Macbeth in the context of Hurlyburly

Lady Macbeth is a leading character in William Shakespeare's tragedy Macbeth (c. 1603–1607). As the wife of the play's tragic hero, Macbeth (a Scottish nobleman), Lady Macbeth goads her husband into committing regicide, after which she becomes queen of Scotland. Some regard her as becoming more powerful than Macbeth when she does this, because she is able to manipulate him into doing what she wants. After Macbeth becomes a murderous tyrant, she is driven to madness by guilt over their crimes and kills herself offstage.

Lady Macbeth is a powerful presence in the play, most notably in the first two acts. Following the murder of King Duncan, however, her role in the plot diminishes. She becomes an uninvolved spectator to Macbeth's plotting and a nervous hostess at a banquet dominated by her husband's hallucinations. Her sleepwalking scene in the fifth act is a turning point in the play, and her line "Out, damned spot!" has become a phrase familiar to many speakers of the English language. The report of her death late in the fifth act provides the inspiration for Macbeth's "Tomorrow and tomorrow and tomorrow" speech.

Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.

A Scottish noble and an initially valiant military man, Macbeth, after a supernatural prophecy and the urging of his wife, Lady Macbeth, commits regicide, usurping the kingship of Scotland. He thereafter lives in anxiety and fear, unable to rest or to trust his nobles. He leads a reign of terror until defeated by his former ally Macduff. The throne is then restored to the rightful heir, the murdered King Duncan's son, Malcolm.

A play is a form of theatre that primarily consists of script between speakers and is intended for acting rather than mere reading. The writer and author of a play is known as a playwright.

Plays are staged at various levels, ranging from London's West End and New York City's Broadway – the highest echelons of commercial theatre in the English-speaking world – to regional theatre, community theatre, and academic productions at universities and schools.

Regicide is the purposeful killing of a monarch and is often associated a violent change in the regime, as in a revolution. A regicide can also be the person responsible for the killing. The word comes from the Latin roots of regis and cida (cidium), meaning "of monarch" and "killer" respectively.In the British tradition, it refers to the judicial execution of a king after a trial, reflecting the historical precedent of the trial and execution of Charles I of England. The concept of regicide has also been explored in media and the arts through pieces like Macbeth (Macbeth's killing of King Duncan).

Scholars have found that regicide is particularly common in political systems with unclear succession rules.

Act 5, Scene 1, better known as the sleepwalking scene, is a critically celebrated scene from William Shakespeare's tragedy Macbeth (1606). It deals with the guilt and madness experienced by Lady Macbeth, one of the main themes of the play.

Carrying a taper (candlestick), Lady Macbeth enters sleepwalking. The Doctor and the Gentlewoman stand aside to observe. The Doctor asks how Lady Macbeth came to have the light. The Gentlewoman replies she has ordered a light be beside her at all times (she is now afraid of the dark, having committed her crimes under its cover). Lady Macbeth rubs her hands in a washing motion. With anguish, she recalls the deaths of King Duncan, Lady Macduff, and Banquo, then leaves. The Gentlewoman and the bewildered Doctor exeunt, realizing these are the symptoms of a guilt-ridden mind. The Doctor feels Lady Macbeth is beyond his help, saying she has more need of "the divine than the physician". He orders the Gentlewoman to remove from Lady Macbeth the "means of all annoyance", anticipating she might commit suicide. Despite his warning, the audience is informed in Act 5, Scene 5, that Lady Macbeth has managed to commit suicide off-stage.

"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of a soliloquy in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it. Macbeth, the play's protagonist, is confident that he can withstand any siege from Malcolm's forces. He hears the cry of a woman and reflects that there was a time when his hair would have stood on end if he had heard such a cry, but he is now so full of horrors and murderous thoughts that it can no longer startle him.

Seyton then tells Macbeth of Lady Macbeth's death, and Macbeth delivers this soliloquy as his response to the news. Shortly afterwards, he is told of the apparent movement of Birnam Wood towards Dunsinane Castle (as the witches had prophesied to him), which is actually Malcolm's forces having disguised themselves with tree branches so as to hide their numbers as they approach the castle. This sets the scene for the final events of the play and Macbeth's death at the hands of Macduff.

Thane of Cawdor is a title in the Scottish nobility, allotted to the thane, or lord, of the village of Cawdor.The current 7th Earl Cawdor, of Clan Campbell of Cawdor, is the 25th Thane of Cawdor.

In William Shakespeare's play Macbeth, this title was given to Macbeth after the previous Thane of Cawdor was captured and executed for treason against King Duncan. Macbeth hears a prophecy of his new thaneship from the Three Witches shortly before receiving word of the matter from Duncan, such that while the rule of Cawdor may be inconsequential itself it nonetheless proves the inevitability of the Witches' secondary prediction of Macbeth's ascent to become King of Scotland. The historical King Macbeth fought a Thane of Cawdor who died in battle, but he did not thereby acquire the title himself.

Holinshed's Chronicles, also known as Holinshed's Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first edition in 1577, and the second in 1587. It was a large, comprehensive description of British history published in three volumes (England, Scotland and Ireland).

The Chronicles have been a source of interest because of their extensive links to Shakespearean history, as well as King Lear, Macbeth and Cymbeline. Recent studies of the Chronicles have focused on an inter-disciplinary approach; numerous literary scholars have studied the traditional historiographical materials through a literary lens, with a focus on how contemporary men and women would have read historical texts.

