Dais in the context of "Tribune (architecture)"

In ecclesiastical architecture, a ciborium (Greek: κιβώριον; lit. 'ciborion') is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a church. It may also be known by the more general term of baldachin, though ciborium is often considered more correct for examples in churches. A baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or, as at Saint Peter’s in Rome, imitate one. There are exceptions; Bernini's structure in Saint Peter's, Rome is always called the baldachin.

Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise it above the floor of the sanctuary.

A throne is the seat of state of a potentate or dignitary, especially the seat occupied by a sovereign (or viceroy) on state occasions; or the seat occupied by a pope or bishop on ceremonial occasions. "Throne" in an abstract sense can also refer to the monarchy itself, an instance of metonymy, and is also used in many expressions such as "the power behind the throne".

A throne is a symbol of divine and secular rule and the establishment of a throne as a defining sign of the claim to power and authority. It can be with a high backrest and feature heraldic animals or other decorations as adornment and as a sign of power and strength. A throne can be placed underneath a canopy or baldachin. The throne can stand on steps or a dais and is thus always elevated. The expression "ascend (mount) the throne" takes its meaning from the steps leading up to the dais or platform, on which the throne is placed, being formerly comprised in the word's significance. Coats of arms or insignia can feature on throne or canopy and represent the dynasty. Even in the physical absence of the ruler an empty throne can symbolise the everlasting presence of the monarchical authority.

A baldachin, or baldaquin (from Italian: baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall.

A cloth of honour or cloth of estate is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth.

George Talbot, 6th Earl of Shrewsbury, 6th Earl of Waterford, 12th Baron Talbot, KG, Earl Marshal (c. 1522/1528 – 18 November 1590) was an English magnate and military commander. He also held the subsidiary titles of 15th Baron Strange of Blackmere and 11th Baron Furnivall. He was best known for his tenure as keeper of Mary, Queen of Scots between 1568 and 1585, his marriage to his second wife Elizabeth Talbot (Bess of Hardwick), as well as his surviving collection of written work.

The Delhi Durbar (lit. "Court of Delhi") was the imperial mass assembly organized by the British Raj at Coronation Park, Delhi, India, to mark the accession of an Emperor or Empress of India. The ceremonial name was derived from the Persian term, durbar (royal court). Also known as the Imperial Durbar, it was held three times, in 1877, 1903, and 1911, at the height of the British Empire. The 1911 Durbar was the only one that a sovereign, George V, attended; at the earlier Durbars, the monarch was represented by their viceroy. A Durbar was contemplated in 1937 or 1938 for George VI, the last emperor, but was postponed. The impetus for the Durbar expired when India and Pakistan became independent countries after World War II.

A great hall is the main room of a royal palace, castle or a large manor house or hall house in the Middle Ages. It continued to be built in the country houses of the 16th and early 17th centuries, although by then the family used the great chamber for eating and relaxing. At that time the word "great" simply meant big and had not acquired its modern connotations of excellence. In the medieval period, the room would simply have been referred to as the "hall" unless the building also had a secondary hall. The term "great hall" has been mainly used for surviving rooms of this type for several centuries to distinguish them from the different type of hall found in post-medieval houses. Great halls were found especially in France, England and Scotland, but similar rooms were also found in some other European countries.

A typical great hall was a rectangular room between one and a half and three times as long as it was wide, and also higher than it was wide. It was entered through a screens passage at one end, and had windows on the long sides, often including a large bay window. There was usually a minstrels' gallery above the screens passage. The screens passage was divided from the hall by a timber screen with two openings. The portion of the screen between these openings could be movable, such as the one at Rufford Old Hall. At the other end of the hall was the dais where the high table was situated. The ceiling above the dais was often ornamented to denote its higher status. The lord's family's more private rooms lay beyond the dais end of the hall, and the kitchen, buttery and pantry were on the opposite side of the screens passage. The dais end is generally referred to as the 'upper' end, and the screens end as the 'lower' end.

The great chamber was the second most important room in a medieval or Tudor English castle, palace, mansion, or manor house after the great hall. Medieval great halls were the ceremonial centre of the household and were not private at all; the gentlemen attendants and the servants would come and go all the time. The great chamber was at the dais end of the hall, usually up a staircase. It was the first room which offered the lord of the household some privacy from his own staff, albeit not total privacy. In the Middle Ages the great chamber was an all-purpose reception and living room. The family might take some meals in it, though the great hall was the main eating room. In modest manor houses it sometimes also served as the main bedroom.

Evidence of chamber blocks separate to the hall can be seen as far back as the 10th century, for example in the excavated manor at Sulgrave, Northamptonshire. Upper chambers are also depicted in the Bayeux Tapestry, such as in scene 3, where Harold Godwinson is feasting in his chamber at Bosham. After the Norman Conquest, plans of large houses became more integrated, and the great chamber assumed its standard place at the end of the hall. Some chamber blocks were built of stone and have survived, though the timber halls to which they were attached have vanished. This has led to confusion, with earlier historians like Margaret Wood seeing them as first floor halls. Examples include Burton Agnes Old Hall, Boothby Pagnell Manor, Hemingford Grey Manor and the School of Pythagoras in Cambridge. This development continued in the 13th century, though the halls became more frequently of stone, as at Old Soar Manor, of c.1280-90. Old Soar illustrates another development of the time, the addition of smaller rooms attached to the great chamber - in this case, a garderobe and a chapel. At this time, the standard plan of a manor had a single block attached to the hall, with the chamber above and the services below.