Iago (/iˈɑːɡoʊ/) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist and Othello's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio. With 1,097 lines, Iago has more lines in the play than Othello himself.
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👉 Iago in the context of Desdemona
Desdemona (/ˌdɛzdəˈmoʊnə/) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy. When her husband is deployed to Cyprus in the service of the Republic of Venice, Desdemona accompanies him. There, her husband is manipulated by his ensign Iago into believing she is an adulteress, and, in the last act, she is murdered by her estranged spouse.
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Iago in the context of Othello
The Tragedy of Othello, the Moor of Venice, often shortened to Othello, is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.
Othello has been one of Shakespeare's most popular plays, both among playgoers and literary critics, since its first performance, spawning numerous stage, screen, and operatic adaptations. Among actors, the roles of Othello, Iago, Desdemona, and Emilia (Iago's wife) are regarded as highly demanding and desirable. Critical attention has focused on the nature of the play's tragedy, its unusual mechanics, its treatment of race, and on the motivations of Iago and his relationship to Othello. Originally performed by white actors in dark makeup, the role of Othello began to be played by black actors in the 19th century.
Iago in the context of Bad faith
Bad faith (Latin: mala fides) is a sustained form of deception which consists of entertaining or pretending to entertain one set of feelings while acting as if influenced by another. It is associated with hypocrisy, breach of contract, affectation, and lip service. It may involve intentional deceit of others, or self-deception.
Some examples of bad faith include: soldiers waving a white flag and then firing when their enemy approaches to take prisoners (cf. perfidy); a company representative who negotiates with union workers while having no intent of compromising; a prosecutor who argues a legal position that he knows to be false; and an insurer who uses language and reasoning which are deliberately misleading in order to deny a claim.
Iago in the context of Emilia (Othello)
Emilia is a character in the tragedy Othello by William Shakespeare. She is married to Othello's ensign Iago, and is a maidservant to Othello's wife, Desdemona.
Iago in the context of Michael Cassio
Michael Cassio, or simply Cassio (/ˈkæsioʊ/), is a fictional character in William Shakespeare's Othello. The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader". In the play, Cassio is a young and handsome lieutenant under Othello's command who becomes one of Iago's several victims in a plot to ruin Othello.