Underworld in the context of Religious

Hermes (/ˈhɜːrmiːz/; Ancient Greek: Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology considered the herald of the gods. He is also widely considered the protector of human heralds, travelers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife.

In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. He is regarded as "the divine trickster", about which the Homeric Hymn to Hermes offers the most well-known account.

In ancient Roman religion and mythology, Pluto (Ancient Greek: Πλούτων, romanized: Ploútōn, Latin: Plūto or Plūton), also known as Dis Pater or Orcus, was the god of the dead and the king of the underworld. The name was originally an epithet or theonym for Hades in ancient Greek religion and mythology, although Pluto was more associated with wealth and never used as a synonym for the underworld itself, representing a more positive concept of the god who presides over the afterlife. He was the eldest son of Saturn (Cronus) and Ops (Rhea), as well as the brother of Jupiter (Zeus) and Neptune (Poseidon). Pluto later married Proserpina (Persephone) and shared many of Hades' attributes, such as the bident, the cap of invisibility, and the three-headed guard dog Cerberus.

While Pluto is commonly considered the Roman equivalent of Hades, the name Plouton was already used by the Greeks to designate Hades and was later adopted by the Romans for their god of the underworld, Dis Pater, which often means "Rich Father" and is perhaps a direct translation of Plouton. Pluto was also identified with the obscure god Orcus, name that the Romans adopted from the Etruscans and which, like Hades, was both for the god of the underworld and for the underworld as a place. On the other hand, Ploutōn was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground and because, as a chthonic god, Pluto ruled the deep earth that contained the seeds needed for a bountiful harvest.

Heaven, or the Heavens, is a common religious cosmological or supernatural place where beings such as deities, angels, souls, saints, or venerated ancestors are said to originate, be enthroned, or reside. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate and earthly beings can ascend to Heaven in the afterlife or, in exceptional cases, enter Heaven without dying.

Heaven is often described as a "highest place", the holiest place, a paradise, in contrast to Hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply divine will. Some believe in the possibility of a heaven on Earth in a world to come.

In Greek mythology, deities referred to as chthonic (/ˈθɒnɪk/) or chthonian (/ˈθoʊniən/) were gods or spirits who inhabited the underworld or existed in or under the earth, and were typically associated with death or fertility. The terms chthonic and chthonian are derived from the Ancient Greek word χθών (khthṓn) meaning 'earth' or 'soil'. The Greek adjective χθόνιος (khthónios) means 'in, under, or beneath the earth', which can be differentiated from γῆ (gê), which refers to the living surface of land on the earth. In Greek, χθόνιος (khthónios) is a descriptive word for things relating to the underworld, which was in antiquity sometimes applied as an epithet to deities such as Hermes, Demeter, and Zeus.

The chthonic deities have been compared to the more commonly referred-to Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing take place in part under the earth.

In religion and folklore, hell is a location or state in the afterlife in which souls are subjected to punishment after death. Religions with a linear divine history sometimes depict hells as eternal, such as in some versions of Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the Indian religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld.

Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word hell, though a more correct translation would be "underworld" or "world of the dead". The ancient Mesopotamian, Greek, Roman, and Finnic religions include entrances to the underworld from the land of the living.

Aita (Etruscan: 𐌀𐌕𐌉𐌀), also spelled Eita (Etruscan: 𐌀𐌕𐌉𐌄), is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld, roughly equivalent to the Greek god Hades (Epic Greek: Ἄϊδης, romanized: Áïdēs).

Dis Pater (/ˌdɪs ˈpeɪtər/; Latin: [diːs patɛr]; genitive Ditis Patris, lit. the "Rich Patriarch"), otherwise known as Rex Infernus or Pluto, is a Roman god of the underworld. Dis was originally associated with fertile agricultural land and mineral wealth, and since those minerals came from underground, he was later equated with the chthonic deities Pluto (Hades) and Orcus.

Dis Pater's name was commonly shortened to Dis, and this name has since become an alternative name for the underworld or a part of the underworld, such as the City of Dis of Dante's The Divine Comedy, which comprises Lower Hell.

