Lyon in the context of "Burgundians"

The Museum of Fine Arts of Lyon (French: Musée des Beaux-Arts de Lyon, pronounced [myze de boz‿aʁ də ljɔ̃] ) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988, and 1998, remaining open to visitors throughout this time despite the ongoing restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France.

A prefect (French: préfet, plural préfets, both [pʁefɛ]) in France is the State's representative in a department or region. Regional prefects are ex officio the departmental prefects of the regional prefecture. Prefects are tasked with upholding the law in the department they serve in, including controlling the actions of local authorities. Prefects are appointed by decree by the President of France when presiding over the government's Council of Ministers, following a proposal by the Prime Minister and the Minister of the Interior. They serve at the government's discretion and can be replaced at any meeting of the Council of Ministers.

To uphold the law, they are authorised to undertake a wide variety of actions, such as coordinating police forces, enforcing immigration rules, controlling authorities' finances, as well as suing local collectivities in the name of the State. The prefects in Lille, Rennes, Bordeaux, Marseille, Lyon and Strasbourg each have additional tasks as heads of their regional defence and security zone (zone de défense et de sécurité). In the Paris area, the prefect of police is the head of the local zone. Overseas France has a similar zones system.

The Catholic Church in France, Gallican Church, or French Catholic Church, is part of the worldwide Catholic Church in communion with the Pope in Rome. Established in the second century in unbroken communion with the bishop of Rome, it is sometimes called the "eldest daughter of the Church" (French: fille aînée de l'Église).

The first written records of Christians in France date from the second century, when Irenaeus detailed the deaths of 90-year-old bishop Saint Pothinus of Lugdunum (Lyon) and other martyrs of the 177 AD persecution in Lyon. In 496 Remigius baptized King Clovis I, who therefore converted from paganism to Catholicism. In 800, Pope Leo III crowned Charlemagne Emperor of the Roman Empire, forming the political and religious foundations of Christendom in Europe and establishing in earnest the French government's long historical association with the Catholic Church. In reaction, the French Revolution (1789–1799) was followed by heavy persecution of the Catholic Church. Since the beginning of the 20th century, Laïcité, absolute neutrality of the state with respect to religious doctrine, is the official policy of the French Republic.

Guillaume Rouillé (French pronunciation: [ɡijom ʁuje]; Latin: Gulielmus Rovillius; c. 1504 – 1589), also called Roville or Rovillius, was one of the most prominent humanist bookseller-printers in 16th-century Lyon. He invented the pocket book format called the sextodecimo, printed with sixteen leaves to the folio sheet, half the size of the octavo format, and published many works of history and poetry as well as medicine, in addition to his useful compilations and handbooks.

Rouillé was born in Tours. Though he was a Frenchman, he served his apprenticeship in the Venetian printing-house of Gabriele Giolito de' Ferrari, and retained his connections with Venice as a source of texts after his arrival in Lyon around 1543.

Prima [et Secunda] pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis. (transl. 'The First [and Second] Part of the Storehouse of Images of the More Notable Men from the Beginning of Time, with Their Biographies Subjoined, Taken in Abbreviated Form from the Most Approved Authors.') is a compilation of woodcut portraits published in 1553 by Guillaume Rouillé, a French bookseller-publisher active in the early modern book trade of Lyon. Originally issued in Latin, French, and Italian editions, the book presents the portraits in a medallion format, largely arranged in a supposed chronological order. The subjects range from figures of the Old Testament and Greco-Roman mythology to contemporary individuals of the mid-16th century. Many of the portraits are imaginative rather than historically grounded, shaped by Rouillé's interest in physiognomy—the study that sought to relate facial features to character and personality—and by the engraver's artistic license. Although the engraver is unnamed in the text, the 19th-century bibliographer Henri-Louis Baudrier attributed the work to Georges Reverdy [fr].

The book is divided into two sections: Prima pars ('First Part'), covering figures predating Christ, and Pars secunda ('Second Part'), documenting individuals from the Christian era onward. Typically bound as a single volume, these sections maintain separate pagination systems. The earliest editions contained 828 portraits each, with accompanying biographical summaries; the authorship of these biographies remains debated. The book's commercial success led to subsequent editions in multiple languages, which included a Spanish edition in 1561. The 1577 French edition expanded the collection with approximately 100 additional engravings and placed greater emphasis on Renaissance humanist scholars. The portraits mimic the style of ancient coinage but lack the numismatic precision required for scholarly reference. Rouillé simplified complex histories through standardized imagery and concise narratives so that the past would be more accessible to a general readership. His compilation influenced how individuals were depicted in European iconographic collections from the late 16th century into the 17th.

Marc Léopold Benjamin Bloch (/blɒk/ BLOCK; French: [maʁk leɔpɔld bɛ̃ʒamɛ̃ blɔk]; 6 July 1886 – 16 June 1944) was a French historian. He was a founding member of the Annales School of French social history. Bloch specialised in medieval history and published widely on medieval France over the course of his career. As an academic, he worked at the University of Strasbourg (1920 to 1936 and 1940 to 1941), the University of Paris (1936 to 1939), and the University of Montpellier (1941 to 1944).

Born in Lyon to an Alsatian Jewish family, Bloch was raised in Paris, where his father—the classical historian Gustave Bloch—worked at Sorbonne University. Bloch was educated at various Parisian lycées and the École Normale Supérieure, and from an early age was affected by the antisemitism of the Dreyfus affair. During the First World War, he served in the French Army and fought at the First Battle of the Marne and the Somme. After the war, he was awarded his doctorate in 1918 and became a lecturer at the University of Strasbourg. There, he formed an intellectual partnership with modern historian Lucien Febvre. Together they founded the Annales School and began publishing the journal Annales d'histoire économique et sociale in 1929. Bloch was a modernist in his historiographical approach, and repeatedly emphasised the importance of a multidisciplinary engagement towards history, particularly blending his research with that on geography, sociology and economics, which was his subject when he was offered a post at the University of Paris in 1936.

Roger Chartier, (French: [ʁɔʒe ʃaʁtje]; born December 9, 1945, in Lyon), is a French historian and historiographer who is part of the Annales school. He works on the history of books, publishing and reading. He teaches at the École des Hautes Études en Sciences Sociales in Paris, the Collège de France, and the University of Pennsylvania.

The Place des Terreaux (French pronunciation: [plas de tɛʁo] ) is a square located in the centre of Lyon, France, on the Presqu'île between the Rhône and the Saône rivers, at the foot of the hill of La Croix-Rousse in the 1st arrondissement. It borders both the Hôtel de Ville and Musée des Beaux-Arts de Lyon. The square belongs to the zone classified as a World Heritage Site by UNESCO.