Underworld in the context of "Hell"

⭐ In the context of hell, as described across different religious beliefs, how is it primarily understood within religions that embrace the concept of reincarnation?

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⭐ Core Definition: Underworld

The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld.

The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that the entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. People with high social status were dressed and equipped in order to better navigate the underworld.

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👉 Underworld in the context of Hell

In religion and folklore, hell is a location or state in the afterlife in which souls are subjected to punishment after death. Religions with a linear divine history sometimes depict hells as eternal, such as in some versions of Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the Indian religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld.

Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word hell, though a more correct translation would be "underworld" or "world of the dead". The ancient Mesopotamian, Greek, Roman, and Finnic religions include entrances to the underworld from the land of the living.

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Underworld in the context of Hermes

Hermes (/ˈhɜːrmz/; Ancient Greek: Ἑρμῆς) is an Olympian deity in ancient Greek religion and mythology considered the herald of the gods. He is also widely considered the protector of human heralds, travelers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife.

In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. He is regarded as "the divine trickster", about which the Homeric Hymn to Hermes offers the most well-known account.

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Underworld in the context of Pluto (mythology)

In ancient Roman religion and mythology, Pluto (Ancient Greek: Πλούτων, romanizedPloútōn, Latin: Plūto or Plūton), also known as Dis Pater or Orcus, was the god of the dead and the king of the underworld. The name was originally an epithet or theonym for Hades in ancient Greek religion and mythology, although Pluto was more associated with wealth and never used as a synonym for the underworld itself, representing a more positive concept of the god who presides over the afterlife. He was the eldest son of Saturn (Cronus) and Ops (Rhea), as well as the brother of Jupiter (Zeus) and Neptune (Poseidon). Pluto later married Proserpina (Persephone) and shared many of Hades' attributes, such as the bident, the cap of invisibility, and the three-headed guard dog Cerberus.

While Pluto is commonly considered the Roman equivalent of Hades, the name Plouton was already used by the Greeks to designate Hades and was later adopted by the Romans for their god of the underworld, Dis Pater, which often means "Rich Father" and is perhaps a direct translation of Plouton. Pluto was also identified with the obscure god Orcus, name that the Romans adopted from the Etruscans and which, like Hades, was both for the god of the underworld and for the underworld as a place. On the other hand, Ploutōn was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground and because, as a chthonic god, Pluto ruled the deep earth that contained the seeds needed for a bountiful harvest.

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Underworld in the context of Heaven

Heaven, or the Heavens, is a common religious cosmological or supernatural place where beings such as deities, angels, souls, saints, or venerated ancestors are said to originate, be enthroned, or reside. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate and earthly beings can ascend to Heaven in the afterlife or, in exceptional cases, enter Heaven without dying.

Heaven is often described as a "highest place", the holiest place, a paradise, in contrast to Hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply divine will. Some believe in the possibility of a heaven on Earth in a world to come.

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Underworld in the context of Chthonic

In Greek mythology, deities referred to as chthonic (/ˈθɒnɪk/) or chthonian (/ˈθniən/) were gods or spirits who inhabited the underworld or existed in or under the earth, and were typically associated with death or fertility. The terms chthonic and chthonian are derived from the Ancient Greek word χθών (khthṓn) meaning 'earth' or 'soil'. The Greek adjective χθόνιος (khthónios) means 'in, under, or beneath the earth', which can be differentiated from γῆ (), which refers to the living surface of land on the earth. In Greek, χθόνιος (khthónios) is a descriptive word for things relating to the underworld, which was in antiquity sometimes applied as an epithet to deities such as Hermes, Demeter, and Zeus.

The chthonic deities have been compared to the more commonly referred-to Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing take place in part under the earth.

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Underworld in the context of Aita

Aita (Etruscan: 𐌀𐌕𐌉𐌀), also spelled Eita (Etruscan: 𐌀𐌕𐌉𐌄), is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld, roughly equivalent to the Greek god Hades (Epic Greek: Ἄϊδης, romanized: Áïdēs).

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Underworld in the context of Dis Pater

Dis Pater (/ˌdɪs ˈptər/; Latin: [diːs patɛr]; genitive Ditis Patris, lit. the "Rich Patriarch"), otherwise known as Rex Infernus or Pluto, is a Roman god of the underworld. Dis was originally associated with fertile agricultural land and mineral wealth, and since those minerals came from underground, he was later equated with the chthonic deities Pluto (Hades) and Orcus.

Dis Pater's name was commonly shortened to Dis, and this name has since become an alternative name for the underworld or a part of the underworld, such as the City of Dis of Dante's The Divine Comedy, which comprises Lower Hell.

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Underworld in the context of Serpents in the Bible

Serpents (Hebrew: נָחָשׁ, romanizednāḥāš) are referred to in both the Hebrew Bible and the New Testament. The symbol of a serpent or snake played important roles in the religious traditions and cultural life of ancient Greece, Egypt, Mesopotamia, and Canaan. The serpent was a symbol of evil power and chaos from the underworld as well as a symbol of fertility, life, healing, and rebirth.

Nāḥāš (נחש‎), Hebrew for "snake", is also associated with divination, including the verb form meaning "to practice divination or fortune-telling". Nāḥāš occurs in the Torah to identify the serpent in the Garden of Eden. Throughout the Hebrew Bible, it is also used in conjunction with seraph to describe vicious serpents in the wilderness]. The tannin, a dragon monster, also occurs throughout the Hebrew Bible. In the Book of Exodus, the staves of Moses and Aaron are turned into serpents, a nāḥāš for Moses, a tannin for Aaron. In the New Testament, the Book of Revelation makes use of ancient serpent and the Dragon several times to identify Satan or the Devil (Revelation 12:9; 20:2). The serpent is most often identified with the hubristic Satan, and sometimes with Lilith.

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Underworld in the context of Symbolic culture

Symbolic culture, or non-material culture, is the ability to learn and transmit behavioral traditions from one generation to the next by the invention of things that exist entirely in the symbolic realm. Symbolic culture is usually conceived as the cultural realm constructed and inhabited uniquely by Homo sapiens and is differentiated from ordinary culture, which many other animals possess. Symbolic culture is studied by archaeologists, social anthropologists and sociologists. From 2018, however, some evidence of a Neanderthal origin of symbolic culture emerged. Symbolic culture contrasts with material culture, which involves physical entities of cultural value and includes the usage, consumption, creation, and trade of objects.

Examples of symbolic culture include concepts (such as good and evil), mythical constructs (such as gods and underworlds), and social constructs (such as promises and football games).Symbolic culture is a domain of objective facts whose existence depends, paradoxically, on collective belief. A currency system, for example, exists only for as long as people continue to have faith in it. When confidence in monetary facts collapses, the "facts" themselves suddenly disappear. Much the same applies to citizenship, government, marriage and many other things that people in our own culture consider to be "real". The concept of symbolic culture draws from semiotics, and emphasises the way in which distinctively human culture is mediated through signs and concepts. In sociology, Emile Durkheim, Claude Lévi-Strauss, Clifford Geertz and many others have emphasised the symbolic aspect of distinctively human culture.

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