Serpents (Hebrew: נָחָשׁ, romanized: nāḥāš) are referred to in both the Hebrew Bible and the New Testament. The symbol of a serpent or snake played important roles in the religious traditions and cultural life of ancient Greece, Egypt, Mesopotamia, and Canaan. The serpent was a symbol of evil power and chaos from the underworld as well as a symbol of fertility, life, healing, and rebirth.

Nāḥāš (נחש‎), Hebrew for "snake", is also associated with divination, including the verb form meaning "to practice divination or fortune-telling". Nāḥāš occurs in the Torah to identify the serpent in the Garden of Eden. Throughout the Hebrew Bible, it is also used in conjunction with seraph to describe vicious serpents in the wilderness]. The tannin, a dragon monster, also occurs throughout the Hebrew Bible. In the Book of Exodus, the staves of Moses and Aaron are turned into serpents, a nāḥāš for Moses, a tannin for Aaron. In the New Testament, the Book of Revelation makes use of ancient serpent and the Dragon several times to identify Satan or the Devil (Revelation 12:9; 20:2). The serpent is most often identified with the hubristic Satan, and sometimes with Lilith.

Symbolic culture, or non-material culture, is the ability to learn and transmit behavioral traditions from one generation to the next by the invention of things that exist entirely in the symbolic realm. Symbolic culture is usually conceived as the cultural realm constructed and inhabited uniquely by Homo sapiens and is differentiated from ordinary culture, which many other animals possess. Symbolic culture is studied by archaeologists, social anthropologists and sociologists. From 2018, however, some evidence of a Neanderthal origin of symbolic culture emerged. Symbolic culture contrasts with material culture, which involves physical entities of cultural value and includes the usage, consumption, creation, and trade of objects.

Examples of symbolic culture include concepts (such as good and evil), mythical constructs (such as gods and underworlds), and social constructs (such as promises and football games).Symbolic culture is a domain of objective facts whose existence depends, paradoxically, on collective belief. A currency system, for example, exists only for as long as people continue to have faith in it. When confidence in monetary facts collapses, the "facts" themselves suddenly disappear. Much the same applies to citizenship, government, marriage and many other things that people in our own culture consider to be "real". The concept of symbolic culture draws from semiotics, and emphasises the way in which distinctively human culture is mediated through signs and concepts. In sociology, Emile Durkheim, Claude Lévi-Strauss, Clifford Geertz and many others have emphasised the symbolic aspect of distinctively human culture.

Roman funerary practices include the Ancient Romans' religious rituals concerning funerals, cremations, and burials. They were part of time-hallowed tradition (Latin: mos maiorum), the unwritten code from which Romans derived their social norms. Elite funeral rites, especially processions and public eulogies, gave the family an opportunity to publicly celebrate the life and deeds of the deceased, their ancestors, and the family's standing in the community. Sometimes the political elite gave costly public feasts, games and popular entertainments after family funerals, to honour the departed and to maintain their own public profile and reputation for generosity. The Roman gladiator games began as funeral gifts for the deceased in high-status families.

Funeral displays and expenses were supposedly constrained by sumptuary laws, designed to reduce class envy and consequent social conflict. The less well-off, and those who lacked the support of an extended family could subscribe to guilds or collegia which provided funeral services for members. Until their funeral and disposal, the dead presented a risk of ritual pollution. This was managed through funerary rituals which separated them from the world of the living, and consigned their spirit to the underworld. Professional undertakers were available to organise the funeral, manage the rites and dispose of the body. Even the simplest funerals of Rome's citizen and free majority could be very costly, relative to income. The poorest, and certain categories of criminal, could be dumped in pits or rivers, or left to rot in the open air. During plagues and pandemics, the system might be completely overwhelmed. Those who met an untimely or premature death, or died without benefit of funeral rites were believed to haunt the living as vagrant, restless spirits until they could be exorcised.

