Hermann Obrist in the context of "Jugendstil"

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⭐ Core Definition: Hermann Obrist

Hermann Obrist (23 May 1862 at Kilchberg (near Zürich), Switzerland – 26 February 1927, Munich, Germany) was a Swiss sculptor of the Jugendstil and Art Nouveau movement. He studied Botany and History in his youth; the influence of those subjects is detected in his later work in the field of applied arts. As a teacher, Hermann Obrist exerted a seminal influence on the rise and subsequent development of Jugendstil in Germany.

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👉 Hermann Obrist in the context of Jugendstil

Jugendstil (German pronunciation: [ˈjuːɡn̩tˌstiːl] ; "Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany, Austria, and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German and Austrian counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration.

Its major centers of activity were Munich, Vienna and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, the Belgian architect and decorator Henry van de Velde, as well as the Austrians Otto Wagner, Joseph Maria Olbrich, Gustav Klimt, and Koloman Moser, among others. In its earlier years, the style was influenced by the British Modern Style. It was also influenced by Japanese prints. Later, under the Secessionists' influence, it tended toward abstraction and more geometrical forms.

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Hermann Obrist in the context of Whiplash (decorative art)

The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. It took its name from a woven fabric panel "Cyclamen", by the German artist Hermann Obrist (1895) which depicted the stems and roots of the cyclamen plant, which critics dubbed "Coup de Fouet" ('whiplash'). The panel was later reproduced by the textile workshop of the Darmstadt Artists Colony.

Curling whiplash lines were modelled after natural and vegetal forms, particularly the cyclamen, iris, orchid, thistle, mistletoe, holly, water lily, and from the stylized lines of the swan, peacock, dragonfly, and butterfly.

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