Charles Rennie Mackintosh in the context of "Modern Style (British Art Nouveau style)"

⭐ In the context of Modern Style (British Art Nouveau style), Charles Rennie Mackintosh is considered…

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⭐ Core Definition: Charles Rennie Mackintosh

Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow, Scotland and died in London, England. He is among the most important figures of the Modern Style.

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👉 Charles Rennie Mackintosh in the context of Modern Style (British Art Nouveau style)

The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. The Modern Style provided the base and intellectual background for the Art Nouveau movement and was adapted by other countries, giving birth to local variants such as Jugendstil and the Vienna Secession. It was cultivated and disseminated through the Liberty department store and The Studio magazine.

The most important person in the field of design in general, and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the "Mackintosh rose" or "Glasgow rose". The Glasgow School circle was also of tremendous importance, particularly the group closely associated with Mackintosh known as "The Four". The Liberty store's nurturing of style gave birth to two metalware lines, Cymric and Tudric, designed by Archibald Knox. In the field of ceramic and glass Christopher Dresser is a standout figure: not only did he work with the most prominent ceramic manufacturers but became a crucial person behind James Couper & Sons' trademarking of Clutha glass, inspired by ancient Rome, in 1888.

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