Sage writing in the context of "Matthew Arnold"

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⭐ Core Definition: Sage writing

Sage writing was a genre of creative nonfiction popular in the Victorian era. The concept originates with John Holloway's 1953 book The Victorian Sage: Studies in Argument.

Sage writing is a development from ancient wisdom literature in which the writer chastises and instructs the reader about contemporary social issues, often utilising discourses of philosophy, history, politics, and economics in non-technical ways. Prominent examples of the genre include writings by Thomas Carlyle, Matthew Arnold, John Ruskin, and Henry David Thoreau. Some 20th-century writers, such as Joan Didion and New Journalists such as Norman Mailer and Tom Wolfe, have also been identified as sage writers.

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👉 Sage writing in the context of Matthew Arnold

Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic. He was the son of Thomas Arnold, the headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. He has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. He was also an inspector of schools for thirty-five years, and supported the concept of state-regulated secondary education.

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Sage writing in the context of Thomas Carlyle

Thomas Carlyle (4 December 1795 – 5 February 1881) was a Scottish essayist, historian and philosopher. Known as the "sage of Chelsea", his writings strongly influenced the intellectual and artistic culture of the Victorian era.

Carlyle was born in Ecclefechan, a village in Dumfriesshire, Scotland. He attended the University of Edinburgh, where he excelled in mathematics and invented the Carlyle circle. After finishing the arts course he prepared to become a minister in the Burgher Church while working as a schoolmaster. He quit these and several other endeavours before settling on literature, writing for the Edinburgh Encyclopædia and working as a translator. He initially gained prominence in English-language literary circles for his extensive writing on German Romantic literature and philosophy. These themes were explored in his first major work, a semi-autobiographical philosophical novel entitled Sartor Resartus (1833–34).

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