Pisanello in the context of "Medal of John VIII Palaeologus"

A bronze medal in sports and other similar areas involving competition is a medal made of bronze awarded to the third-place finisher of contests or competitions such as the Olympic Games, Commonwealth Games, etc. The outright winner receives a gold medal and the second place a silver medal. More generally, bronze is traditionally the most common metal used for all types of high-quality medals, including artistic ones. The practice of awarding bronze third place medals in the Olympic Games began at the 1904 Olympic Games in St. Louis, Missouri, before which only first and second places were awarded.

The Renaissance in Rome occupied a period from the mid-15th to the mid-16th centuries, a period which spawned such masters as Michelangelo and Raphael, who left an indelible mark on Western figurative art. The city had been a magnet for artists wishing to study its classical ruins since the early 15th century. A revived interest in the Classics brought about the first archaeological study of Roman remains by the architect Filippo Brunelleschi and the sculptor Donatello, both Florentines. This inspired a corresponding classicism in painting and sculpture, which manifested itself in the paintings of Masaccio and Uccello. Pisanello and his assistants also frequently took inspiration from ancient remains, but their approach was essentially cataloguing, acquiring a repertoire of models to be exploited later.

In the year 1420, Pope Martin V moved the papal seat back to Rome, ending its long Avignon Papacy or "Babylonian captivity", and the Papal Schism, when several "popes" simultaneously claimed the office. He at once set to work, establishing order and restoring the dilapidated churches, palaces, bridges, and other public structures. For this reconstruction he engaged some famous masters of the Tuscan school, and thus laid the foundation for the Roman Renaissance.

A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are presented as awards. They may be intended to be worn, suspended from clothing or jewellery in some way, although this has not always been the case. They may be struck like a coin by dies or die-cast in a mould.

A medal may be awarded to a person or organisation as a form of recognition for sporting, military, scientific, cultural, academic, or various other achievements. Military awards and decorations are more precise terms for certain types of state decoration. Medals may also be created for sale to commemorate particular individuals or events, or as works of artistic expression in their own right. In the past, medals commissioned for an individual, typically with their portrait, were often used as a form of diplomatic or personal gift, with no sense of being an award for the conduct of the recipient.

Hanging is killing a person by suspending them from the neck with a noose or ligature. Hanging has been a standard method of capital punishment since the Middle Ages, and has been the primary execution method in numerous countries and regions. As a form of execution, it is commonly practiced at a structure called a gallows. The first known account of execution by hanging is in Homer's Odyssey. Hanging is also a common method of suicide.

Domenico Veneziano (c. 1410 – May 15, 1461) was an Italian painter of the early Renaissance, active mostly in Perugia and Tuscany.

Little is known of his birth, though he is thought to have been born in Venice, hence his last name. He then moved to Florence in 1422–23 as a boy, to become a pupil of Gentile da Fabriano. He is said to have worked with Pisanello in Rome around 1423–1430. His work was influenced by the style of Benozzo Gozzoli.

International Gothic (or Late Gothic) art is a style of figurative art datable between about 1370 and, in Italy, the first half of the 15th century.

As the name emphasizes, this stylistic phase had an international scope, with common features as well as many local variables. The style did not spread from a center of irradiation, as had been the case, for example, with Gothic art and the Île-de-France, but was rather the result of a dialogue between European courts, fostered by the numerous mutual exchanges. Among these courts, the papal court played a prominent role, particularly the Avignon court, a true center of gathering and exchange for artists from all over the continent.