Western canon in the context of "Louvre"

⭐ In the context of the Louvre, the initial transformation of the building from a fortress to a royal residence is most significant because it ultimately paved the way for its role as a repository of works considered part of the Western canon.

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⭐ Core Definition: Western canon

The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western world, such works having achieved the status of classics.

Recent discussions upon the matter emphasise cultural diversity within the canon. The canons of music and visual arts have been broadened to encompass often overlooked periods, whilst recent media like cinema grapple with a precarious position. Criticism arises, with some viewing changes as prioritising activism over aesthetic values, often associated with critical theory, as well as postmodernism. Another critique highlights a narrow interpretation of the West, dominated by British and American culture, at least under contemporary circumstances, prompting demands for a more diversified canon amongst the hemisphere.

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👉 Western canon in the context of Louvre

The Louvre, or the Louvre Museum (French: Musée du Louvre [myze dy luvʁ] ), is a national art museum in Paris, France, and the most visited museum in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.

The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. The palace and exhibition space was expanded in the 19th century and again in the 20th.

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Western canon in the context of Western literature

Western literature, also known as European literature, is the literature written in the context of Western culture in the languages of Europe, and is shaped by the periods in which they were conceived, with each period containing prominent western authors, poets, and pieces of literature.

The best of Western literature is considered to be the Western canon. The list of works in the Western canon varies according to the critic's opinions on Western culture and the relative importance of its defining characteristics. Different literary periods held great influence on the literature of Western and European countries, with movements and political changes impacting the prose and poetry of the period. The 16th Century is known for the creation of Renaissance literature, while the 17th century was influenced by both Baroque and Jacobean forms. The 18th century progressed into a period known as the Enlightenment Era for many western countries. This period of military and political advancement influenced the style of literature created by French, Russian and Spanish literary figures. The 19th century was known as the Romantic era, in which the style of writing was influenced by the political issues of the century, and differed from the previous classicist form.

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Western canon in the context of Ovid

Publius Ovidius Naso (Latin: [ˈpuːbliʊs ɔˈwɪdiʊs ˈnaːsoː]; 20 March 43 BC – AD 17/18), known in English as Ovid (/ˈɒvɪd/ OV-id), was a Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis, the capital of the newly organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a carmen et error ("poem and a mistake"), but his reluctance to disclose specifics has resulted in much speculation among scholars.

Ovid is most famous for the Metamorphoses, a continuous mythological narrative in fifteen books written in dactylic hexameters. He is also known for works in elegiac couplets such as Ars Amatoria ("The Art of Love") and Fasti. His poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology today.

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Western canon in the context of Literary theory

Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Consequently, the word theory became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy, often witnessed within Western canon along with some postmodernist theory.

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Western canon in the context of Harold Bloom

Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of humanities at Yale University. In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". After publishing his first book in 1959, Bloom wrote more than 50 books, including over 40 books of literary criticism, several books discussing religion, and one novel. He edited hundreds of anthologies concerning numerous literary and philosophical figures for the Chelsea House publishing firm. Bloom's books have been translated into more than 40 languages. He was elected to the American Philosophical Society in 1995.

Bloom was a defender of the traditional Western canon at a time when literature departments were focusing on what he derided as the "School of Resentment" (which included multiculturalism, feminism, and Marxism). He was educated at Yale, the University of Cambridge, and Cornell University.

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Western canon in the context of Richard Brinsley Sheridan

Richard Brinsley Butler Sheridan (30 October 1751 – 7 July 1816) was an Anglo-Irish playwright, writer and Whig politician who sat in the British House of Commons from 1780 to 1812, representing the constituencies of Stafford, Westminster and Ilchester. The owner of the Theatre Royal, Drury Lane, in London, he wrote several prominent plays such as The Rivals (1775), The Duenna (1775), The School for Scandal (1777) and A Trip to Scarborough (1777). He served as Treasurer of the Navy from 1806 to 1807. Sheridan died in 1816 and was buried at Poets' Corner in Westminster Abbey. His plays remain a central part of the Western canon and are frequently performed around the world.

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Western canon in the context of Classicism

Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection and restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the Western canon that he was examining in The Nude (1956).

Classicism is a force which is often present in post-medieval European and European influenced traditions; however, some periods felt themselves more connected to the classical ideals than others, particularly the Age of Enlightenment, when Neoclassicism was an important movement in the visual arts.

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Western canon in the context of Pindar

Pindar (/ˈpɪndər/; Ancient Greek: Πίνδαρος Pindaros [píndaros]; Latin: Pindarus; c. 518 BC – c. 438 BC) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.

Pindar was the first Greek poet to reflect on the nature of poetry and on the poet's role. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the Classical period. Like other poets of the Archaic Age, he has a profound sense of the vicissitudes of life, but he also articulates a passionate faith in what men can achieve by the grace of the gods, most famously expressed in the conclusion to one of his Victory Odes:

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Western canon in the context of John Steinbeck

John Ernst Steinbeck (/ˈstnbɛk/ STYNE-bek; February 27, 1902 – December 20, 1968) was an American writer. He won the 1962 Nobel Prize in Literature "for his realistic and imaginative writings, combining as they do sympathetic humor and keen social perception". He has been called "a giant of American letters."

During his writing career, he authored 33 books, with one book coauthored alongside Edward Ricketts, including 16 novels, six non-fiction books, and two collections of short stories. He is widely known for the comic novels Tortilla Flat (1935) and Cannery Row (1945), the multigeneration epic East of Eden (1952), and the novellas The Red Pony (1933) and Of Mice and Men (1937). The Pulitzer Prize–winning The Grapes of Wrath (1939) is considered Steinbeck's masterpiece and part of the American literary canon. By the 75th anniversary of its publishing date, it had sold 14 million copies.

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