Hindu texts in the context of "Kama"

⭐ In the context of Hindu texts, *kama* is considered…

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⭐ Core Definition: Hindu texts

Hindu texts or Hindu scriptures are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. Some of the major Hindu texts include the Vedas, the Upanishads, and the Itihasa. Scholars hesitate in defining the term "Hindu scriptures" given the diverse nature of Hinduism, but many list the Agamas as Hindu scriptures, and Dominic Goodall includes Bhagavata Purana and Yajnavalkya Smriti in the list of Hindu scriptures as well.

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👉 Hindu texts in the context of Kama

Kama (Sanskrit: काम, IAST: kāma) is the concept of pleasure, enjoyment and desire in Hinduism, Buddhism, Jainism, and Sikhism. It can also refer to "desire, wish, longing" in Hindu, Buddhist, Jain, and Sikh literature. However, the term is also used in a technical sense to refer to any sensory enjoyment, emotional attraction or aesthetic pleasure experienced in connection with the arts, dance, music, painting, sculpture, and nature.

In contemporary literature kama is often used to connote sexual desire and emotional longing, but the ancient concept is more expansive, and broadly refers to any desire, wish, passion, pleasure, or enjoyment of art and beauty, the aesthetic, enjoyment of life, affection, love and connection, and enjoyment of love with or without sexual connotations.

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Hindu texts in the context of Hinduism

Hinduism (/ˈhɪnduˌɪzəm/) is an umbrella term for a range of Indian religious and spiritual traditions (sampradayas) that are unified by adherence to the concept of dharma, a cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word Hindu is an exonym, and while Hinduism has been called the oldest surviving religion in the world, it is also described by the 19th century term Sanātana Dharma (lit. 'eternal dharma'). Vaidika Dharma (lit. 'Vedic dharma') and Arya Dharma are historical endonyms for Hinduism.

Hinduism entails diverse systems of thought, marked by a range of shared concepts that discuss theology, mythology, and other topics in textual sources. Hindu texts have been classified into Śruti (lit. 'heard') and Smṛti (lit. 'remembered'). The major Hindu scriptures are the Vedas, the Upanishads, the Puranas, the Mahabharata (including the Bhagavad Gita), the Ramayana, and the Agamas. Prominent themes in Hindu beliefs include karma (action, intent and consequences), saṃsāra (the cycle of death and rebirth) and the four Puruṣārthas, proper goals or aims of human life, namely: dharma (ethics/duties), artha (prosperity/work), kama (desires/passions) and moksha (liberation/emancipation from passions and ultimately saṃsāra). Hindu religious practices include devotion (bhakti), worship (puja), sacrificial rites (yajna), and meditation (dhyana) and Yoga. Hinduism has no central doctrinal authority and many Hindus do not claim to belong to any denomination. However, scholarly studies notify four major denominations: Shaivism, Vaishnavism, Shaktism and Smartism. The six Āstika schools of Hindu philosophy that recognise the authority of the Vedas are: Sankhya, Yoga, Nyaya, Vaisheshika, Mīmāṃsā, and Vedanta.

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Hindu texts in the context of Rigveda

The Rigveda or Rig Veda (Sanskrit: ऋग्वेद, IAST: ṛgveda, from ऋच्, "praise" and वेद, "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (sūktas). It is one of the four sacred canonical Hindu texts (śruti) known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum.

The Rigveda is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. Most scholars believe that the sounds and texts of the Rigveda have been orally transmitted with precision since the 2nd millennium BCE, through methods of memorisation of exceptional complexity, rigour and fidelity, though the dates are not confirmed and remain contentious until concrete evidence surfaces. Philological and linguistic evidence indicates that the bulk of the Rigveda Samhita was composed in the northwestern region of the Indian subcontinent (see Rigvedic rivers), most likely between c. 1500 and 1000 BCE, although a wider approximation of c. 1900–1200 BCE has also been given.

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Hindu texts in the context of Sanskrit literature

Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Rigveda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).

Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many Middle Indic (prakritic) elements not found in other forms of Sanskrit.

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Hindu texts in the context of Vedas

The Vedas (/ˈveɪdəz/ or /ˈviːdəz/; Sanskrit: वेदः, romanized: Vēdaḥ, lit. 'knowledge'), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.

There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox śramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for the Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively.

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Hindu texts in the context of Hindu mythology

Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the Mahabharata and the Ramayana), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali Mangal Kavya and the Tamil Periya Puranam and Divya Prabandham. Additionally, Hindu myths are also found in widely translated fables like the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts influenced by Hindu traditions.

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Hindu texts in the context of Smṛti

Smṛti (Sanskrit: स्मृति, IAST: smṛti, transl. 'what is remembered'), also spelled smriti or smruti, is a body of Hindu texts representing the remembered, written tradition in Hinduism, rooted in or inspired by the Vedas. Smṛti works are generally attributed to a named author and were transmitted through manuscripts, in contrast to Vedic or śruti literature, which is based on a fixed text with no specific author, and preserved through oral transmission. Smṛti are derivative, secondary works and considered less authoritative than śruti in Hinduism, except in the Mīmāmsa school of Hindu philosophy. The authority of smṛti accepted by orthodox schools is derived from that of śruti, on which it is based.

The smṛti literature is a corpus of varied texts that includes: the six Vedāṅgas (the auxiliary sciences in the Vedas), the epics (the Mahābhārata and Rāmāyaṇa), the Dharmasūtras and Dharmaśāstras (or Smritiśāstras), the Arthasaśāstras, the Purāṇas, the kāvya or poetical literature, extensive Bhashyas (reviews and commentaries on śruti and non-śruti texts), and numerous nibandhas (digests) covering politics, ethics (nītiśāstras), culture, arts and society.

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Hindu texts in the context of Bhagavad Gita

The Bhagavad Gita (/ˈbʌɡəvəd ˈɡiːtɑː/; Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), often referred to as the Gita (IAST: gītā), is a Hindu scripture, likely composed in the second or first century BCE, which forms part of the epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of dharma (duty, rightful action); Sankhya-based yoga and jnana (knowledge); and bhakti (devotion). Among the Hindu traditions, the Gita holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in the Vedanta and Vaishnava traditions.

While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya yoga philosophy, the Gita is set in a narrative framework of dialogue between the Pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, at the onset of the Kurukshetra War.

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Hindu texts in the context of Deva (Hinduism)

Deva (Sanskrit: देव, Sanskrit pronunciation: [de:vɐ]) means 'shiny', 'exalted', 'heavenly being', 'divine being', 'anything of excellence', and is also one of the Sanskrit terms used to indicate a deity in Hinduism. Deva is a masculine term; the feminine equivalent is Devi. The word is a cognate with Latin deus ('god') and Greek Zeus.

In the earliest Vedic literature, all supernatural beings are called Devas and Asuras. The concepts and legends evolved in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic Hindu texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval works of Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful but malevolent half-brothers, referred to as the Asuras.

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