Stressed syllable in the context of "Trochee"

⭐ In the context of a trochee, a stressed syllable is considered…

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⭐ Core Definition: Stressed syllable

In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms stress and accent are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called pitch accent, and when produced through length alone, it is called quantitative accent. When caused by a combination of various intensified properties, it is called stress accent or dynamic accent; English uses what is called variable stress accent.

Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress solely phonetically.

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👉 Stressed syllable in the context of Trochee

In poetic metre, a trochee (/ˈtrk/ TROH-kee) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word íbī, 'there', because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee.

The adjective form is trochaic. The English word trochee is itself trochaic since it is composed of the stressed syllable /ˈtr/ followed by the unstressed syllable /k/.

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Stressed syllable in the context of Iambic pentameter

Iambic pentameter (/ˌæmbɪk pɛnˈtæmɪtər/ eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Meter is measured in small groups of syllables called feet. "Iambic" indicates that the type of foot used is the iamb, which in English consists of an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five metrical feet.

Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, as did John Milton in his Paradise Lost and William Wordsworth in The Prelude.

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