Doo-wop in the context of "Pop rock"

Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre, it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" (from "rock 'n' roll") and "hillbilly", the latter a reference to the country music (often called "hillbilly music" in the 1940s and 1950s) that contributed strongly to the style. Other important influences on rockabilly include Western swing, boogie-woogie, jump blues, and electric blues.

Defining features of the rockabilly sound included strong rhythms, boogie woogie piano riffs, vocal twangs, doo-wop acapella singing, and common use of the tape echo; and eventually came to incorporate different instruments and vocal harmonies. Initially popularized by artists such as Carl Perkins, Elvis Presley, Johnny Burnette, Jerry Lee Lewis and others, the rockabilly style waned in the late 1950s; nonetheless, during the late 1970s and early 1980s, rockabilly enjoyed a revival. An interest in the genre endures even in the 21st century, often within musical subcultures. Rockabilly has spawned a variety of sub-styles and has influenced the development of other genres such as punk rock.

The United States' multi-ethnic population is reflected through a diverse array of styles of music. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip-hop, soul, funk, religious, disco, house, techno, ragtime, doo-wop, folk, americana, boogaloo, tejano, surf, and salsa, amongst many others. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.

Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, settlers from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing with them new styles and instruments. Enslaved people from West Africa brought their musical traditions, and each subsequent wave of immigrants contributed to a melting pot.

Neil Sedaka (/səˈdækə/; born March 13, 1939) is an American singer, songwriter and pianist. Since his music career began in 1957, he has sold millions of records worldwide and has written or co-written over 500 songs for himself and other artists, collaborating mostly with lyricists Howard "Howie" Greenfield and Phil Cody.

After a short-lived tenure as a founding member of the doo-wop group the Tokens, Sedaka achieved a string of hit singles over the late 1950s and early 1960s, including "Oh! Carol" (1959), "Calendar Girl" (1960), "Happy Birthday Sweet Sixteen" (1961) and "Breaking Up Is Hard to Do" (1962). His popularity declined by the mid-1960s, but was revived in the mid-1970s, solidified by the 1975 US Billboard Hot 100 number ones "Laughter in the Rain" and "Bad Blood". Sedaka maintained a successful career as a songwriter, penning hits for other artists including "Stupid Cupid" (Connie Francis), "(Is This the Way to) Amarillo" (Tony Christie) and "Love Will Keep Us Together" (Captain & Tennille). He was inducted into the Songwriters Hall of Fame in 1983 and continues to perform, mounting mini-concerts on social media during the COVID-19 pandemic.

Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. With an eclectic style drawing on psychedelia, outlandish fashion, and surreal humor, they have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.

The collective's origins date back to the doo-wop group the Parliaments, formed by Clinton during the late 1950s in suburban New Jersey. By the late 1960s, Clinton had gained experience as a producer-writer for Motown Records and, inspired by artists such as Jimi Hendrix, Sly Stone, and Frank Zappa, he relocated to Detroit and enlisted musicians from his New Jersey days in his own two sister bands Parliament and Funkadelic; the first would go on to develop a commercially successful style of science fiction–inspired funk, while the second pursued a heavier sound which blended funk with psychedelic rock. The name "Parliament-Funkadelic" became the catch-all term for the dozens of related musicians recording and touring different projects in Clinton's orbit, including the female vocal spinoff groups the Brides of Funkenstein and Parlet. Financial and label issues slowed the collective's recorded output in the 1980s while Clinton and other members began solo careers, with Clinton also consolidating the collective's multiple projects and touring under names such as George Clinton and the P-Funk All-Stars. In the 1990s, their sound became the chief inspiration for the West Coast hip hop subgenre G-funk.

Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, songwriter, electric guitarist, conductor, actor, satirist, filmmaker and activist. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he additionally produced nearly all the 60-plus albums he released with his band the Mothers of Invention and as a solo artist. His work, which predominantly features electric guitar work, is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm-and-blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock-and-roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career.