Secession (art) in the context of "Jugendstil"

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⭐ Core Definition: Secession (art)

In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend (Youth), which also went on to lend its name to the Jugendstil. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined.

Of the various secessions, the Vienna Secession (1897) remains the most influential. Led by Gustav Klimt, who favored the ornate Art Nouveau style over the prevailing styles of the time, it was inspired by the Munich Secession (1892), and the nearly contemporaneous Berlin Secession (1898), all of which begot the term Sezessionstil, or "Secession style."

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πŸ‘‰ Secession (art) in the context of Jugendstil

Jugendstil (German pronunciation: [ˈjuːɑn̩tˌstiːl] ; "Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany, Austria, and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German and Austrian counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration.

Its major centers of activity were Munich, Vienna and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, the Belgian architect and decorator Henry van de Velde, as well as the Austrians Otto Wagner, Joseph Maria Olbrich, Gustav Klimt, and Koloman Moser, among others. In its earlier years, the style was influenced by the British Modern Style. It was also influenced by Japanese prints. Later, under the Secessionists' influence, it tended toward abstraction and more geometrical forms.

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Secession (art) in the context of Charles Rennie Mackintosh

Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow, Scotland and died in London, England. He is among the most important figures of the Modern Style.

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Secession (art) in the context of Evert Larock

Everard Larock, known as Evert (21 May 1865 – 13 January 1901) was a Belgian Impressionist painter who belonged to the Secessionist art groups Als ik Kan and De XIII.

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Secession (art) in the context of Ver Sacrum (magazine)

Ver Sacrum (meaning "Sacred Spring" in Latin) was the official magazine of the Vienna Secession. Founded by Gustav Klimt and Max Kurzweil, it was published from 1898 to 1903, featuring drawings and designs in the Secession style along with literary contributions from distinguished writers from across Europe. These included Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer, Josef Maria Auchentaller and Arno Holz. Koloman Moser was the magazine's chief designer.

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