Shuruppak in the context of "Utnapishtim"

The Vorderasiatisches Museum (German: [ˈfɔʁdɐ.ʔaˌzi̯atɪʃəs muˈzeːʊm], Near East Museum) is an archaeological museum in Berlin. It is in the basement of the south wing of the Pergamon Museum and has one of the world's largest collections of Southwest Asian art. 14 halls distributed across 2,000 square meters of exhibition surface display southwest Asian culture spanning six millennia. The exhibits cover a period from the 6th millennium BCE into the time of the Muslim conquests. They originate particularly from today's states of Iraq, Syria and Turkey, with singular finds also from other areas. Starting with the Neolithic finds, the emphasis of the collection is of finds from Sumer, Babylonia and Assyria, as well as northern Syria and eastern Anatolia.

Excavations in historically important cities like Uruk, Shuruppak, Assur, Hattusha, Tell el Amarna, Tell Halaf (Guzana), Sam'al, Toprakkale and Babylon built the foundation of the museum's collection. Further acquisitions came from Nimrud, Nineveh, Susa and Persepolis. The museum shows finds from the cultures of Sumer, Akkad, Babylonia, Assyria, the Hittites and the Aramaeans. These finds often found their way to Berlin via the German Oriental Society. In 1899, the Middle East Department at the royal museums was created. In 1929, they were provisionally accommodated in the Bode Museum and the Pergamon Museum, where they have been accessible to the public since 1930. During the Second World War, there were hardly any war-related losses. The mobile exhibits, which were taken as art spoilage to the Soviet Union, were returned to East Germany in 1958. The collection had already opened again as the Vorderasiatisches Museum in 1953.

Atra-Hasis (Akkadian: 𒀜𒊏𒄩𒋀, romanized: Atra-ḫasīs) is an 18th-century BC Akkadian epic, recorded in various versions on clay tablets and named for one of its protagonists, the priest Atra-Hasis ('exceedingly wise'). The narrative has four focal points: An organisation of allied gods shaping Mesopotamia agriculturally; a political conflict between them, pacified by creating the first human couples; the mass reproduction of these humans; and a great deluge, as handed down in a remarkably similar manner in various other flood myths of mankind. Numerous archaeological discoveries suggest the occurrence of a real historicaly catastrophe in the background, closely timed with the relatively sudden rise in sea levels at the end of the last Ice Age. As several later myths – "even those where real floods are unlikely to have ocourrent" – also the epic links its flood story with the intention of the upper gods to eliminate their "imperfect" artificial creatures.

The name "Atra-Hasis" first appears on the Sumerinan King List as a ruler of Shuruppak in the times before that flood. The oldest known copy of the epic tradition concerning Atrahasis can be dated by colophon (scribal identification) to the reign of Hammurabi’s great-grandson, Ammi-Saduqa (1646–1626 BC). However, various Old Babylonian dialect fragments exist, and the epic continued to be copied into the first millennium BC.

The cuneiform sign URU is a relatively distinctive sign in the cuneiform sign lists; with its two verticals at the sign's right, and the central long horizontal stroke, it is not easily confused with other signs. It is commonly found in the intrigues of the 14th century BC Amarna letters since the letters often concern city-state locations, or surrounding regions or cities/towns. URU is also used in the Epic of Gilgamesh. The cuneiform sign is almost exclusively used as a Sumerogram (capital letter (majuscule)), and in the Akkadian language, it is the Akkadian for "ālu", city, or town. The usage of URU in the Epic of Gilgamesh is only for Sumerogram "URU", (11 times). All uses in the Epic for URU are for various spellings of ālu, and usually an added sign complement; there is one usage in the Epic of URU for the city Shuruppak: URU.Šu-ri-ip-pak, (Tablet XI 11).

Ninlil (𒀭𒎏𒆤 NIN.LÍL; meaning uncertain) was a Mesopotamian goddess regarded as the wife of Enlil. She shared many of his functions, especially the responsibility for declaring destinies, and like him was regarded as a senior deity and head of the pantheon. She is also well attested as the mother of his children, such as the underworld god Nergal, the moon god Nanna or the warrior god Ninurta. She was chiefly worshiped in Nippur and nearby Tummal alongside Enlil, and multiple temples and shrines dedicated to her are attested in textual sources from these cities. In the first millennium BCE she was also introduced to Ḫursaĝkalamma near Kish, where she was worshiped alongside the goddess Bizilla, who was likely her sukkal (attendant deity).

At an early date Ninlil was identified with the goddess Sud from Shuruppak, like her associated with Enlil, and eventually fully absorbed her. In the myth Enlil and Sud, Ninlil is the name Sud received after marrying Enlil. Nisaba, the goddess of writing, and her husband Haya are described as her parents. While Ninlil's mother bears a different name, Nunbaršegunu, in the myth Enlil and Ninlil, the god list An = Anum states that it was an alternate name of Nisaba. Syncretism with Sud also resulted in Ninlil acquiring some of her unique characteristics, such as an association with healing goddesses and with Sudaĝ, a name of the wife of the sun god Shamash. References to these connections can be found in various Mesopotamian texts, such as a hymn referring to Ninlil as a healing goddess or a myth apparently confusing her with Sudaĝ in the role of mother of Ishum.

Ziusudra (Old Babylonian Akkadian: 𒍣𒌓𒋤𒁺, romanized: Ṣíusudrá [ṣi₂-u₄-sud-ra₂], Neo-Assyrian Akkadian: 𒍣𒋤𒁕, romanized: Ṣísudda, Ancient Greek: Ξίσουθρος, romanized: Xísouthros) of Shuruppak is listed in the WB-62 Sumerian King List recension as the last king of Sumer prior to the Great Flood. He is subsequently recorded as the hero of the Eridu Genesis and appears in the writings of Berossus as Xisuthros.

Ziusudra is one of several mythic characters who are protagonists of Near Eastern flood myths, including Atrahasis, Utnapishtim, and the biblical Noah. Although each story displays its own distinctive features, many key story elements are common to two, three, or all four versions.

Ubara-tutu (or Ubartutu) of Shuruppak was the last antediluvian king of Sumer, according to some versions of the Sumerian King List. He was said to have reigned for 18,600 years (5 sars and 1 ner). He was the son of En-men-dur-ana, a Sumerian mythological figure often compared to Enoch, as he entered heaven without dying. Ubara-Tutu was the king of Sumer until a flood swept over his land.

Ubara-tutu is briefly mentioned in tablet XI of the Epic of Gilgamesh. He is identified as the father of Utnapishtim, a character who is instructed by the god Ea to build a boat in order to survive the coming flood.