Matthew Arnold in the context of "Dover Beach"

Play Trivia Questions online!

or

Skip to study material about Matthew Arnold in the context of "Dover Beach"

Ad spacer

⭐ Core Definition: Matthew Arnold

Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic. He was the son of Thomas Arnold, the headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. He has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. He was also an inspector of schools for thirty-five years, and supported the concept of state-regulated secondary education.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Matthew Arnold in the context of Dover Beach

"Dover Beach" is a lyric poem by the English poet Matthew Arnold. It was first published in 1867 in the collection New Poems; however, surviving notes indicate its composition may have begun as early as 1849. The most likely date is 1851.

The title, locale and subject of the poem's descriptive opening lines is the shore of the English ferry port of Dover, in Kent, facing Calais, in France, at the Strait of Dover, the narrowest part (21 miles (34 km)) of the English Channel, where Arnold spent his honeymoon in 1851. Many of the beaches in this part of England are made up of small stones or pebbles rather than sand, and Arnold describes the sea ebbing over the stones as a "grating roar".

↓ Explore More Topics
In this Dossier

Matthew Arnold in the context of Touchstone (metaphor)

As a metaphor, a touchstone is any physical or intellectual measure by which the validity or merit of a concept can be tested. It is similar in use to an acid test, or a litmus test in politics.

The word was introduced into literary criticism by Matthew Arnold in "Preface to the volume of 1853 poems" (1853) to denote short but distinctive passages, selected from the writings of the greatest poets, which he used to determine the relative value of passages or poems which are compared to them. Arnold proposed this method of evaluation as a corrective for what he called the "fallacious" estimates of poems according to their "historic" importance in the development of literature, or else according to their "personal" appeal to an individual critic.

↑ Return to Menu

Matthew Arnold in the context of Philistinism

In the fields of philosophy and of aesthetics, the term philistinism describes the attitudes, habits, and characteristics of a person who deprecates art, beauty, spirituality, and intellect. As a derogatory term, philistine describes a person who is narrow-minded and hostile to the life of the mind, whose materialistic and wealth-oriented worldview and tastes indicate an indifference to cultural and aesthetic values.

The contemporary meaning of philistine derives from Matthew Arnold's adaptation to English of the German word Philister, as applied by university students in their antagonistic relations with the townspeople of Jena, early modern Germany, where a riot resulted in several deaths in 1689. Preaching about the riot, Georg Heinrich Götze, the ecclesiastical superintendent, applied the word Philister in his sermon analysing the social class hostilities between students and townspeople. Götze addressed the town-vs-gown matter with an admonishing sermon, "The Philistines Be Upon Thee", drawn from the Book of Judges (Chapt. 16, Samson vs the Philistines), of the Old Testament.

↑ Return to Menu

Matthew Arnold in the context of Strait of Dover

The Strait of Dover or Dover Strait, historically known as the Dover Narrows, is the strait at the narrowest part of the English Channel, marking the boundary between the Channel and the North Sea, and separating Great Britain from continental Europe. The shortest distance across the strait, at approximately 20 miles (32 kilometres), is from the South Foreland, northeast of Dover in the English county of Kent, to Cap Gris Nez, a cape near to Calais in the French département of Pas-de-Calais. Between these points lies the most popular route for cross-channel swimmers. The entire strait is within the territorial waters of France and the United Kingdom, but a right of transit passage under the United Nations Convention on the Law of the Sea allows vessels of other nations to move freely through the strait.

On a clear day, it is possible to see the opposite coastline of England from France and vice versa with the naked eye, with the most famous and obvious sight being the White Cliffs of Dover from the French coastline and shoreline buildings on both coastlines, as well as lights on either coastline at night, as in Matthew Arnold's poem "Dover Beach".

↑ Return to Menu

Matthew Arnold in the context of Sage writing

Sage writing was a genre of creative nonfiction popular in the Victorian era. The concept originates with John Holloway's 1953 book The Victorian Sage: Studies in Argument.

Sage writing is a development from ancient wisdom literature in which the writer chastises and instructs the reader about contemporary social issues, often utilising discourses of philosophy, history, politics, and economics in non-technical ways. Prominent examples of the genre include writings by Thomas Carlyle, Matthew Arnold, John Ruskin, and Henry David Thoreau. Some 20th-century writers, such as Joan Didion and New Journalists such as Norman Mailer and Tom Wolfe, have also been identified as sage writers.

↑ Return to Menu

Matthew Arnold in the context of G. K. Chesterton

Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English author, philosopher, Christian apologist, poet, journalist and magazine editor, and literary and art critic. Chesterton's wit, paradoxical style, and defence of tradition made him a dominant figure in early 20th-century literature.

Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics, such as his works Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an orthodox Christian and came to identify this position more and more with Catholicism, eventually converting from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin.

↑ Return to Menu

Matthew Arnold in the context of William Sharp (writer)

William Sharp (12 September 1855 – 12 December 1905) was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. He was also an editor of the poetry of Ossian, Walter Scott, Matthew Arnold, Algernon Charles Swinburne and Eugene Lee-Hamilton.

↑ Return to Menu