Shakespeare in the context of Antonio Somma

David Garrick (19 February 1716 – 20 January 1779) was an actor who wrote and produced and influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in several amateur theatricals, and with his appearance in the title role of Shakespeare's Richard III, audiences and managers began to take notice.

Impressed by his portrayals of Richard III and several other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after he retired from Drury Lane and the stage, he was given a lavish public funeral at Westminster Abbey where he was buried in Poets' Corner.

Dominus is the Latin word for Lord or owner. Dominus was used primarily as an imperial title during the era of the Roman Empire (25 BC – 1453 AD) and was also the Latin title of the feudal, superior and mesne, lords. Dominus was also used as an ecclesiastical and academic title during thattime. The ecclesiastical title was translated from the French seigneur into English as sir, making it a common prefix for parsons before the Reformation. This is evident by the character's name Sir Hugh Evans in Shakespeare's Merry Wives of Windsor. The title Dominus is still used in modern times for those with a Bachelor of Arts degree.

The shortened form for Dominus – Dom – has remained in use in modern times as a prefix of honor for ecclesiastics of the Catholic Church, and members of religious orders, especially for those of the monastic Order of Saint Benedict, the Benedictines, who have professed perpetual religious vows. The Spanish equivalents of Doñacode: spa promoted to code: es and the French equivalent of Dame are given to nuns of the Benedictine order.

In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair (e.g. religion or law) or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal (What say you?), and some solemn (With thee do I plight my troth). The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.

A distinction between archaic and obsolete words and word senses is widely used by dictionaries. An archaic word or sense is one that still has some current use but whose use has dwindled to a few specialized contexts, outside which it connotes old-fashioned language. In contrast, an obsolete word or sense is one that is no longer used at all. A reader encounters them when reading texts that are centuries old. For example, the works of Shakespeare are old enough that some obsolete words or senses are encountered therein, for which glosses (annotations) are often provided in the margins.

Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (17 January 1600 – 25 May 1681) (UK: /ˌkældəˈrɒn ˌdeɪ læ ˈbɑːrkə/, US: /ˌkɑːldəˈroʊn ˌdeɪ lə -, - ˌdɛ lə -/; Spanish: [ˈpeðɾo kaldeˈɾon de la ˈβaɾka]) was a Spanish dramatist, poet, and writer. He is known as one of the most distinguished poets and writers of the Spanish Golden Age, especially for the many verse dramas he wrote for the theatre. Calderón has been termed "the Spanish Shakespeare", the national poet of Spain, and one of the greatest poets and playwrights in the history of world literature.

Calderón de la Barca was born into the minor Spanish nobility in Madrid, where he lived for most of his life. He served as soldier and a knight of the military and religious Order of Santiago, but later became a Roman Catholic priest. His theatrical debut was a history play about the life of King Edward III of England, was first performed on 29 June 1623 at the Royal Alcázar of Madrid, during the surprise visit to Spain of Charles, Prince of Wales to negotiate for a dynastic marriage alliance with the Spanish Habsburgs.

Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality. The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of."

The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention". It wasn't until the start of the 18th century that the concept of originality became an ideal in Western culture.

Gian Lorenzo (or Gianlorenzo) Bernini (UK: /bɛərˈniːni/, US: /bərˈ-/; Italian: [ˈdʒan loˈrɛntso berˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor, architect, painter and city planner. Bernini's creative abilities and mastery in a range of artistic arenas define him as a uomo universale or Renaissance man. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture.

As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.

Jaques (variously /ˈdʒeɪkwiːz/ and /ˈdʒeɪkz/) is one of the main characters in Shakespeare's As You Like It. "The melancholy Jaques", as he is known, is one of the exiled Duke Senior's noblemen who lives with him in the Forest of Arden. Jaques takes no part in the unfolding of the plot, and confines himself to wry comment on the action and exchanges with his fellow characters. He has one of Shakespeare's best-known speeches, "All the world's a stage".

Gruoch ingen Boite (fl. c. 1015 – unknown) was a Scottish queen, the daughter of Boite mac Cináeda, son of Cináed II. The dates of her life are uncertain. She is most famous for being the wife and queen of MacBethad mac Findlaích (Macbeth), as well as the basis for Lady Macbeth in Shakespeare's Macbeth. However, Shakespeare's Macbeth is based on Holinshed's Chronicles (published in 1577) and is not historically accurate.

Sadler's Wells Theatre is a London performing arts venue, located in Rosebery Avenue, Islington. The present-day theatre is the sixth on the site. Sadler's Wells grew out of a late 17th-century pleasure garden and was opened as a theatre building in the 1680s.

Lacking the requisite licence to perform straight drama, the house became known for dancing, performing animals, pantomime, and spectacular entertainments such as sea battles in a huge water tank on the stage. In the mid-19th century, when the law was changed to remove restrictions on staging drama, Sadler's Wells became celebrated for the seasons of plays by Shakespeare and others presented by Samuel Phelps between 1844 and 1862. From then until the early 20th century the theatre had mixed fortunes, eventually becoming abandoned and derelict.

