germany's gesamtkunstwerk ('synthesized artwork') tradition eventually merged and evolved those interests into the Bauhaus movement.

The Darmstadt Artists' Colony refers to the Jugendstil artists' group and buildings near Rosenhöhe Park in Mathildenhöhe, Darmstadt, where these artists lived and worked in the late 19th and early 20th centuries. They were largely financed by patrons and worked with one another, taste permitting.

UNESCO recognized the Mathildenhöhe artists' colony in Darmstadt as a World Heritage Site in 2021, because of its testimony to early modern architecture and landscape design, and its influence in the reform movements of the early 20th century.