Allusion in the context of "Macbeth"

An epithet (from Ancient Greek ἐπίθετον (epítheton) 'adjective', from ἐπίθετος (epíthetos) 'additional'), also a byname, is a descriptive term (word or phrase) commonly accompanying or occurring in place of the name of a real or fictitious person, place, or thing. It is usually literally descriptive, as in Alfred the Great, Suleiman the Magnificent, Richard the Lionheart, and Ladislaus the Short, or allusive, as in Edward the Confessor, William the Conqueror, Æthelred the Unready, John Lackland, Mehmed the Conqueror and Bloody Mary.

The word epithet also may refer to an abusive, defamatory, or derogatory word or phrase. This use is criticized by Martin Manser and other proponents of linguistic prescription. H. W. Fowler noted in 1926 that "epithet is suffering a vulgarization that is giving it an abusive imputation".

In Greek mythology, Orpheus (/ˈɔːrfiːəs, ˈɔːrfjuːs/ ; Ancient Greek: Ὀρφεύς, classical pronunciation: [or.pʰeú̯s]) was a bard, legendary musician and prophet. He was also a renowned poet and, according to legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and descended into the underworld to recover his lost wife, Eurydice.

The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who got tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular culture including poetry, film, opera, music, and painting.

The Great Purge or Great Terror (Russian: Большой террор, romanized: Bol'shoy terror), also known as the Year of '37 (37-й год, Tridtsat' sed'moy god) and the Yezhovshchina (ежовщина [(j)ɪˈʐofɕːɪnə], lit. 'period of Yezhov'), was a political purge in the Soviet Union from 1936 to 1938. After the assassination of Sergei Kirov by Leonid Nikolaev in 1934, Joseph Stalin launched a series of show trials known as the Moscow trials to remove suspected dissenters from the Communist Party of the Soviet Union (especially those aligned with the Bolshevik party). The term "great purge" was popularized by historian Robert Conquest in his 1968 book, The Great Terror, whose title alluded to the French Revolution's Reign of Terror.

The purges were largely conducted by the NKVD (People's Commissariat for Internal Affairs), which functioned as the interior ministry and secret police of the USSR. In 1936, the NKVD under Genrikh Yagoda began the removal of the central party leadership, Old Bolsheviks, government officials, and regional party bosses. Soviet politicians who opposed or criticized Stalin were removed from office and imprisoned, or executed, by the NKVD. The purges were eventually expanded to the Red Army high command, which had a disastrous effect on the military. The campaigns also affected many other segments of society: the intelligentsia, wealthy peasants—especially those lending money or other wealth (kulaks)—and professionals. As the scope of the purge widened, the omnipresent suspicion of saboteurs and counter-revolutionaries (known collectively as wreckers) began affecting civilian life.

Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, or by interconnections between similar or related works perceived by an audience or reader of the text. These references are sometimes made deliberately and depend on a reader's prior knowledge and understanding of the referent, but the effect of intertextuality is not always intentional and is sometimes inadvertent. Often associated with strategies employed by writers working in imaginative registers (fiction, poetry, and drama and even non-written texts like performance art and digital media), intertextuality may now be understood as intrinsic to any text.

Intertextuality has been differentiated into referential and typological categories. Referential intertextuality refers to the use of fragments in texts and the typological intertextuality refers to the use of pattern and structure in typical texts. A distinction can also be made between iterability and presupposition. Iterability makes reference to the "repeatability" of certain text that is composed of "traces", pieces of other texts that help constitute its meaning. Presupposition makes a reference to assumptions a text makes about its readers and its context. As philosopher William Irwin wrote, the term "has come to have almost as many meanings as users, from those faithful to Julia Kristeva's original vision to those who simply use it as a stylish way of talking about allusion and influence".

Martianus Minneus Felix Capella (fl. c. 410–420) was a jurist, polymath and Latin prose writer of late antiquity, one of the earliest developers of the system of the seven liberal arts that structured early medieval education. He was a native of Madaura.

His single encyclopedic work, De nuptiis Philologiae et Mercurii ("On the Marriage of Philology and Mercury"), also called De septem disciplinis ("On the seven disciplines"), is an elaborate didactic allegory written in a mixture of prose and elaborately allusive verse.

In astronomy and astrobiology, the habitable zone (HZ), the circumstellar habitable zone (CHZ), the Goldilocks zone, is the range of orbits around a star within which a planetary surface can support liquid water given sufficient atmospheric pressure. The bounds of the HZ are based on Earth's position in the Solar System and the amount of radiant energy it receives from the Sun. Due to the importance of liquid water to Earth's biosphere, the nature of the HZ and the objects within it may be instrumental in determining the scope and distribution of planets capable of supporting Earth-like extraterrestrial life and intelligence. As such, it is considered by many to be a major factor of planetary habitability, and the most likely place to find extraterrestrial liquid water and biosignatures elsewhere in the universe.

The habitable zone is also called the Goldilocks zone, a metaphor, allusion and antonomasia of the children's fairy tale of "Goldilocks and the Three Bears", in which a little girl chooses from sets of three items, rejecting the ones that are too extreme (large or small, hot or cold, etc.), and settling on the one in the middle, which is "just right".