The climax (from Ancient Greek κλῖμαξ (klîmax) 'staircase, ladder') or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. The climax of a story is a literary element.

As a literary element, it is a stage where the protagonist finally faces the greatest challenge or the ultimate obstacle, leading to the resolution or transformation. In terms of structure, climax often constitutes the second of the two parts of a story's Act II, the first being "rising action", which culminates to a moment of crisis. There are also sources that state climax is part of Act III, leading to the falling action and resolution.

Han Yu (Chinese: 韓愈; 768 – 25 December 824), courtesy name Tuizhi (Chinese: 退之), and commonly known by his posthumous name Han Wengong (韓文公), was an essayist, Confucian scholar, poet, and government official during the Tang dynasty who significantly influenced the development of Neo-Confucianism. Described as "comparable in stature to Dante, Shakespeare or Goethe" for his influence on the Chinese literary tradition, Han Yu stood for strong central authority in politics and orthodoxy in cultural matters.

He is often considered to be among China's finest prose writers. Ming dynasty scholar Mao Kun (茅坤) ranked him first among the "Eight Great Prose Masters of the Tang and Song".

Henry V (16 September 1386 – 31 August 1422), also called Henry of Monmouth, was King of England from 1413 until his death in 1422. Despite his relatively short reign, Henry's outstanding military successes in the Hundred Years' War against France made England one of the strongest military powers in Europe. Immortalised in Shakespeare's Henriad plays, Henry is known and celebrated as one of the greatest warrior-kings of medieval England.

Henry of Monmouth, the eldest son of Henry IV, became heir apparent and Prince of Wales after his father seized the throne in 1399. During the reign of his father, the young Prince Henry gained early military experience in Wales during the Glyndŵr rebellion, and by fighting against the powerful Percy family of Northumberland. He played a central part at the Battle of Shrewsbury despite being just sixteen years of age. As he entered adulthood, Henry played an increasingly central role in England's government due to the declining health of his father, but disagreements between Henry and his father led to political conflict between the two. After his father's death in March 1413, Henry ascended to the throne of England and assumed complete control of the country, also reviving the historic English claim to the French throne.

Hurlyburly is a dark comedy play by David Rabe, first staged in 1984. The title refers to dialogue from Shakespeare's Macbeth.

The Sacred Wood is a collection of 20 essays by T. S. Eliot, first published in 1920. Topics include Eliot's opinions of many literary works and authors, including William Shakespeare's play Hamlet, and the poets Dante Alighieri and William Blake.

One of his most important prose works, "Tradition and the Individual Talent", which was originally published in two parts in The Egoist, is a part of The Sacred Wood. The book also contains the essay "Hamlet and His Problems", in which Eliot first put forward his idea of the objective correlative.

A narrative work beginning in medias res (Classical Latin: [ɪn ˈmɛdɪ.aːs ˈreːs], lit. "into the middle of things") opens in the chronological middle of the plot, rather than at the beginning (cf. ab ovo, ab initio). Often, exposition is initially bypassed, instead filled in gradually through dialogue, flashbacks, or description of past events. For example, Hamlet begins after the death of Hamlet's father, which is later discovered to have been a murder. Characters make reference to King Hamlet's death without the plot's first establishment of this fact. Since the play is about Hamlet and the revenge more so than the motivation, Shakespeare uses in medias res to bypass superfluous exposition.

Works that employ in medias res often later use flashback and nonlinear narrative for exposition to fill in the backstory. In Homer's Odyssey, the reader first learns about Odysseus's journey when he is held captive on Ogygia, Calypso's island. The reader then finds out, in Books IX through XII, that the greater part of Odysseus's journey precedes that moment in the narrative. In Homer's Iliad there are fewer flashbacks, although it opens in the thick of the Trojan War.

Othello is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.

Othello was first mentioned in a Revels account of 1604 when the play was performed on 1 November at Whitehall Palace with Richard Burbage almost certainly Othello's first interpreter. Modern notable performers of the role include Paul Robeson, Orson Welles, Richard Burton, James Earl Jones, Laurence Fishburne, Laurence Olivier, Patrick Stewart, and Avery Brooks.

Iago (/iˈɑːɡoʊ/) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist and Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio. With 1,097 lines, Iago has more lines in the play than Othello himself.

Julius of Taranto, also known as Julius of Tarent (German: Julius von Tarent), is a dramatic tragedy by Johann Anton Leisewitz, published in 1774. The play, with its theme of the conflict between two brothers and the woman loved by both, is one of the most characteristic of the Sturm und Drang era.

The play is strongly inspired by Shakespeare, was a favourite of Friedrich Schiller and much acted in Germany in the 1770s. Its central theme is the struggle between the two princes Julius and Guido of Taranto (Tarent in German) for the affections of commoner Blanca.