Lord Macduff, the Thane of Fife, is a character and the heroic main antagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act. He can be seen as the avenging hero who helps save Scotland from Macbeth's tyranny in the play.

The character is first known from Chronica Gentis Scotorum (late 14th century) and Orygynale Cronykil of Scotland (early 15th century). Shakespeare drew mostly from Holinshed's Chronicles (1587).

Malcolm is a character in William Shakespeare's Macbeth (c. 1603–1607). The character is based on the historical king Malcolm III of Scotland, and is derived largely from the account in Holinshed's Chronicles (1587), a history of Britain. He is the elder son of King Duncan, the heir to the throne, and brother to Donalbain. In the end, he regains the throne after mustering support to overthrow Macbeth.

In poetic metre, a trochee (/ˈtroʊkiː/ TROH-kee) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word íbī, 'there', because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee.

The adjective form is trochaic. The English word trochee is itself trochaic since it is composed of the stressed syllable /ˈtroʊ/ followed by the unstressed syllable /kiː/.

The Tragedy of Othello, the Moor of Venice, often shortened to Othello, is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. Othello is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside Macbeth, King Lear, and Hamlet. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio.

Othello has been one of Shakespeare's most popular plays, both among playgoers and literary critics, since its first performance, spawning numerous stage, screen, and operatic adaptations. Among actors, the roles of Othello, Iago, Desdemona, and Emilia (Iago's wife) are regarded as highly demanding and desirable. Critical attention has focused on the nature of the play's tragedy, its unusual mechanics, its treatment of race, and on the motivations of Iago and his relationship to Othello. Originally performed by white actors in dark makeup, the role of Othello began to be played by black actors in the 19th century.

Macbeth (Italian pronunciation: [ˈmakbet], also [makˈbɛt]) is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March 1847. It was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, Macbeth was revised and expanded into a French version and given in Paris on 21 April 1865.

After the success of Attila in 1846, by which time the composer had become well established, Macbeth came before the great successes of 1851 to 1853 (Rigoletto, Il trovatore and La traviata) which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of King Lear (as Re Lear) were never realized, but he wrote his two final operas using Othello as the basis for Otello (1887) and The Merry Wives of Windsor as the basis for Falstaff (1893).

Malcolm III (Middle Irish: Máel Coluim mac Donnchada; Scottish Gaelic: Maol Chaluim mac Dhonnchaidh; c. 1031–13 November 1093) was King of Alba from 1058 to 1093. He was later nicknamed "Canmore" (Scottish Gaelic: ceann mòr, lit. 'big head', understood as "great chief"). Malcolm's long reign of 35 years preceded the beginning of the Scoto-Norman age. Henry I of England and Eustace III, Count of Boulogne were his sons-in-law, making him the maternal grandfather of Empress Matilda, William Adelin and Matilda I, Countess of Boulogne. All three of them were prominent in English politics during the 12th century.

Malcolm's kingdom did not extend over the full territory of modern Scotland: many of the islands and the land north of the River Oykel were Scandinavian, and south of the Firth of Forth there were numerous independent or semi-independent realms, including the kingdom of Strathclyde and Bamburgh, and it is not certain what if any power the Scots exerted there on Malcolm's accession. Throughout his reign, Malcolm III led at least five invasions into English territory. One of Malcolm's primary achievements was to secure the position of the lineage that ruled Scotland until the late thirteenth century, although his role as founder of a dynasty has more to do with the propaganda of his descendants than with history. He appears as a major character in William Shakespeare's Macbeth, while his second wife, Margaret, was canonised as a saint in the thirteenth century.

King Duncan is a fictional character in Shakespeare's Macbeth. He is the father of two youthful sons (Malcolm and Donalbain), and the victim of a well-plotted regicide in a power grab by his first cousin, and trusted captain, Macbeth. The origin of the character lies in a narrative of the historical Donnchad mac Crinain, King of Scots, in Raphael Holinshed's 1587 The Chronicles of England, Scotland, and Ireland, a history of Britain familiar to Shakespeare and his contemporaries. Unlike Holinshed's incompetent King Duncan (who is credited in the narrative with a "feeble and slothful administration"), Shakespeare's King Duncan is crafted as a sensitive, insightful, and generous father-figure whose murder grieves Scotland and is accounted the cause of turmoil in the natural world.

The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources, apart from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland's Daemonologie, the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae.

Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, set an ominous tone for the play.

Lady Macbeth Sleepwalking is a c. 1784 oil painting by the Swiss artist Henry Fuseli. Based on the Sleepwalking scene of the 1606 tragedy Macbeth by William Shakespeare, it depicts a life-size Lady Macbeth sleepwalking. Long resident in Britain, Fuseli was known for his Gothic paintings. He produced a number of pictures inspired by Macbeth.

The painting was displayed at the Royal Academy Exhibition of 1784 at Somerset House in London. Today it is in the collection of the Louvre in Paris, having been purchased in 1970.

Lady Macduff is a character in William Shakespeare's Macbeth. She is married to Lord Macduff, the Thane of Fife. Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic scene that ends with both of them being murdered on Macbeth's orders. Though Lady Macduff's appearance is limited to this scene, her role in the play is quite significant. Later playwrights, William Davenant especially, expanded her role in adaptation and in performance.