A katabasis or catabasis (Ancient Greek: κατάβασις, romanized: katábasis, lit. 'descent'; from κατὰ (katà) 'down' and βαίνω (baínō) 'go') is a journey to the underworld. Its original sense is usually associated with Greek mythology and classical mythology more broadly, where the protagonist visits the Greek underworld, also known as Hades. The term is also used in a broad sense of any journey to the realm of the dead in other mythological and religious traditions. A katabasis is comparable to a nekyia or necromancy, where one experiences a vision of the underworld or its inhabitants; a nekyia does not generally involve a physical visit.

One of the most famous examples is that of Odysseus, who performs something on the border of a nekyia and a katabasis in book 11 of the Odyssey; he visits the border of the realms before calling the dead to him using a blood rite, with it being disputed whether he was at the highest realm of the underworld or the lowest edge of the living world where he performed this.

In religion and folklore, paradise is a place of everlasting happiness, delight, and bliss. Paradisiacal notions are often laden with pastoral imagery, and may be cosmogonical, eschatological, or both, often contrasted with the miseries of human civilization: in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, a land of luxury and fulfillment containing ever-lasting bliss and delight. Paradise is often described as a "higher place", the holiest place, in contrast to this world, or underworlds such as hell.

In eschatological contexts, paradise is imagined as an abode of the virtuous dead. In Judaism, Christianity, and Islam, heaven is a paradisiacal belief. In Hinduism and Buddhism, paradise and heaven are synonymous, with higher levels available to beings who have achieved special attainments of virtue and meditation. In old Egyptian beliefs, the underworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment. For the Celts, it was the Fortunate Isle of Mag Mell. For the classical Greeks, the Elysian fields was a paradisiacal land of plenty where adherents hoped the heroic and righteous dead would spend eternity. In the Zoroastrian Avesta, the "Best Existence" and the "House of Song" are places of the righteous dead. On the other hand, in cosmogonical contexts 'paradise' describes the world before it was tainted by evil.

The Maya death gods (also Ah Puch, Ah Cimih, Ah Cizin, Hun Ahau, Kimi, or Yum Kimil) known by a variety of names, are two basic types of death gods who are respectively represented by the 16th-century Yucatec deities Hunhau and Uacmitun Ahau mentioned by Spanish Bishop Diego de Landa. Hunhau is the lord of the Underworld. Iconographically, Hunhau and Uacmitun Ahau correspond to the Gods A and A' ("A prime").In recent narratives, particularly in the oral tradition of the Lacandon people, there is only one death god (called "Kisin" in Lacandon), who acts as the antipode of the Upper God in the creation of the world and of the human body and soul. This death god inhabits an Underworld that is also the world of the dead. As a ruler over the world of the dead (Metnal or Xibalba), the principal death god corresponds to the Aztec deity Mictlāntēcutli. The Popol Vuh has two leading death gods, but these two are really one: Both are called "Death," but while one is known as "One Death," the other is called "Seven Death." They were vanquished by the Hero Twins.

The two principal death gods count among the many were-animals and spooks (wayob) inhabiting the Underworld, with the God A way in particular manifesting himself as a head hunter and a deer hunter. Ah Puch was banished after he broke his promise with the Maya king and was sent to the storm that would bring him to earth forever.

In poetry and literature, a shade (translating Greek σκιά, Latin umbra) is the spirit or ghost of a dead person, residing in the underworld.

An underworld where the dead live in shadow was common to beliefs in the ancient Near East. In Biblical Hebrew, it was called tsalmaveth (צַלמָוֶת: lit. "death-shadow", "shadow of death") as an alternate term for Sheol. The Witch of Endor in the First Book of Samuel notably conjures the ghost (owb) of Samuel.

This is a list of earth deities. An Earth god or Earth goddess is a deification of the Earth associated with a figure with chthonic or terrestrial attributes. There are many different Earth gods and goddesses in many different cultures and mythology. However, Earth is usually portrayed as a goddess. Earth goddesses are often associated with the chthonic deities of the underworld.

In Greek mythology, the Earth is personified as Gaia, corresponding to Roman Terra, Indic Prithvi, etc. traced to an "Earth Mother" complementary to the "Sky Father" in Proto-Indo-European religion. Egyptian mythology have the sky goddesses, Nut and Hathor, with the earth gods, Osiris and Geb. Ki and Ninhursag are Mesopotamian earth goddesses.