Frank Zappa in the context of "Parliament-Funkadelic"

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⭐ Core Definition: Frank Zappa

Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, songwriter, electric guitarist, conductor, actor, satirist, filmmaker and activist. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he additionally produced nearly all the 60-plus albums he released with his band the Mothers of Invention and as a solo artist. His work, which predominantly features electric guitar work, is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm-and-blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock-and-roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career.

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👉 Frank Zappa in the context of Parliament-Funkadelic

Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. With an eclectic style drawing on psychedelia, outlandish fashion, and surreal humor, they have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.

The collective's origins date back to the doo-wop group the Parliaments, formed by Clinton during the late 1950s in suburban New Jersey. By the late 1960s, Clinton had gained experience as a producer-writer for Motown Records and, inspired by artists such as Jimi Hendrix, Sly Stone, and Frank Zappa, he relocated to Detroit and enlisted musicians from his New Jersey days in his own two sister bands Parliament and Funkadelic; the first would go on to develop a commercially successful style of science fiction–inspired funk, while the second pursued a heavier sound which blended funk with psychedelic rock. The name "Parliament-Funkadelic" became the catch-all term for the dozens of related musicians recording and touring different projects in Clinton's orbit, including the female vocal spinoff groups the Brides of Funkenstein and Parlet. Financial and label issues slowed the collective's recorded output in the 1980s while Clinton and other members began solo careers, with Clinton also consolidating the collective's multiple projects and touring under names such as George Clinton and the P-Funk All-Stars. In the 1990s, their sound became the chief inspiration for the West Coast hip hop subgenre G-funk.

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Frank Zappa in the context of Comedy music

Comedy music or musical comedy is a genre of music that is comedic in nature. Its history can be traced back to the first century in ancient Greece and Rome, moving forward in time to the Medieval Period, Classical and Romantic eras, and the 20th century. Various forms of comedic musical theatre, including "musical play", "musical comedy", "operetta" and "light opera", evolved from the comic operas first developed in late 17th-century Italy. Popular music artists in the 20th century interested in comedy include Allan Sherman, Frank Zappa, Tiny Tim, Barenaked Ladies, Randy Newman, and "Weird Al" Yankovic. Artists in the 21st century include Tenacious D, Flight of the Conchords, The Lonely Island, Ninja Sex Party and The Axis of Awesome.

Comedy music is often associated with counterculture, due to the subversive messages it displays. This informative nature of comedy music also contributes to the improvement of learning inside and outside the classroom. Forms of entertainment like musical theatre often incorporate comedy music as well.

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Frank Zappa in the context of Jean-Luc Ponty

Jean-Luc Ponty (born 29 September 1942) is a French jazz and jazz fusion violinist and composer. He is considered a pioneer of jazz-rock, particularly for his use of the electric violin starting in the 1970s. He rose to prominence for his collaborations with popular musical artists Frank Zappa and Elton John. In addition to his solo work, he has performed with symphony orchestras in France, the United States, Canada, and Japan.

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Frank Zappa in the context of Terry Bozzio

Terry John Bozzio (born December 27, 1950) is an American drummer best known for his work with Missing Persons, U.K., and Frank Zappa. He has been featured on nine solo or collaborative albums, 26 albums with Zappa and seven albums with Missing Persons. Bozzio has been a prolific sideman, playing on numerous releases by other artists since the mid-1970s. He was inducted into the Modern Drummer Hall of Fame in 1997.

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