Art theft in the context of "Vorderasiatisches Museum Berlin"

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⭐ Core Definition: Art theft

Art theft is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.

Some famous art theft cases include the robbery of the Mona Lisa from the Louvre in 1911 by employee Vincenzo Peruggia. Another was the theft of The Scream, stolen from the Munch Museum in 2004, but recovered in 2006. The largest-value art theft occurred at the Isabella Stewart Gardner Museum in Boston, when 13 works, worth a combined $500 million were stolen in 1990. The case remains unsolved. Large-scale art thefts include the Nazi looting of Europe during World War II and the Russian looting of Ukraine during the 2022 Russian invasion of Ukraine. More recently French crown jewels were stolen from the Louvre in 2025.

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👉 Art theft in the context of Vorderasiatisches Museum Berlin

The Vorderasiatisches Museum (German: [ˈfɔʁdɐ.ʔaˌzi̯atɪʃəs muˈzeːʊm], Near East Museum) is an archaeological museum in Berlin. It is in the basement of the south wing of the Pergamon Museum and has one of the world's largest collections of Southwest Asian art. 14 halls distributed across 2,000 square meters of exhibition surface display southwest Asian culture spanning six millennia. The exhibits cover a period from the 6th millennium BCE into the time of the Muslim conquests. They originate particularly from today's states of Iraq, Syria and Turkey, with singular finds also from other areas. Starting with the Neolithic finds, the emphasis of the collection is of finds from Sumer, Babylonia and Assyria, as well as northern Syria and eastern Anatolia.

Excavations in historically important cities like Uruk, Shuruppak, Assur, Hattusha, Tell el Amarna, Tell Halaf (Guzana), Sam'al, Toprakkale and Babylon built the foundation of the museum's collection. Further acquisitions came from Nimrud, Nineveh, Susa and Persepolis. The museum shows finds from the cultures of Sumer, Akkad, Babylonia, Assyria, the Hittites and the Aramaeans. These finds often found their way to Berlin via the German Oriental Society. In 1899, the Middle East Department at the royal museums was created. In 1929, they were provisionally accommodated in the Bode Museum and the Pergamon Museum, where they have been accessible to the public since 1930. During the Second World War, there were hardly any war-related losses. The mobile exhibits, which were taken as art spoilage to the Soviet Union, were returned to East Germany in 1958. The collection had already opened again as the Vorderasiatisches Museum in 1953.

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Art theft in the context of Looted art

Looted art has been a consequence of looting during war, natural disaster and riot for centuries. Looting of art, archaeology and other cultural property may be an opportunistic criminal act or may be a more organized case of unlawful or unethical pillage by the victor of a conflict. The term "looted art" reflects bias, and whether particular art has been taken legally or illegally is often the subject of conflicting laws and subjective interpretations of governments and people; use of the term "looted art" in reference to a particular art object implies that the art was taken illicitly.

Related terms include art theft (the stealing of valuable artifacts, mostly because of commercial reasons), illicit antiquities (covertly traded antiquities or artifacts of archaeological interest, found in illegal or unregulated excavations), provenance (the origin or source of a piece of art), and art repatriation (the process of returning artworks and antiques to their rightful owners).

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Art theft in the context of Sforza Book of Hours

The Sforza Hours (British Library, London, Add. MS 34294), is a richly illuminated book of hours initiated by Bona Sforza, widow of Galeazzo Sforza, Duke of Milan, around 1490, who commissioned the illuminator Giovanni Pietro Birago [nl]. The book remained in an unfinished state for 30 years until Margaret of Austria, Regent of the Netherlands, commissioned its completion in 1517–20 from the artist Gerard Horenbout. The book therefore contains decoration of the highest quality by two artists. It provides a unique example of an early sixteenth-century Northern Renaissance illuminator's response to Milanese art of the late Quattrocento. The history of the Sforza Hours also includes one of the earliest recorded examples of art theft.

It has been in the British Library since 1893.

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Art theft in the context of 2025 Louvre robbery

On 19 October 2025, thieves disguised as construction workers stole eight pieces of the French Crown Jewels valued at approximately €88 million from the Galerie d'Apollon (lit.'Apollo's Gallery') of the Louvre in Paris, France. The robbery took less than eight minutes, of which the thieves spent four in the museum itself, and occurred during regular opening hours. It was the first art theft from the Louvre since the painting Le chemin de Sèvres was stolen in 1998.

Within a week, two men in their 30s from Seine‑Saint‑Denis were arrested in connection with the robbery. Nine further suspects were detained throughout the course of the investigation, six of whom were released. Charges have been filed against five suspects thus far, and the location of the jewels is still unknown.

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