History of books in the context of "Roger Chartier"

⭐ In the context of Roger Chartier’s historiography, the history of books is considered…

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⭐ Core Definition: History of books

The history of books begins with the invention of writing, as well as other inventions such as paper and printing; this history continues all the way to the modern-day business of book printing. The earliest knowledge society has on the history of books actually predates what we came to call "books" in today's society, and instead begins with what are called either tablets, scrolls, or sheets of papyrus. The current format of modern novels, with separate sheets fastened together to form a pamphlet rather than a scroll, is called a codex. After this invention, hand-bound, expensive, and elaborate manuscripts began to appear in codex form. This gave way to press-printed volumes and eventually led to the mass-market printed volumes that are prevalent today. Contemporary books may even start to have less of a physical presence with the invention of the e-book. The book has also become more accessible to the disabled with the invention of Braille as well as audiobooks.

The earliest forms of writing began with etching into stone slabs, evolving over time to include palm leaves and papyrus in ancient times. Parchment and paper later emerged as important substitutes for bookmaking, as they increased durability and accessibility. Ancient books were made from a variety of materials depending on the region's available resources and social practices. For instance, in the Neolithic Middle East, the cuneiform tablet was part of a larger clay-based toolkit used for bureaucracy and control. In contrast, while animal skin was never used to write books in eastern and southern Asia, it became a mainstay for prestige manuscripts in the Middle East, Europe, and the Americas. Similarly, papyrus and even paper were used in different regions at various times, reflecting local resource availability and cultural needs. Across regions like China, the Middle East, Europe, and South Asia, diverse methods of book production evolved. The Middle Ages saw the rise of illuminated manuscripts, intricately blending text and imagery, particularly during the Mughal era in South Asia under the patronage of rulers like Akbar and Shah Jahan. Prior to the invention of the printing press, made famous by the Gutenberg Bible, each text was a unique, handcrafted, valuable article, personalized through the design features incorporated by the scribe, owner, bookbinder, and illustrator.

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👉 History of books in the context of Roger Chartier

Roger Chartier, (French: [ʁɔʒe ʃaʁtje]; born December 9, 1945, in Lyon), is a French historian and historiographer who is part of the Annales school. He works on the history of books, publishing and reading. He teaches at the École des Hautes Études en Sciences Sociales in Paris, the Collège de France, and the University of Pennsylvania.

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History of books in the context of Codicology

Codicology (/ˌkdɪˈkɒləi/; from French codicologie; from Latin codex, genitive codicis, "notebook, book" and Greek -λογία, -logia) or manuscriptology (Indian English) is the study of codices or manuscript books. It is often referred to as "the archaeology of the book," a term coined by François Masai. It concerns itself with the materials, tools and techniques used to make codices, along with their features.

The demarcation of codicology is not clear-cut. Some view codicology as a discipline complete in itself, while others see it as auxiliary to textual criticism analysis and transmission, which is studied by philology. Codicologists may also study the history of libraries, manuscript collecting, book cataloguing, and scribes, which otherwise belongs to the history of the book. Some codicologists say that their field encompasses palaeography, the study of handwriting, while some palaeographers say that their field encompasses codicology. The study of written features such as marginalia, glosses, ownership inscriptions, etc. falls in both camps, as does the study of the physical aspects of decoration, which otherwise belongs to art history. Unlike traditional palaeography, codicology places more emphasis on the cultural aspect of books. The focus on material is referred to as stricto sensu codicology, while a broader approach, incorporating palaeography, philology, art history, and the history of the book, is referred to as lato sensu codicology, and the exact meaning depends on the codicologist's view.

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