Iago in the context of Shakespeare

The Tragedy of Othello, the Moor of Venice, often shortened to Othello, is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.

Othello has been one of Shakespeare's most popular plays, both among playgoers and literary critics, since its first performance, spawning numerous stage, screen, and operatic adaptations. Among actors, the roles of Othello, Iago, Desdemona, and Emilia (Iago's wife) are regarded as highly demanding and desirable. Critical attention has focused on the nature of the play's tragedy, its unusual mechanics, its treatment of race, and on the motivations of Iago and his relationship to Othello. Originally performed by white actors in dark makeup, the role of Othello began to be played by black actors in the 19th century.

Desdemona (/ˌdɛzdəˈmoʊnə/) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy. When her husband is deployed to Cyprus in the service of the Republic of Venice, Desdemona accompanies him. There, her husband is manipulated by his ensign Iago into believing she is an adulteress, and, in the last act, she is murdered by her estranged spouse.

Bad faith (Latin: mala fides) is a sustained form of deception which consists of entertaining or pretending to entertain one set of feelings while acting as if influenced by another. It is associated with hypocrisy, breach of contract, affectation, and lip service. It may involve intentional deceit of others, or self-deception.

Some examples of bad faith include: soldiers waving a white flag and then firing when their enemy approaches to take prisoners (cf. perfidy); a company representative who negotiates with union workers while having no intent of compromising; a prosecutor who argues a legal position that he knows to be false; and an insurer who uses language and reasoning which are deliberately misleading in order to deny a claim.

Emilia is a character in the tragedy Othello by William Shakespeare. She is married to Othello's ensign Iago, and is a maidservant to Othello's wife, Desdemona.

Michael Cassio, or simply Cassio (/ˈkæsioʊ/), is a fictional character in William Shakespeare's Othello. The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader". In the play, Cassio is a young and handsome lieutenant under Othello's command who becomes one of Iago's several victims in a plot to ruin Othello.

Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa [ca] after William Shakespeare's play Othello, or The Moor of Venice; it was premiered in Naples, Teatro del Fondo, 4 December 1816.

The plot of the libretto differs greatly from Shakespeare's play in that it takes place wholly in Venice, not mainly on Cyprus, and the dramatic conflict develops in a different manner. The role of Iago is much less diabolical than Shakespeare's play or Verdi's 1887 opera Otello, which was also based on it. Shakespeare derived his play from the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. In further contrast, the role of Roderigo, a sub-plot in Shakespeare and Verdi, is very prominent in Rossini's version—some of the most difficult and brilliant music being assigned to the character Rodrigo. The roles of Otello, Iago, and Rodrigo are all composed for the tenor voice.