Floor plan in the context of "Yamen"

The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and the subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos.

The paved walkways of Delos range from simple pebble or chip-pavement constructions to elaborate mosaic floors composed of tesserae. Most motifs contain simple geometric patterns, while only a handful utilize the opus tessellatum and opus vermiculatum techniques to create lucid, naturalistic, and richly colored scenes and figures. Mosaics have been found in places of worship, public buildings, and private homes, the latter usually containing either an irregular-shaped floor plan or peristyle central courtyard.

In geometry, a square is a regular quadrilateral. It has four straight sides of equal length and four equal angles. Squares are special cases of rectangles, which have four equal angles, and of rhombuses, which have four equal sides. As with all rectangles, a square's angles are right angles (90 degrees, or π/2 radians), making adjacent sides perpendicular. The area of a square is the side length multiplied by itself, and so in algebra, multiplying a number by itself is called squaring.

Equal squares can tile the plane edge-to-edge in the square tiling. Square tilings are ubiquitous in tiled floors and walls, graph paper, image pixels, and game boards. Square shapes are also often seen in building floor plans, origami paper, food servings, in graphic design and heraldry, and in instant photos and fine art.

An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building contractor to construct it based on design intent, as a record of the design and planned development, or to make a record of a building that already exists.

Architectural drawings are made according to a set of conventions, which include particular views (floor plan, section etc.), sheet sizes, units of measurement and scales, annotation and cross referencing.

A rotunda (from Latin rotundus) is any roofed building with a circular ground plan, and sometimes covered by a dome. It may also refer to a round room within a building (an example being the one below the dome of the United States Capitol in Washington, D.C.). The Pantheon in Rome is perhaps the most famous, and is the most influential rotunda. A band rotunda is a circular bandstand, usually with a dome.

A tetrapylon (plural tetrapyla; Greek: τετράπυλον, lit. 'four gates'; Latin: quadrifrons, lit. 'four fronts', also used in English) is a rectangular form of monument with arched passages in two directions, at right angles, generally built on a crossroads. They appear in ancient Roman architecture, usually as a form of the Roman triumphal arch at significant crossroads or geographical "focal points".

A tetrapylon was effectively a 'doubling' of the original triumphal arch form; with a total of four major arched openings, one on each side of the structure (one pair of openings opposite each other along one axis, and a second pair of openings of equal or lesser prominence perpendicular to the first pair; hence a structure with two barrel vaulted passageways, in the form of a cross). Roman examples are usually roughly square in plan, with the crossing archways of the same size; in some later examples, the plan is oblong, with the longer sides having a larger archway as for example at the Arc de Triomphe in Paris.