Style (fiction) in the context of "Archaism"

⭐ In the context of literary style, archaism is considered…

Ad spacer

⭐ Core Definition: Style (fiction)

In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as rules, elements, essentials, mechanics, or handbook; the latter are referred to as style, or rhetoric. The rules are about what a writer does; style is about how the writer does it. While following the rules drawn from established English usage, a writer has great flexibility in how to express a concept. Some have suggested that the point of writing style is to:

  • express the message to the reader simply, clearly, and convincingly;
  • keep the reader attentive, engaged, and interested;

Some have suggested that writing style should not be used to:

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Style (fiction) in the context of Archaism

In language, an archaism is a word, a sense of a word, or a style of speech or writing that belongs to a historical epoch beyond living memory, but that has survived in a few practical settings or affairs. Lexical archaisms are single archaic words or expressions used regularly in an affair (e.g. religion or law) or freely; literary archaism is the survival of archaic language in a traditional literary text such as a nursery rhyme or the deliberate use of a style characteristic of an earlier age—for example, in his 1960 novel The Sot-Weed Factor, John Barth writes in an 18th-century style. Archaic words or expressions may have distinctive emotional connotations—some can be humorous (forsooth), some highly formal (What say you?), and some solemn (With thee do I plight my troth). The word archaism is from the Ancient Greek: ἀρχαϊκός, archaïkós, 'old-fashioned, antiquated', ultimately ἀρχαῖος, archaîos, 'from the beginning, ancient'.

A distinction between archaic and obsolete words and word senses is widely used by dictionaries. An archaic word or sense is one that still has some current use but whose use has dwindled to a few specialized contexts, outside which it connotes old-fashioned language. In contrast, an obsolete word or sense is one that is no longer used at all. A reader encounters them when reading texts that are centuries old. For example, the works of Shakespeare are old enough that some obsolete words or senses are encountered therein, for which glosses (annotations) are often provided in the margins.

↓ Explore More Topics
In this Dossier

Style (fiction) in the context of Theme (literature)

In contemporary literary studies, a theme is a main topic, subject, or message within a narrative. Themes are ideas that are central to a story, which can often be summed in a single abstract noun (for example, love, death, betrayal, nostalgia, or parenthood) or noun phrase (for example, coming of age, humans in conflict with technology, seeking spirituality in the modern era, or the dangers of unchecked ambition). A theme may be exemplified by the actions, utterances, or thoughts of characters, as in the theme of loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem isolated and long for community with others. It may or may not differ from the thesis—the text's or author's implied worldview.

A story may have several themes and generally longer works, such as novels, plays, films, or television series, do. Themes often explore historically common or cross-culturally recognizable ideas, such as ethical questions, and are usually implied rather than stated explicitly. An example of this would be whether one should live a seemingly better life, at the price of giving up parts of one's humanity, which is a theme in Aldous Huxley's Brave New World. Along with plot, character, setting, and style, theme is considered one of the components of fiction. Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject".

↑ Return to Menu

Style (fiction) in the context of Setting (narrative)

A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction.

↑ Return to Menu
LINKED FROM (PARENTS)
← Theme (literature) ← Setting (narrative) ← Theme (narrative) ← Setting (fiction) ← Archaism ← Theme (arts) ← Theme (literary) ← Archaisms
LINKS TO (CHILDREN)
Literature → Writing → Spelling → Grammar → Punctuation → Word → Sentence (linguistics) → Paragraph →