Pop rock in the context of "Soft rock"

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⭐ Core Definition: Pop rock

Pop rock (also typeset as pop/rock) is a music genre and form of rock music characterized by a strong commercial appeal, with more emphasis on professional songwriting and recording craft, and less emphasis on attitude than standard rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). Pop rock may be viewed as a continuous genre field rather than separate categories. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music.

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👉 Pop rock in the context of Soft rock

Soft rock (also known as light rock or mellow rock) is a form of rock music that originated in the late 1960s in the United States and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock, relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary in the 1980s.

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Pop rock in the context of Country pop

Country pop (also known as urban cowboy when referring to the early 1980s version of the genre) is a fusion genre of country music and pop music that was developed by members of the country genre out of a desire to reach a larger, mainstream audience. Country pop music blends genres like rock, pop, and country, continuing similar efforts that began in the late 1950s, known originally as the Nashville sound and later on as Countrypolitan. By the mid-1970s, many country artists were transitioning to the pop-country sound, which led to some records charting high on the mainstream top 40 and the Billboard country chart. In turn, many pop and easy listening artists crossed over to country charts during this time. After declining in popularity during the neotraditional movement of the 1980s, country pop had a comeback in the 1990s with a sound that drew more heavily on pop rock and adult contemporary. In the 2010s, country pop metamorphosized again with the addition of hip-hop beats and rap-style phrasing.

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Pop rock in the context of Hard rock

Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Creedence Clearwater Revival, Golden Earring, Steppenwolf, Grand Funk Railroad, Free, and Deep Purple also produced hard rock.

The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Alice Cooper, Aerosmith, Kiss, Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock. Established bands made a comeback in the mid-1980s and hard rock reached a commercial peak in the 1980s with glam metal bands such as Mötley Crüe, Bon Jovi and Def Leppard as well as the rawer sounds of Guns N' Roses which followed with great success in the later part of that decade.

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Pop rock in the context of Katy Perry

Katheryn Elizabeth Hudson (born October 25, 1984), known professionally as Katy Perry, is an American singer, songwriter, and television personality. She is one of the best-selling music artists in history, having sold over 151 million records worldwide. Perry is known for her influence on pop music and her camp style, being dubbed the "Queen of Camp" by Vogue and Rolling Stone. The world's highest-paid female musician in 2015 and 2018, she was named by Billboard as one of the greatest pop stars of the 21st century.

At 16, Perry released a gospel album titled Katy Hudson (2001) under Red Hill Records, which was unsuccessful. She moved to Los Angeles at 17 to venture into secular music, and later adopted her stage name from her mother's maiden name. Perry recorded an album while signed to Columbia Records, but was dropped before signing to Capitol Records. She rose to fame with One of the Boys (2008), a pop rock album containing her debut single "I Kissed a Girl" and follow-up single "Hot n Cold", which reached number one and three on the U.S. Billboard Hot 100 respectively.

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Pop rock in the context of Like a Prayer (song)

"Like a Prayer" is a song by American singer Madonna from her 1989 fourth studio album of the same name. It was released as the album's lead single on March 3, 1989, by Sire Records. Written and produced by both Madonna and Patrick Leonard, the song heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience.

"Like a Prayer" is a pop rock, dance-pop, and gospel song that also incorporates elements of funk. It features background vocals from a choir and also a rock guitar. The lyrics contain liturgical words, but they have been interpreted by some people to have dual meanings of sexual innuendo and religion. "Like a Prayer" was acclaimed by music critics upon release and was a global commercial success, becoming Madonna's seventh No. 1 hit on the US Billboard Hot 100, topping the Hot 100 for three consecutive weeks and also topping the charts in many other countries, including Australia, Brazil, Canada, Italy, Mexico, New Zealand, Spain and the United Kingdom. Rolling Stone listed "Like a Prayer" among "The 500 Greatest Songs of All Time".

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Pop rock in the context of Dance pop

Dance-pop (also known as club-pop and EDM-pop) is a genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions.

Dance-pop is highly eclectic, having borrowed influences from other genres, which varied by producers, artists and periods. Such include contemporary R&B, house, trance, techno, electropop, new jack swing, funk and pop rock.

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Pop rock in the context of Aerosmith

Aerosmith is an American rock band formed in Boston in 1970. The group consists of lead vocalist Steven Tyler, bassist Tom Hamilton, drummer Joey Kramer, and guitarists Joe Perry and Brad Whitford. Their style, which is rooted in blues-based hard rock, has also incorporated elements of pop rock, heavy metal, glam metal, and rhythm and blues, and has inspired many subsequent rock artists. Aerosmith is sometimes referred to as "the Bad Boys from Boston" and "America's Greatest Rock and Roll Band". The primary songwriting team of Tyler and Perry is sometimes referred to as the "Toxic Twins".

Perry and Hamilton were originally in a band together, the Jam Band, where they met up with Tyler, Kramer, guitarist Ray Tabano, and formed Aerosmith; in 1971, Tabano was replaced by Whitford. They released a string of multi-platinum albums starting with their eponymous debut in 1973, followed a year later by Get Your Wings. The band broke into the mainstream with their next two albums, Toys in the Attic (1975) and Rocks (1976). Draw the Line and Night in the Ruts followed in 1977 and 1979, respectively. Throughout the 1970s, the band toured extensively and charted a dozen Hot 100 singles, including their first Top 40 hit "Sweet Emotion" and the Top 10 hits "Dream On" and "Walk This Way". By the end of the decade, they were among the most popular hard rock bands in the world and developed a following of fans, often referred to as the "Blue Army". Drug addiction and internal conflict led to the departures of Perry and Whitford in 1979 and 1981, respectively. The band did not fare well and the album Rock in a Hard Place (1982) failed to match previous successes.

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Pop rock in the context of Bubblegum music

Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is marketed for children and adolescents. The term also refers to a more specific rock and pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein.

Producer Jeffry Katz claimed credit for coining "bubblegum", saying that when they discussed their target audience, they decided it was "teenagers, the young kids. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'." The term was then popularized by their boss, Buddah Records label executive Neil Bogart. It became often used as a pejorative for pop music that is perceived to be disposable and contrived.

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Pop rock in the context of Panic! at the Disco

Panic! at the Disco was an American pop rock band formed in Las Vegas, Nevada, in 2004 by high school friends Ryan Ross (guitar) and Spencer Smith (drums), who recruited classmates Brendon Urie (vocals and guitar) and Brent Wilson (bass). Following several lineup changes, Panic! at the Disco operated as the solo project of frontman Urie from 2015 until its discontinuation in 2023.

The band recorded their first demos while they were in high school. Shortly after, they recorded and released their debut studio album, A Fever You Can't Sweat Out (2005). Popularized by the lead single, "I Write Sins Not Tragedies", which was certified diamond in the US, the album was certified quadruple platinum in the US. In 2006, Wilson was fired from the band during an extensive world tour and subsequently replaced by Jon Walker. The band's second album, Pretty. Odd. (2008), was preceded by the single "Nine in the Afternoon". The album marked a significant departure from the sound of the band's debut. Ross and Walker, who favored the band's new direction, departed because Urie and Smith wanted to make further changes to the band's style. Ross and Walker subsequently formed a new band, the Young Veins, leaving Urie and Smith as the sole remaining members of Panic! at the Disco.

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