Ferrara (/fəˈrɑːrə/; Italian: [ferˈraːra] ; Emilian: Fràra [ˈfraːra]) is a city and comune (municipality) in Emilia-Romagna, Northern Italy, capital of the province of Ferrara. As of 2016, it had 132,009 inhabitants. It is situated 44 kilometres (27 miles) northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km (3 miles) north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site.
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👉 Ferrara in the context of Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer of the late Classical and early Romantic eras. He gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Wolfgang Amadeus Mozart, Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Tancredi, Otello and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.
In this Dossier
- ⭐ Core Definition: Ferrara
- 👉 Ferrara in the context of Gioachino Rossini
- Ferrara in the context of Emilia-Romagna
- Ferrara in the context of Federico Commandino
- Ferrara in the context of Council of Florence
- Ferrara in the context of Medal of John VIII Palaeologus
- Ferrara in the context of Goro, Italy
- Ferrara in the context of Palazzo Schifanoia
- Ferrara in the context of Ercole de' Roberti
Ferrara in the context of Emilia-Romagna
Emilia-Romagna (UK: /ɪˌmiːliə roʊˈmɑːnjə/, US: /eɪˌ-/, both also /ɛˌ-/, Italian: [eˈmiːlja roˈmaɲɲa]) is an administrative region of northern Italy, comprising the historical regions of Emilia and Romagna. Its capital is Bologna. It has a population of over 4.4 million in an area of 22,509.67 km (8,691 sq mi).
Emilia-Romagna is one of the wealthiest and most developed regions in Europe, with the third highest gross domestic product per capita in Italy. It is also a cultural center, being the home of the University of Bologna, the oldest university in the world. Some of its cities, such as Modena, Parma, Ferrara, and Ravenna, are UNESCO heritage sites. It is a center for food and automobile production (such as Ferrari, Lamborghini, and Maserati). It has coastal resorts such as Cervia, Cesenatico, and Rimini. In 2018, the Lonely Planet guide named Emilia-Romagna as the best place to see in Europe.
Ferrara in the context of Federico Commandino
Federico Commandino (1509 – 5 September 1575) was an Italian humanist and mathematician.
Born in Urbino, he studied at Padua and then at Ferrara, where he received his doctorate in medicine under Antonio Musa Brassavola. He had numerous patrons throughout his life. Initially, aided by Grassi, the bishop of Viterbo, he then came under the patronage of Pope Clement VIII. In Urbino, he was sponsored by Guidobaldo II della Rovere, but then came to Rome with cardinal Ranuccio Farnese. In Rome, he was patronized by Cardinal Cervini, who served briefly as Pope. Lured back to Urbino by Francesco Maria II della Rovere. In Urbino, he putatively met John Dee, and corresponded with the scholars Conrad Dasypodius (il Dasipodio), Gerolamo Cardano, Francesco Maurolico, and Christopher Clavius.
Ferrara in the context of Council of Florence
The Council of Florence is the seventeenth ecumenical council recognized by the Catholic Church, held between 1431 and 1445. It was convened in territories under the Holy Roman Empire. Italy became a venue of a Catholic ecumenical council after a gap of about 2 centuries (the last ecumenical council to be held in Italy was the 4th Council of the Lateran in Rome's Lateran Palace). It was convoked in Basel as the Council of Basel by Pope Martin V shortly before his death in February 1431 and took place in the context of the Hussite Wars in Bohemia and the rise of the Ottoman Empire. At stake was the greater conflict between the conciliar movement and the principle of papal supremacy.
The Council entered a second phase after Emperor Sigismund's death in 1437. Pope Eugene IV translated the Council to Ferrara on 8 January 1438, where it became the Council of Ferrara and succeeded in drawing some of the Byzantine ambassadors who were in attendance at Basel to Italy. Some Council members rejected the papal decree and remained at Basel: this rump Council suspended Eugene, declared him a heretic, and then in November 1439 elected an antipope, Felix V.
Ferrara in the context of Medal of John VIII Palaeologus
The medal of John VIII Palaeologus is a portrait medal by the Italian Renaissance artist Pisanello. It is generally considered to be the first portrait medal of the Renaissance. On the obverse of the medal is a profile portrait of the penultimate Byzantine emperor, John VIII Palaeologus; the reverse contains an image of the emperor on horseback before a wayside cross. Although the date of the work is not clear it was likely to have been some time during 1438 and 1439, the years John was in Italy attending the Council of Ferrara (later moved to Florence). It is not known whether the emperor himself or his Italian hosts commissioned Pisanello to make the medal, but Leonello d’Este, the heir apparent to the marquisate of Ferrara, has been suggested as the most likely candidate. Several drawings by Pisanello are closely associated with the medal and these include sketches now held in Paris and Chicago.
Its impact on art was significant: it extended beyond numismatics and the proliferation of outstanding Renaissance medals to influence sculpture and painting. Renaissance artists subsequently used Pisanello's portrait of John almost as a stock type to represent exotic or antique figures. This can be seen in the work of Piero della Francesca who used the image of John in his Flagellation of Christ and Arezzo frescoes.
Ferrara in the context of Goro, Italy
Goro (Ferrarese: Gòr, but locally Goro) is a comune (municipality) in the Province of Ferrara in the Italian region Emilia-Romagna, located about 80 kilometres (50 mi) northeast of Bologna and about 50 kilometres (31 mi) east of Ferrara, near the mouth of the Po River.
Goro borders the following municipalities: Ariano nel Polesine, Codigoro, Mesola.
Ferrara in the context of Palazzo Schifanoia
Palazzo Schifanoia is a Renaissance palace in Ferrara, Emilia-Romagna (Italy) built for the Este family. The name "Schifanoia" is thought to originate from "schifare la noia" meaning literally to "escape from boredom" which describes accurately the original intention of the palazzo and the other villas in close proximity where the Este court relaxed. The highlights of its decorations are the allegorical frescoes with details in tempera by or after Francesco del Cossa and Cosmè Tura, executed ca 1469–70, a unique survival of their time.
This palace forms part of a catalogue of pleasure palaces for the Este family, including the following:
Ferrara in the context of Ercole de' Roberti
Ercole de' Roberti (c. 1451 – 1496), also known as Ercole Ferrarese or Ercole da Ferrara, was an Italian artist of the Early Renaissance and the School of Ferrara. He was profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.
The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the Este family in Ferrara. According to Vasari: