Patrick Leonard in the context of "Like a Prayer (song)"

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👉 Patrick Leonard in the context of Like a Prayer (song)

"Like a Prayer" is a song by American singer Madonna from her 1989 fourth studio album of the same name. It was released as the album's lead single on March 3, 1989, by Sire Records. Written and produced by both Madonna and Patrick Leonard, the song heralded an artistic and personal approach to songwriting for Madonna, who believed that she needed to cater more to her adult audience.

"Like a Prayer" is a pop rock, dance-pop, and gospel song that also incorporates elements of funk. It features background vocals from a choir and also a rock guitar. The lyrics contain liturgical words, but they have been interpreted by some people to have dual meanings of sexual innuendo and religion. "Like a Prayer" was acclaimed by music critics upon release and was a global commercial success, becoming Madonna's seventh No. 1 hit on the US Billboard Hot 100, topping the Hot 100 for three consecutive weeks and also topping the charts in many other countries, including Australia, Brazil, Canada, Italy, Mexico, New Zealand, Spain and the United Kingdom. Rolling Stone listed "Like a Prayer" among "The 500 Greatest Songs of All Time".

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Patrick Leonard in the context of True Blue (Madonna album)

True Blue is the third studio album by American singer-songwriter Madonna, released on June 30, 1986, by Sire Records. In early 1985, Madonna became romantically involved with actor Sean Penn, and married him six months later on her 27th birthday. Additionally, she met producer Patrick Leonard while on the Virgin Tour, and formed a professional relationship with him. The first songs they created together were "Love Makes the World Go Round", and the ballad "Live to Tell," which was featured in the film At Close Range, in which Penn starred.

In late 1985, Madonna and Leonard began working on her third studio album; she also enlisted the help of former boyfriend Stephen Bray, with whom she had worked on her previous record Like a Virgin (1984). Titled True Blue, the record saw Madonna co-writing and co-producing for the first time in her career. Inspired by Madonna's love for Penn, to whom she dedicated it, True Blue is a dance-pop album that features influences of Motown sound, girl groups, and Latin pop.

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Patrick Leonard in the context of Like a Prayer (album)

Like a Prayer is the fourth studio album by American singer-songwriter Madonna, released on March 20, 1989, by Sire Records. It saw the singer reunited with Patrick Leonard and Stephen Bray, with whom she had collaborated on her previous studio album True Blue (1986), and the soundtrack to the 1987 film Who's That Girl; artist Prince also collaborated on the record, co-writing and co-producing one of the tracks alongside Madonna. Her most introspective release at the time, Like a Prayer is a pop record with elements of rock and dance-pop. Its lyrics deal with personal themes she had been too afraid to approach on previous albums: her Catholic upbringing, her troubled marriage to actor Sean Penn, the death of her mother, and her relationship with her father.

Upon its release, Like a Prayer received universal acclaim from music critics, who praised its introspective tone, cohesiveness, and Madonna's increased artistic merit. It was also an international success, reaching the top of the charts in 20 countries, and was certified quadruple platinum in the United States by the Recording Industry Association of America (RIAA). Worldwide, it has sold over 15 million copies. Six singles were released from the album: the title track became Madonna's seventh number one hit on the US Billboard Hot 100, while "Express Yourself" and "Cherish" both peaked at number two, and "Keep It Together" became a top-ten hit.

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Patrick Leonard in the context of Ray of Light

Ray of Light is the seventh studio album by American singer-songwriter Madonna, released on February 22, 1998, by Maverick Records. A major stylistic and aesthetic departure from her earlier work, Bedtime Stories (1994), Ray of Light is an electronica, trip hop, techno-pop and new-age record which incorporates multiple genres, including ambient, house, rock and classical. Mystical themes are strongly present in the music and lyrics as a result of Madonna embracing Kabbalah, her study of Hinduism and Buddhism, and her daily practice of Ashtanga yoga.

After giving birth to her first child, Madonna started working on the album with producers Babyface and Patrick Leonard. Following failed sessions with them, Madonna pursued a new musical direction with English producer William Orbit, which resulted in a much more experimental sound. The recording process was the longest of Madonna's career, and she experienced problems with Orbit's hardware arrangement, which would break down and cause delays until it could be repaired.

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Patrick Leonard in the context of La Isla Bonita

"La Isla Bonita" (Spanish for "The Beautiful Island") is a song by American singer Madonna from her third studio album, True Blue (1986). Initially composed as an instrumental demo by Patrick Leonard and Bruce Gaitsch for Michael Jackson, it was presented to him but ultimately rejected. The track was later developed by Madonna, who added lyrics and co-produced it with Leonard. Marking her first foray into Latin pop, the song features flamenco guitar, Latin percussion, maracas, and several lines sung in Spanish. The lyrics reference an island called San Pedro, whose location remains ambiguous; Madonna described the song as a tribute to Latin Americans.

Released on February 25, 1987, as the fifth and final single from True Blue, "La Isla Bonita" received positive reviews from music critics, who praised its melody, production, and romantic tone. It became a commercial success, reaching number four on the Billboard Hot 100 and topping the Adult Contemporary chart in the United States. Internationally, it reached number one in the United Kingdom, Canada, France, West Germany, and Austria. The track has since appeared on several Madonna compilations, including The Immaculate Collection (1990) and Celebration (2009), and has been cited as an influence on the work of later artists.

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Patrick Leonard in the context of Frozen (Madonna song)

"Frozen" is a song by American singer and songwriter Madonna from her seventh studio album, Ray of Light (1998). Maverick and Warner Bros. Records released it as the album's lead single on January 23, 1998. "Frozen" was written by Madonna and Patrick Leonard, who both produced it in collaboration with William Orbit. The downtempo electronica and pop ballad, which has a layered sound enhanced by synthesizers and strings, lyrically addresses a cold and emotionless man.

"Frozen" received acclaim from music critics, some of whom deemed it as a highlight from Ray of Light. The song was described as being a masterpiece, and its melodic beat and sound were defined as "cinematic". "Frozen" was also a global commercial success. In the United States, it became Madonna's sixth single to peak at number two on the Billboard Hot 100. In the United Kingdom, "Frozen" became Madonna's first single to debut at number one on the UK Singles Chart, while also reaching number one in Finland, Greece, Hungary, Italy, Scotland and Spain, and the top-five elsewhere.

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