Whitehall Palace in the context of "Othello (character)"

Henry Flitcroft (30 August 1697 – 25 February 1769) was a major English architect in the second generation of Palladianism. He came from a humble background; his father was a labourer in the gardens at Hampton Court. Flitcroft began his career as a joiner. While working as a carpenter at Burlington House, he fell from a scaffold and broke his leg. During his recovery, the young Lord Burlington noticed his talent with a pencil. By 1720, Flitcroft was Burlington's draughtsman and general architectural assistant, surveying at Westminster School for Burlington's dormitory and superintending on site at Tottenham House. Working within Burlington's inner circle, which championed the new Palladian architecture, provided Flitcroft with valuable education.

Flitcroft redrew the plates for publication in The Designs of Mr. Inigo Jones, published by William Kent in 1727 under Burlington's patronage and supervision. In May 1726, Burlington secured his protégé an appointment at the Office of Works, where he advanced from Master Carpenter and Master Mason to Comptroller of the King's Works, a prestigious position. He also received royal commissions for private projects for junior members of the British royal family, notably Prince William, Duke of Cumberland to whom he had been his "architectural tutor". His work for the Duke at Windsor Great Park included collaborating with Thomas Sandby who worked as Flitcroft's assistant when designing Virginia Water Lake's 'Great Bridge'.

Early European personifications of America, meaning the Americas, typically come from sets of the four continents: Europe, Asia, Africa, and America. These were all that were then known in Europe. The addition of America made these an even more attractive group to represent visually, as sets of four could be placed around all sorts of four-sided objects, or in pairs along the facade of a building with a central doorway.

A set of loose conventions quickly arose as to the iconography of the personifications. They were normally female, with Europe queenly and grandly dressed, and clearly the leader of the group. Asia is fully and richly dressed but in an exotic style, with Africa and America at most half-dressed, and given exotic props. One of the earliest and most persistent attributes for America was the parrot; these reached Europe by the early 16th century and were highly valued. The feather crown headdress, with the feathers standing up vertically, reflected the actual headgear of some American peoples. This personification was staged at Whitehall Palace in December 1613 by a dancer in The Somerset Masque wearing "a skin coat the colour of the juice of mulberries, on her head large round brims of many coloured feathers, and in the midst of it a small crown". A cornucopia, representing the new edible plants from the Americas, was a very common feature (although the familiar apple often seems the most prominent). America is often accompanied by an improbably placid caiman or alligator, reasonably comparable to Old World crocodiles, though the earliest images may show an exotic armadillo.

The Somerset Masque, sometimes known as The Squire's Masque, was written by Thomas Campion and performed on 26 December 1613 at the old Banqueting House at Whitehall Palace, to celebrate the wedding of Robert Carr, 1st Earl of Somerset and Frances Howard. Anne of Denmark, queen consort of James VI and I, took part in the performance by offering a branch from a magic golden tree.