Venus de Milo in the context of "Louvre"

⭐ In the context of the Louvre, the inclusion of the Venus de Milo signifies a broader historical shift from what primary function?

Ad spacer

⭐ Core Definition: Venus de Milo

The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC. It was discovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.

The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand holding an apple was found alongside it; recent scientific analysis supports the identification of this hand as part of the sculpture. On the basis of a now-lost inscription found near the sculpture, it has been attributed to Alexandros from Antioch on the Maeander, though the name on the inscription is uncertain and its connection to the Venus is disputed.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Venus de Milo in the context of Louvre

The Louvre, or the Louvre Museum (French: Musée du Louvre [myze dy luvʁ] ), is a national art museum in Paris, France, and the most visited museum in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.

The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. The palace and exhibition space was expanded in the 19th century and again in the 20th.

↓ Explore More Topics
In this Dossier

Venus de Milo in the context of Hellenistic art

Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Dying Gaul, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.

The term Hellenistic refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aegean Sea, rather than the Classical Greece focused on the Poleis of Athens and Sparta, but also a huge time range. In artistic terms this means that there is huge variety which is often put under the heading of "Hellenistic Art" for convenience.

↑ Return to Menu

Venus de Milo in the context of Milos

Milos or Melos (/ˈmlɒs, -ls/; Modern Greek: Μήλος, romanizedMílos, IPA: milos]; Ancient Greek: Μῆλος, romanizedMêlos) is a volcanic Greek island in the Aegean Sea, just north of the Sea of Crete. It is the southwestern-most island of the Cyclades group.

The Venus de Milo (now in the Louvre), the Poseidon of Melos (now in the NAMA) and the Asclepius of Milos (now in the British Museum) were all found on the island, as was an archaic Apollo now in Athens. Milos is a popular tourist destination during the summer. The municipality of Milos also includes the uninhabited offshore islands of Antimilos and Akradies. The combined land area is 160.147 square kilometres (61.833 sq mi) and at the 2021 census the population was 5,193 inhabitants.

↑ Return to Menu

Venus de Milo in the context of Parian marble

Parian marble is a fine-grained, semi translucent, and pure-white marble quarried during the classical era on the Greek island of Paros in the Aegean Sea. A subtype, referred to as Parian lychnites, was particularly notable in antiquity by ancient Greeks as a material for making sculptures.

Some of the greatest masterpieces of ancient Greek sculpture were carved from Parian marble, including the Medici Venus, the Venus de Milo, and the Winged Victory of Samothrace.

↑ Return to Menu

Venus de Milo in the context of Alexandros of Antioch

Alexandros of Antioch (Greek: Ἀλέξανδρος) (2nd – 1st century BC) was a Greek sculptor of the Hellenistic age. He is thought to be the sculptor of the famous Venus de Milo statue.

↑ Return to Menu