Homeric Hymn in the context of "Hermes"

⭐ In the context of Hermes, the *Homeric Hymn* is considered…

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⭐ Core Definition: Homeric Hymn

The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanisedHomērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult. In antiquity, the hymns were generally, though not universally, attributed to the poet Homer: modern scholarship has established that most date to the seventh and sixth centuries BCE, though some are more recent and the latest, the Hymn to Ares, may have been composed as late as the fifth century CE.

The Homeric Hymns share compositional similarities with the Iliad and the Odyssey, also traditionally attributed to Homer. They share the same artificial literary dialect of Greek, are composed in dactylic hexameter, and make use of short, repeated phrases known as formulae. It is unclear how far writing, as opposed to oral composition, was involved in their creation. They may initially have served as preludes to the recitation of longer poems, and have been performed, at least originally, by singers accompanying themselves on a lyre or another stringed instrument. Performances of the hymns may have taken place at sympotic banquets, religious festivals and royal courts.

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👉 Homeric Hymn in the context of Hermes

Hermes (/ˈhɜːrmz/; Ancient Greek: Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology considered the herald of the gods. He is also widely considered the protector of human heralds, travelers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife.

In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. He is regarded as "the divine trickster", about which the Homeric Hymn to Hermes offers the most well-known account.

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Homeric Hymn in the context of Crissa

38°28′16″N 22°28′08″E / 38.4712°N 22.469°E / 38.4712; 22.469Crissa or Krissa (Ancient Greek: Κρίσσα) or Crisa or Krisa (Κρῖσα) was a town in ancient Phocis. Crissa was regarded as one of the most ancient cities in Greece. It was situated inland a little southwest of Delphi, at the southern end of a projecting spur of Mount Parnassus. It is mentioned in the Catalogue of Ships in the Iliad as the "divine Crissa" (Κρῖσα ζαθέη). According to the Homeric Hymn to Apollo, it was founded by a colony of Cretans, who were led to the spot by Apollo himself, and whom the god had chosen to be his priests in the sanctuary which he had intended to establish at Pytho. In this hymn, Crissa is described as situated under Parnassus, where no chariots rolled, and no trampling of horses was heard, a description suitable to the site of Crissa upon the rocks. In like manner, Nonnus, following the description of the ancient epic poets, speaks of Crissa as surrounded by rocks. Moreover, the statement of Pindar, that the road to Delphi from the Hippodrome on the coast led over the Crissaean hill, leaves no doubt of the true position of Crissa, since the road from the plain to Delphi must pass by the projecting spur of Parnassus on which the modern village of Chrisso stands. In the Homeric hymn to Apollo, Crissa appears as a powerful place, possessing as its territory the rich plain stretching down to the sea, and also the adjoining sanctuary of Pytho itself, which had not yet become a separate town. In fact, Crissa is in this hymn identified with Delphi. Even in Pindar, the name of Crissa is used as synonymous with Delphi, just as Pisa occurs in the poets as equivalent to Olympia. Metapontium in Magna Graecia (modern Italy) is said to have been a colony of Crissa.

Near Crissa, but established later, was a seaport named Cirrha. In the course of time the seaport town of Cirrha increased at the expense of Crissa; and the sanctuary of Pytho grew into the town of Delphi, which claimed to be independent of Crissa. Thus Crissa declined, as Cirrha and Delphi rose in importance. Cirrha was destroyed in the First Sacred War; but the fate of Crissa is uncertain. It is not improbable that Crissa had sunk into insignificance before this war, and that some of its inhabitants had settled at Delphi, and others at Cirrha.

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Homeric Hymn in the context of Thryon

Thyron (Ancient Greek: Θρύον), sometimes Latinized as Thryum, or Thryoessa (Θρυόεσσα) was a town in Triphylia in ancient Elis, mentioned by Homer in the Catalogue of Ships of the Iliad, where the town is noted to be in the dominions of Nestor. The town is also noted in the Homeric Hymn to Apollo. Later in the Iliad, the poet describes Thyron was at the ford of the river Alpheius. In the same passage, Homer calls the town Thryoessa, places it upon a lofty hill, and relates how it withstood a siege by the Epeii during their war against the Eleans. Strabo identified Thyron with the later Epitalium or strefi ; but the identity is uncertain.

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